Event Comment: Benefit Miss Cymber. 6 p.m. At the Desire of several Ladies of Quality. A Concert, etc. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Event Comment: At the Desire of Several Ladies of Quality. Boxes 5s. Pit 3s. Gallery 1s. 6d. [Usual concert formula. See letter to today's Daily Advertiser wherein Foote is threatened with being horsewhipped if he puts on his Diversions. This is part of Foote's publicity program.] Several of Miss Cymber's Friends [at the Play Jane Shore] mistaking the House for the Theatre in James St., are desir'd to observe this is facing the Opera House in the Haymarket.--General Advertiser

Event Comment: Benefit for Bencraft and Miss Kennedy. No building on Stage

Event Comment: Benefit for Cushing, White, Holtom. Tickets deliver'd by Jona, Jarvis, Mlle Vivier, and Miss Condel will be taken

Event Comment: Benefit for Marten, Stoppelaer, and Miss Young. Tickets sold at the Doors will not be Taken

Event Comment: Benefit for Miss Burn. Tickets 2s

Event Comment: Receipts: #151 15s. 6d. Sent Mrs Ward by order of Rich #10. Paid Messrs Powell & Co for Miss White #3 12s

Event Comment: Mainpiece: Not acted these 16 years. [See 19 April 1751.] New Scenes, Machines, Decorations &c. The Characters dress'd in The Habits of the times. This Masque is very well got up with New Scenes & Decorations particularly a Representation of the Grand Naval Review design'd by Mons DeLoutherberg & vastly well Executed had great Applause the piece is very dull (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid five day's salary at #86 13s. 10d. per diem, #433 9s. 2d.; Miss Younge 6 days not on the list #1; Mr Courtney 3 days not on list 7s. 6d.; Mr J. French on Act #10 (Treasurer's Book). The Songs, Chorusses, &c. in the Masque (in the order they are now performed) to be had at the Theatre. The Music by Dr Arne and other masters (playbill). Receipts: #158 12s. (Treasurer's Book)

Event Comment: Benefit for the London Hospital. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre; the Doors of which will be opened at 5:30, and the Performance to begin precisely at 6:30. No Money to be returned after the Curtain is drawn up, nor will any Person be admitted behind the Scenes. [Master Braham is identified in Grove. Address by Arthur Murphy (Town and Country Magazine, July 1787, p. 324).] This was the opening night of this theatre, which had been built by and was under the management of John Palmer. Following the afterpiece he explained to the audience the objections of the proprietors of dl, cg and hay to his opening the theatre. He said that he had from the Lieutenant of the Tower of London what he considered to be sufficient permission, but that he would nevertheless close the theatre temporarily. Palmer's difficulty was that he had no really legal permission from anybody for the performance of actual plays. See 3 July, and for further details the head-note to this season. World, 18 July, prints an official accoudting for this night from the theatre's treasurer: Receipts were #273 12s.; paid for music, advertisements, servants, &c. #37 10s.; lost in bad silver #1 19s.; paid the London Hospital #234 4s.; the players acted without salary

Event Comment: [Miss Satchell is identified in Genest, VI, 186.] Receipts: #139 19s. 6d. (139.14.0; 0.5.6)

Event Comment: [Miss Glassington's 1st appearance on the stage was at the Crow Street Theatre, Dublin, 15 Mar. 1781, also as Rosalind (Hibernian Magazine, Mar. 1781, p. 146).] Receipts: #103 12s. (73/6/0; 30/1/6; 0/4/6)

Event Comment: [Miss Cranford was from DL.]

Event Comment: [Miss Goddard was from the Margate theatre.] Receipts: #295 4s. (199.16.6; 91.12.0; 3.15.6)

Event Comment: [Miss Wewitzer is identified by MS annotation on Kemble playbill.] Receipts: #177 12s. 6d. (176/4/0; 1/8/6)

Event Comment: [Miss Townsend is identified in European Magazine. Oct. 1796, p. 274.] Receipts: #252 10s. 6d. (245.12.6; 6.18.0)

Event Comment: [Miss Mansel is identified in European Magazine, Oct. 1795, p. 274.] Receipts: #134 3s. 6d. (127.19.6; 6.4.0)

Event Comment: [Miss Storer is identified by MS annotation on Kemble playbill.] Receipts: #118 11s. (117.13.6; 0.17.6)

Event Comment: [Miss Ranoe is identified by MS annotation on Kemble playbill.] Receipts: #257 12s. 6d. (254/3/0; 3/9/6)

Event Comment: [Miss Farren was from the hay. And see dl, 8 Oct.

Event Comment: [Miss Harper was from the HAY.] Receipts: #149 6s. 6d. (147/17/6; 1/9/0)

Event Comment: [Miss Powel is identified in Morning Chronicle, 2 July.

Event Comment: [Miss Arne, who is identified by MS annotation on Kemble playbill, had previously appeared as a chorus singer; see 27 Oct. 1794. In mainpiece the playbill assigns Mrs Peachum to Mrs Hopkins, Suky Tawdry to Mrs Maddocks, Mrs Coaxer to Miss Stageldoir, but "Mrs Hopkins being ill, Mrs Maddocks play'd Mrs Peachum; Mrs Hedges Suky Tawdry for Mrs Maddocks; Miss Stageldoir Ill, Mrs Jones play'd Mrs Coaxer. [In afterpiece] Jones Ill, Lyons Snuffle; Evans 4th Mob for Lyons [both these characters omitted from playbill]" (Powell).] Powell: Mayor of Garratt rehearsed at 12; New Ballet at 12. Receipts: #174 10s. (121.14; 51.2; 1.14)

Event Comment: [Miss Humphries, who was from the Private Theatre, Tottenham Court Road, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Barrymore as Sir Rowland, and Bannister Jun. as Walter, but "The Public are respectfully informed that Bannister being suddenly afflicted with a Hoarseness, and Barrymore having met with an unfortunate Accident, are both rendered incapable of the honour of appearing before them this Evening. To prevent a disappointment of The Children in the Wood Dowton will perform...Walter, and C. Kemble Sir Rowland, presuming humbly upon the usual kind indulgence experienced upon such emergencies" (printed slip attached to Kemble playbill).] Receipts: #259 18s. (160.0.6; 98.12.6; 1.5.0)

Event Comment: [Miss Prideaux was from the hay.] Receipts: #170 12s. 6d. (119.18.0; 48.12.0; 2.2.6)

Event Comment: [Miss Hill, who was from the Plymouth theatre, is identified in European Magazine, Oct. 1794, p. 285.] Receipts: #257 11s. (250.12.6; 6.18.6)