SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss Langrish"/1) | (@(roleclean,performerclean) "Miss Langrish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 13752 matches on Performance Comments, 4416 matches on Performance Title, 1719 matches on Event Comments, 85 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit for Miss Asselin

Performances

Mainpiece Title: Il Mondo Nella Luna

Performances

Mainpiece Title: La Serva Padrona

Performance Comment: As17610806, but add Miss Glanville.

Performances

Mainpiece Title: La Serva Padrona

Performance Comment: As17610806, but Mrs Seratina instead of Miss Glanville.

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: Catharine and Petruchio

Dance: NNew Swiss Dance-Mas. Roger, Miss Capitani

Performance Comment: Roger, Miss Capitani.

Performances

Mainpiece Title: King Henry V

Performance Comment: As17611117, but Henry-Hull; Catherine-A Young Gentlewoman [Miss Hallam]; Acbp Canterbury-_.

Afterpiece Title: The Coronation

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.
Event Comment: At the Great Room, Dean St. Benefit for Miss Formantel. Price: 5s. To begin at 7

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for Miss Yates. No building on Stage

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Devil to Pay

Dance: The Irish Lilt, as17621023

Event Comment: By Particular Desire. [Miss Street is here billed as apprentice to Gerhardi.

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Mayor of Garratt

Dance: I: Serious Dance, as17630727 II: The Venetian Gardeners, as17630801

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Lady Grace Actor: Miss Plym
Role: Miss Jenny Actor: Miss Pope

Dance: II: Double Hornpipe-Mas. Cape, Miss Rogers; IV: The Cow@Keepers, as17640504

Performance Comment: Cape, Miss Rogers; IV: The Cow@Keepers, as17640504.
Event Comment: Benefit for Miss Brent. Tickets 5s

Performances

Mainpiece Title: Samson

Event Comment: Benefit Miss Mozart of Twelve and Master Mozart of Eight Years Prodigies of Nature. Tickets a Half a Guinea each, to be had of Mr Mozart at Mr Williamson's in Thrift St., Soho. A Box Ticket shall admit two into the Gallery. To begin at 6 p.m., which will not hinder the Nobility and Gentry from meeting in other Assemblies the same evening

Performances

Mainpiece Title: Concert

Event Comment: Benefit for Miss Polly Young

Performances

Mainpiece Title: Demofoonte

Dance: As17650105

Performances

Mainpiece Title: The Commissary

Cast
Role: Mrs Mechlin Actor: Miss Cheney
Role: Dolly Actor: Miss Reynolds

Afterpiece Title: The Knights

Dance: A New Dance-Mas. Clinton, Miss Street

Performance Comment: Clinton, Miss Street.
Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: Jan. 30, 1766, died Mrs Cibber. Was Miss Arne, born 1715. Married Theo Cibber 21 April 1734. Brought to bed of a son 5 April 1736. Left stage 1738 with Mr Sloper, who was charged with damages. Acted Dublin 1741. Returned to Covent Garden and performed till 1747. Joined Garrick till 1750. Returned to cg till 1753. Returned to dl and remained till she died (Winston MS 9 from Burney's Actor's MS)

Performances

Mainpiece Title: None

Event Comment: MMiss Young's night. Tickets 5s. To be had of Miss Young

Performances

Mainpiece Title: Acis And Galatea

Music: CConcerto on Violin-Hay

Dance: To conclude with a Ball-

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley

Event Comment: With several curious and uncommon performances by the Venetian and his children. Neville MS Diary: At 6 got into the Pit at Sadler's Wells just as the entertainment began with concerts. The singing by Mrs Lampe, Master Herryman, &c. Dancing by Sg Grimaldi, Tassoni, Miss Reynolds from Drury Lane. Tumbling, but not equal to that by Plaida's company. Postures in which the Venetian and his children (a boy and a girl particularly) excel greatly. One stands on his hands, turns his feet backwards to his haunches, and walks in this position or forms an arch with his breast, while the other stands on his head upon it, the father carries one on his hand around his body, one stands on his head on his father's hand. These I mention as a specimen of many more, equally curious, tho' seeing these postures is disagreeable to a humane mind. The Father balances too the slack rope. The whole concluded with the pantomimic entertainment called Merlin

Performances

Mainpiece Title: Merlin; Or, The Enchanter Of Stonehenge

Performances

Mainpiece Title: The Commissary

Performance Comment: As17670619, Young Gentlewoman indentified as Miss Ogilvie%.
Cast
Role: Commissary Actor: Foote

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowel-Gibson; Young Knowel-Dyer; Wellbred-Mattocks; Bobadil-Woodward; Mas. Stephen-Shuter; Brainworm-Dunstall; Downright-Gardner; Clement-Morris; Mas. Matthew-Cushing; Cash-Perry; Formal-Wignell; Cob-Massey; Cob's Wife-Mrs Pitt; Bridget-Mrs Baker; Dame Kitely-Mrs Bulkley (late Miss Wilford); By Particular Desire, The New Occasional Prologue-Powell.

Afterpiece Title: The Upholsterer

Dance: End: Serious Dance, as17670916

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: Love a-la-Mode

Cast
Role: Lady Actor: Miss Macklin

Dance: End: Pantomime Dance-Mas. Blurton, Miss Besford

Performance Comment: Blurton, Miss Besford.

Performances

Mainpiece Title: Venice Preserved

Dance: End: A New Comic Dance call'd The Dutch Milkmaid-Mas. Blurton, Miss Ford

Performance Comment: Blurton, Miss Ford.

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Miss Sterling Actor: Miss Pope
Role: Betty Actor: Miss Reynolds

Afterpiece Title: The Register Office

Performance Comment: As17671125, but with a new Character [Mrs Doggerel] Miss Pope.

Dance: I: Comic Dance-Shuter, Mrs King

Event Comment: Benefit for Mrs Green and Mrs Vincent. Tickets for A Play will be taken. Those sold at Doors will not be admitted. Catherine and Petruchio cannot be perform'd because ff the illness of Woodward. Charges #64 5s. Balance to the nadies #17 18s. Paid Mrs Vincent #8 19s. who also had from Tickets #71 11s. (Box 110; Pit 207; Gallery 100). Paid Mrs Green #8 19s. who also had from Tickets #38 9s. (box 110; Pit 207; Gallery 130). Paid Miss Stede extra dancer for 6 nights #1 (Account Book). Receipts: #82 3s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Devil to Pay

Ballet: End: The Wapping Landlady. As17680416