SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Miss King"/1) | (@(roleclean,performerclean) "Miss King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14861 matches on Performance Comments, 7016 matches on Performance Title, 3222 matches on Event Comments, 25 matches on Author, and 8 matches on Roles/Actors.
Event Comment: [T$The King, Queen, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Griselda

Event Comment: [T$The King, Queen, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: Griselda

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Event Comment: DDaily Advertiser, 22 June: We hear that Subscriptions are actually in great forwardness for having two different Operas next Winter, one at the King's Theatre in the Haymarket, under the Direction of Messrs Handel and Heydegger, and the other to be at one of the Playhouses, under the Management of Directors chosen from among the Subscribers

Performances

Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Performances

Event Comment: Daily Advertiser, 21 Nov.: Yesterday Mr Harper was brought up by Habeas Corpus to the Court of King's Bench and ... it was agreed, that Mr Harper should be discharg'd out of Bridewell, on his own Recognizance, to appear the last Day of this Term; and an Action on a feign'd Issue is to be tried, whether he is a Vagrant within the Statute of the 12th of Queen Anne, next Term

Performances

Mainpiece Title:

Event Comment: The King present

Performances

Mainpiece Title: Caius Fabricius

Event Comment: dvertiser, 11 March: We hear, amongst other publick Diversions that are prepaid for the Solemnity of the approaching Nuptials, there is to be perform'd [at King's, 13 March] a Serenata, call'd Parnasso in Festa: The Fable is Apollo and the Muses celebrating the Marriage of Thetis and Peleus. There is one standing Scene, which is Mount Parnassus, on which sit Apollo and the Muses, assisted with other proper Characters emblematically dress'd, the whole Appearance being extreamly magnificent; nor is the Musick less entertaining, being contriv'd with so great a Variety, that all sorts of Musick are properly introduc'd in single Songs, Duettoes, &c. intermix'd with Chorus's something in the Stile of Oratorios, People have been waiting with Impatience for this Piece, the celebrated Mr Handel having exerted his utmost Skill in it.hathiBenefit Delane. At the Desire of several Persons of Distinction

Performances

Mainpiece Title:

Event Comment: [Their Majesties, Princess of Orange, and Princesses Amelia and King's Caroline present.]

Performances

Mainpiece Title: Pastor Fido

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late J. Addison, Esq. N.B. The Letter from some Gentlemen of the Inner-Temple (desiring the first Part of King Henry the Fourth to be play'd soon) was receiv'd, and, in Compliment to their Request, that Play will be Acted on Tuesday next

Performances

Mainpiece Title: Cato

Afterpiece Title: The Burgo Master Trickd

Dance: As17340919

Event Comment: The King grants a subsidy of #1,000 to Handel's opera company. See Deutsch, Handel, p. 370

Performances

Mainpiece Title:

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Performances

Mainpiece Title: Artaxerxes

Event Comment: By Command of their Royal Highnesses the Princess Amelia and Princess Caroline. [King, Duke, and all the Princesses present.]

Performances

Mainpiece Title: Timon Le Misantrope

Afterpiece Title: Arlequin Hulla

Song:

Dance:

Event Comment: First Piece: A new Dramatick Entertainment in Musick. [Music by Handel.] Second Piece: An Opera. With several Additions, intermix'd with Choruses. Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 21. 6d. [King and Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Terpsicore

Afterpiece Title: Pastor Fido

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

Event Comment: Benefit Francisque. By Their Majesties' Command. N.B. Places may be taken next the Boxes built on the Stage for their Royal Highness the Princess Amelia and Princess Caroline. [King, Queen, and rest of the Royal Family present.]

Performances

Mainpiece Title: Arlequin Astrologue Statue Enfant Ramoneur Negre Skelette With Two New Scenes Viz The Elbow chair And The Dog

Afterpiece Title: Harlequin always Harlequin

Performances

Mainpiece Title: Andria

Performance Comment: By the King's Scholars .
Event Comment: Daily Advertiser, 15 Dec: The Opera of Adriano, now performing with great Applause, particularly for some fine Songs in it, compos'd for Signior Farinello, having been thought by the King to be rather too long, M. Veracini has shorten'd it, and his Majesty has declar'd his Intention of being present at it [Tuesday 16]. We hear, that after this Opera has had its run, there will be a new one call'd Mithridates, the Drama of which is wrote in English by Colley Cibber, Esq; Poet Laureat, and translated from thence into Italian

Performances

Mainpiece Title: Adriano

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Cast not listed. King's.

Performances

Mainpiece Title: Concert

Music: Two Anthems out of the Coronation Musick to be done by a great Number of Voices and Performers, with several other Pieces of Musick. The whole to conclude with the Anthem of God Save the King

Performance Comment: The whole to conclude with the Anthem of God Save the King .

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: The Lover His Own Rival

Dance: II: English Maggot by Haughton and Mrs Bullock. III: Last new Grand Ballet performed in King Arthur by Haughton and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c

Performance Comment: III: Last new Grand Ballet performed in King Arthur by Haughton and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c .

Song: IV: By Mrs Chambers

Event Comment: Benefit Laguerre. Mainpiece: Written by the late Sir John Vanbrugh. [Tickets at Laguerre's, over against the King's Arms in George Street, York Buildings.] Receipts: money #13 9s. 6d.; tickets #95 12s

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Flora

Dance: Clown by Nivelon. Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from Orestes) by Glover, &c

Song: Chancon a Boire by Leveridge and Laguerre

Event Comment: By Command of their Royal Highnesses the Prince and Princess King's of Wales [who were present]

Performances

Mainpiece Title: Orpheus

Event Comment: The King again granted #1,000 to the Opera in the Haymarket. See Calendar of Treasury Papers, 1735-1738, p. 257

Performances

Mainpiece Title: Orpheus

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta