SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mills"/1) | (@(roleclean,performerclean) "Mills")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7128 matches on Roles/Actors, 2382 matches on Performance Comments, 270 matches on Performance Title, 161 matches on Event Comments, and 0 matches on Author.
Event Comment: Benefit Mills. Mainpiece: Not Acted these 6 Years

Performances

Mainpiece Title: The Coquet

Afterpiece Title: The Country House

Song: Henry Purcell's Frost Music from King Arthur-Leveridge, the new Boy, others; Singing in English and Italian-Mrs Tofts

Event Comment: Benefit Mills

Performances

Mainpiece Title: The Indian Queen

Music: All the original Musick by the late Mr Henry Purcel-Leveridge, Hughs, Ramondon, Mrs Lindsey, Mrs Cross, the Boy

Dance: Cherrier, Miss Santlow, Mrs duRuel, Mrs Evans

Event Comment: Benefit Mrs Saunders and Mrs Mills. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Committee

Event Comment: Benefit Mills. At the Desire of several Ladies of Quality. With all the Original Decorations of Scenes, Dances, and Musick

Performances

Mainpiece Title: Mackbeth

Event Comment: Benefit Mills. At the Desire of several Ladies of Quality. Written by Beaumont and Fletcher

Performances

Mainpiece Title: Philaster

Performances

Mainpiece Title: The Heroick Daughter

Performance Comment: edition of 1719 lists: Don Ferdinand-$Mills; Don Alvarez-$Cibber; Don Gormaz-$Booth; Don Carlos-$Wilks; Don Alonzo-$Thurmond; Don Sanchez-$Elrington; Don Garcia-$Boman; Ximena-$Mrs Oldfield; Belzara-$Mrs Porter; Epilogue-Ximena.
Cast
Role: Don Ferdinand Actor: Mills
Event Comment: Benefit Mrs Mills and Mrs Saunders. N.B. This is positively the last time of Acting till Winter, the Company being obliged to go immediately to Oxford. [For the Oxford repertory, see Cibber, II, 135-39.

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Event Comment: Benefit Mills

Performances

Mainpiece Title: Cato

Dance: As17151122

Event Comment: Benefit Mrs Mills

Performances

Mainpiece Title: The Rover

Song: Carey

Music: A New Concerto for the Flute-Paisable

Dance: Myrtillo's Grand Dance, The Country Lads and Lasses, The Striping Dance-Dupre, Prince, Mrs Santlow, Mrs Bicknell

Event Comment: Benefit Mills. By Their Royal Highness's Command. The tickets given out for The Orphan taken this day. [The Prince and Princess present.

Performances

Mainpiece Title: The Tender Husband

Dance: Dupre, Mrs Santlow

Event Comment: Mrs Mills, a Drury Lane actress, died on this day

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Dance: Mrs Santlow; New Dance-Miss Lindar

Event Comment: Benefit Mills' Son and Miss Lindar

Performances

Mainpiece Title: The Funeral

Dance: Country Lad and Lass-Shaw, Mrs Younger; Shepherdess, Harlequin-Miss Lindar, a Scholar of Shirley's; The Swedes-Topham, Mrs Bicknell

Event Comment: Original Weekly Journal, 2 Aug.: On Wednesday last, the Deceas'd Mr Keene was carried from his House in Cook's Court, by Lincoln's-Inn-Fields, to the Parish Church of St. Clement Danes; the Pall was held up by 3 Gentlemen from each Theatre, viz. Mr Booth, Mr Mills, and Mr Johnson, from the Old House; and Mr Bullock, Sen. Mr Spiller, and Mr Corey: Mr Charles Bullock appear'd as chief Mourner, the rest of the Actors from both Houses follow'd the Corpse to the Church, where was sung a very fine Anthem. 'Tis said Mr Walker, a Gentleman of that Profession, has made a very Pretty Elegy in Blank Verse upon the Occasion

Performances

Event Comment: Benefit Mills. By His Royal Highness's Command. Written by the late Mr Otway. [The Prince present.

Performances

Mainpiece Title: Venice Preserv'd

Dance: Pastoral Dance of Myrtillo-

Event Comment: Benefit Wm. Mills and Chetwood, the Prompter

Performances

Mainpiece Title: The Committee

Song: Boomar, it being the first Time of his performing on the Stage

Dance: Harlequin-Miss Santlow; The Swedes-Topham, Mrs Bicknell; The Peasants-Shaw, Mrs Younger; Shepherdess-Miss Lindar

Event Comment: Benefit Mills

Performances

Mainpiece Title: The Relapse

Dance: As17221015

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Wilks, Mills, Johnson, Wilks Jr, Norris, Harper, Penkethman, Mrs Thurmond, Mrs Younger, Mrs Heron, Mrs Baker, Miss Tenoe.

Afterpiece Title: Harlequin Doctor Faustus

Song: Singing in Italian and English-Mrs Hill, who never appear'd on this Stage before

Performances

Mainpiece Title: The Fair Penitent

Event Comment: At Miller-Mills-Oates' Booth

Performances

Mainpiece Title: The Banish'd General

Song: Singing-Mrs Roberts In the Character of Sally Sweetbread, the Butcher's Wife

Event Comment: On this day died Mrs William Mills

Performances

Event Comment: Benefit W. Mills. Written by Ben. Johnson

Performances

Mainpiece Title: The Alchymist

Music: Select Pieces

Dance: I: La Follette s'cest Ravisee by Nivelon and Miss Mann. III: Drunken Peasant by Le Brun. V: Grand Dance in Stomas, as17340316

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Black Joak-Philips, Miss Mann; II: English Maggot-Villeneuve, Mrs Walter

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: To the Author of the General Advertiser, Sir: Nothing but the Necessity of my Affairs could urge me to an address of this nature but having met with several unexpected and unavoidable misfortunes I beg leave to inform the Publick, through your means, that in order to extricate myself from my present difficulties, I have, by the indulgence of the Manager, obtain'd a Benefit before my Usual Time, which is to be the Careless Husband and the Devil to Pay on Saturday the 1st of March. As I have now put my Affairs into such a situation, that I think I shall never give the like trouble again, but at the proper time, I hope this notice will not be thought impertinent, or lessen those favours I have so often experienced, and which I am desirous of taking every opportunity to acknowledge, I am, Sir, &c W. Mills.--From dl Playhouse 8 Feb

Performances

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet