SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mills Son"/1) | (@(roleclean,performerclean) "Mills Son")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2495 matches on Performance Comments, 668 matches on Performance Title, 306 matches on Event Comments, 2 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit Mills. By His Royal Highness's Command. Written by the late Mr Otway. [The Prince present.

Performances

Mainpiece Title: Venice Preserv'd

Dance: Pastoral Dance of Myrtillo-

Event Comment: Benefit Wm. Mills and Chetwood, the Prompter

Performances

Mainpiece Title: The Committee

Song: Boomar, it being the first Time of his performing on the Stage

Dance: Harlequin-Miss Santlow; The Swedes-Topham, Mrs Bicknell; The Peasants-Shaw, Mrs Younger; Shepherdess-Miss Lindar

Event Comment: Benefit Mills

Performances

Mainpiece Title: The Relapse

Dance: As17221015

Event Comment: Benefit Penkethman. At the Desire of several Persons of Quality. And for the Entertainment of his Excellency Hegabdelcader Perez, Embassador from the Emperor of Fez and Morocco

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Wilks, Mills, Johnson, Wilks Jr, Norris, Harper, Penkethman, Mrs Thurmond, Mrs Younger, Mrs Heron, Mrs Baker, Miss Tenoe.

Afterpiece Title: Harlequin Doctor Faustus

Song: Singing in Italian and English-Mrs Hill, who never appear'd on this Stage before

Event Comment: Benefit Mrs Wilson. At the particular Desire of several Gentlemen and Ladies. At the New Theatre on Wind-mill Hill. Pit and Boxes laid together by Desire at 2s. each

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Calista-Mrs Wilson; Lothario-a young Gentleman of Exchange Alley for his Diversion.
Cast
Role: Calista Actor: Mrs Wilson
Event Comment: At Miller-Mills-Oates' Booth

Performances

Mainpiece Title: The Banish'd General

Performance Comment: As17310826 at bf, but King-Barcock; Tipple-Clark; Sir Wilful-Peckman; Colonel Westford-Bardin; Plausey-Tenoe; Lady Westford-Mrs Williamson; . .
Cast
Role: Lady Westford Actor: Mrs Williamson

Song: Singing-Mrs Roberts In the Character of Sally Sweetbread, the Butcher's Wife

Event Comment: On this day died Mrs William Mills

Performances

Event Comment: Benefit W. Mills. Written by Ben. Johnson

Performances

Mainpiece Title: The Alchymist

Related Works
Related Work: The Alchymist Author(s): Ben Jonson

Music: Select Pieces

Dance: I: La Follette s'cest Ravisee by Nivelon and Miss Mann. III: Drunken Peasant by Le Brun. V: Grand Dance in Stomas, as17340316

Song: II: Was ever Nymph like Rosamond by Miss Arne. IV: Hush ye little Warbling Choir by Miss Arne

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Black Joak-Philips, Miss Mann; II: English Maggot-Villeneuve, Mrs Walter

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: To the Author of the General Advertiser, Sir: Nothing but the Necessity of my Affairs could urge me to an address of this nature but having met with several unexpected and unavoidable misfortunes I beg leave to inform the Publick, through your means, that in order to extricate myself from my present difficulties, I have, by the indulgence of the Manager, obtain'd a Benefit before my Usual Time, which is to be the Careless Husband and the Devil to Pay on Saturday the 1st of March. As I have now put my Affairs into such a situation, that I think I shall never give the like trouble again, but at the proper time, I hope this notice will not be thought impertinent, or lessen those favours I have so often experienced, and which I am desirous of taking every opportunity to acknowledge, I am, Sir, &c W. Mills.--From dl Playhouse 8 Feb

Performances

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Sowdon. Last time of performing the Mainpiece this season. A Gent: play'd Puff in the farce--Bug (Cross). [Seems to have been a clear benefit, as Treasurer's Book lists no charges.] Cash #65 8s. 6d., plus tickets #95; Paid Reynolds for wax & [brickdust] 3s. 9d. Paid Mr Pope a Bill #7 14s. [wigmaker] (Treasurer's Book). Tickets of Sowdon at his lodgings, the Sign of the Sun, a Milliner's facing Exeter exchange in the strand, and of Hobson at the stage door. Tickets otherwise to be had at Will's Coffee House in Cornhill, and of Mr Thomas Sowdon in Blackman St., Southwark. We hear William Mills, Comedian, lies at the point of death, at his lodgings in Russell St., Covent Garden. Receipts: #170 (Cross); #160 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in Her Teens

Dance: CComic Dance, as17500221; Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: MMr Wm. Mills dy'd (Cross). Receipts: #50 (Cross); #55 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: A Duke and no Duke

Dance: HHornpipe-Mathews

Ballet: SSavoyard Travellers. As17491110, but Principal Savoyards-Mrs _Addison

Performance Comment: As17491110, but Principal Savoyards-Mrs _Addison.
Event Comment: Benefit for Matthews and James. Rec'd Cash #44 9s., plus #116 12s. from tickets. Total #161 1s. Paid Mr Barsanti for music by order of Garrick #1 11s. 6d. Paid Mr Williams 1!2 year's rent K: passage #11 15s. (Treasurer's Book). Mr Mills bury'd at St Marks [Cross). Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A Duke and no Duke

Dance: I: Fingalian Dance-McNeil; II: Black Joke-the Little Swiss, Miss Foulcade; III: Grand Scotch Dance, as17491031; IV: Hornpipe-Mathews; End of Play: Minuet-Mathews, Mad DeLaContri

Event Comment: SShuter having engag'd with Mr Rich Garrick in Bayes said you are a good Actor & I am sorry you have left me-a Clap (Cross). Both plays put up for last time of performing this season. Full prices throughout performance. No money returned after curtain is up. Tis hoped no gentlemen will take it ill that they cannot possibly be admitted behind the scenes or into the orchestra, the Entertainment depending chiefly upon the Machinery and Music. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; others-Yates, Lacey, Havard, Taswell, Blakes, Shuter; Scrase, W. Vaughan, Wilder, Marr, Simson, Vaughan, Raftor, Mozeen, Clough, Rooker, Gray, Miss Minors, Mrs Simson, Miss Mills, Miss Simson; With an additional reinforcement of Mr Bayes' New Rais'd Troops-.
Cast
Role: Johnson Actor: Palmer

Afterpiece Title: The Genii

Event Comment: DDrury Lane Theatre open'd Sat: Sept 13th. The House new Gilt, Painted & ornamented wth Festoons &c. Mr Mossop left us. Mr Wilder discharg'd. Mrs Mills is gone to end her Days in Wales, wth an Allowance of #20 per An: from the Managers (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money returned after the Curtain is up. No Persons to be admitted behind the Scenes. Places for Boxes to be had of Mr Varney at the Stage Door. [Notice customarily repeated and will not be further noted.] Receipts: #109 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Feignwell-Woodward; Modelove-Dyer; Obadiah-Gibson; Perriwinkle-Shuter; Tradelove-Anderson; Freeman-Clarke; Sackbut-Buck; Simon Pure-Costollo; Aminadab-Mas. Morgan; Mrs Prim-Mrs Pitt; Ann Lovely-Miss Macklin.
Cast
Role: Obadiah Actor: Gibson
Role: Tradelove Actor: Anderson

Afterpiece Title: The Old Maid

Dance: II: A Tambourine, as17641015; End: La Femme Maitresse, as17641004

Event Comment: Ash Wednesday. A comedy, by the author of Love in a Village [I. Bickerstaffe] and the Maid of the Mill, will be performed this season at one of the theatres (Winston MS 9). [See 23 April, Thomas and Sally.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Stratagem

Cast
Role: Boniface Actor: Anderson
Role: Lady Bountiful Actor: Mrs Ferguson

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Obadiah Actor: Gibson

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: None

Performance Comment: The Maid of the Mill. As17680427 but to avoid confusion: Aimworth-Mattocks; Sir Harry-Hartry (of Drury Lane); Giles-Mahoon; Mervin-Gentleman, 1st appearance this stage; Fairfield-Gibson; Ralph-Dibdin; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Fanny-Mrs Thompson; Patty-Mrs Pinto; End Act I, a Dance incidental to the opera-Fishar, Arnauld, Sga Manesiere, Miss Valois.
Cast
Role: Fairfield Actor: Gibson
Role: Fanny Actor: Mrs Thompson
Role: Fairfield Actor: Gibson
Role: Fanny Actor: Mrs Thompson

Afterpiece Title: None

Dance: II: Hornpipe-Miss Pitt

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Dance: II: Turkish Dance-Dagueville, Sga Vidini