Event Comment: Benefit Widow and Child of James Miller, the author. As the Play of to-night is entirely for mine and my children's Benefit, and was allotted (by the Manager) for that purpose a considerable time ago, has since been advertis'd in the Publick papers upwards of ten days, and the Boxes chiefly been taken by Ladies of Quality and Distinction, I humbly hope, as Charity and Humanity are my advocates, the Performance will be permitted without interruption. D. Miller.--General Advertiser. To Those who remained in the Pit in Drury Lane Playhouse on Thursday Evening, and were refus'd their money: GENTLEMEN: If you are sensible of the Insults that we receiv'd from the servants of the Manager (after we had remain'd orderly in the House expecting our money for the best part of an hour) being expos'd to the danger of our lives from several sticks, &c being thrown at us from the stage, and from the attack of Soldiers jumping into the Pit with their bayonets fix'd, you'll meet tomorrow several Gentlemen equally injur'd, at the Fountain Tavern in Catherine Street in the Strand, at two o'clock, as well as, Your most humble Servant, J. Johnston.--Daily Advertiser. [Daily Gazetteer contained a letter by Anti-Mimus on the manager's publication of reasons for his late extraordinary measures.

Event Comment: [By James Miller.] All the Characters new drest

Event Comment: [By James Miller. An adaptation of Much Ado About Nothing.

Event Comment: By Desire. Afterpiece: a Dramatic Fable. [By James Miller.] Edition of 1739: The Musick by Mr Arne. Sung by Mrs Clive

Event Comment: Never acted before...From the French of Voltaire [By James Miller]

Event Comment: Afterpiece by James Miller

Event Comment: Afterpiece [1st time; P 3 (except for 1st two performances, which were 2), by James Harvey D'Egville. Synopsis of action (C. Lowndes [1795])]: A Representation calculated to shew the extent and powers of the New Stage, and which has been in preparation during the whole of the Season (notice on playbill of 10 Feb.). The Musick composed by Krazinsky Miller. The Scenes, Machinery, Dresses and Decorations are entirely new. The Scenery designed and executed by Marinari, and his Assistants. The Machinery designed by Cabanel, and executed by him and Jacobs. The Dresses and Decorations by Johnston and Miss Rein. Powell: [The pantomime] was astonishingly well received, except the chorus of 'Happy Pair' at the end, which was so shamefully managed that the performers met with, what they much deserved, great disapprobation. The acting of the piece was in general well conducted, but the Processionv [The Piece will conclude with the Entry of Alexander into Babylonv, and his Marriage with Statirav (playbill)], for want of room to arrange behind, was unavoidably sent on in a very confused manner...Alexander's car could not be sent on this evening, not being yet complete. [These difficulties are somewhat surprising, in view of the fact that the pantomime had had 54 rehearsals. And see 13 Feb.] 11 Feb.: Chorusses to New Ballet rehearsed at 10; Natural Son at 11; New Ballet at 11; New Ballet (full rehearsal) at 6; 12 Feb.: New Ballet rehearsed at 12. Receipts: #504 3s. 6d. (417.2.0; 83.16.6; 3.5.0)

Event Comment: Benefit Neale and Desse. Tickets to be had of Neale, a Silk Dyer in David St., Moor's in the Playhouse Passage; and at Mr Desse'd, at Gresham's, Shoemaker, in York St., Covent Garden. London Daily Post and General Advertiser announced Chrononhotonthologos as afterpiece by Rylands has The King and Miller, Receipts: #140