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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Merchant of London"/1) | (@(roleclean,performerclean) "Merchant of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2418 results for: Keyword - Merchant of London
We found 1176 matches on Performance Title, 954 matches on Event Comments, 478 matches on Performance Comments, 2 matches on Roles/Actors, and 0 matches on Author.

1751
20 October 1722 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. London Journal, 20 Oct.: The Beginning of November will be acted Sir Richard Steel's new Play, which has been some Time in Rehearsal;...it is thought by some excellent Judges to be the best Comedy that ever appear'd on the English Stage

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Escapes of Harlequin

Music: Between the Acts: Select Piece-

1752
11 January 1723 @ Drury Lane Theatre

Event Comment: Benefit Author. As 9 Jan. London Post, 14 Jan.: At which there was as numerous an Audience as has for this great while been seen; not only the Boxes, Pit and Galleries, but the Stage too being crowded with Spectators

Performances

Mainpiece Title: Love In A Forest

1753
12 January 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

1754
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

1755
02 February 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. See also London Journal, 2 Feb., and John Gay to Jonathan Swift, 3 Feb

Performances

Mainpiece Title: Otho

1756
02 March 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. London Journal, 2 March: The new Opera Tickets are very high, and like to continue so as long as Mrs Cotzoni is so much admired. They are traded in at the other End of the Town, as much as Lottery Tickets are in Exchange-Alley

Performances

Mainpiece Title: Coriolanus

1757
26 March 1723 @ King's Theatre

Event Comment: Benefit Signora Francesca Cuzzoni. With an Addition of three new Songs, and an entire new Scene. Whereas this Benefit for Signora Cuzzoni is part of her Contract, the Directors...resolve not to make use of the Liberty of the House for this Night. And particular Care will be taken to place Benches on the Stage for the Accomodation of the Company. London Journal, 30 March: On Tuesday last was perform'd...Otho...for the Benefit fo Mrs Cuzzoni; and a considerable Benefit it was to her indeed, for, we hear, that some of the Nobility gave her 50 Guineas a Tickets. Daily Journal, 29 March: The Benefit of the famous Seignora Francesca Cuzzoni...we hear amounted to upwards of 700l

Performances

Mainpiece Title: Otho, King Of Germany

1758
02 April 1723 @ King's Theatre

Event Comment: Daily Journal, 15 April: Paris April 2. The Company belonging to the Italian Opera at London are to come and Act here during the Month of July, and to oblige the Publick with 12 several Representations at the Theatre of the Palace Royal: In Consideration of which 35000 Livres will be given to the five Principal Actors and their Charges defray's

Performances

Mainpiece Title: Erminia

1759
15 April 1723 @ Moorfields

Event Comment: At a Booth on Windmill Hill. London Journal, 20 April: On Monday Night last one Mr Redshaw, one of the Actors belonging to the Theatre in Lincoln's-Inn Fields, being to be kill'd in Jest in the Play of Darius on Windmill Hill, was kill'd in Earnest, for he was accidentally run into the Eye, of which Wound he died the Day following. [In British Journal, 20 April, the name is Redstraw; in Freeholder's Journal, 20 April, it is Rackstraw.

Performances

Mainpiece Title: Darius, King Of Persia

1760
20 December 1723 @ Lincoln's Inn Fields

Event Comment: [Author unknown.] A New Dramatick Entertainment in Grotesque Characters. N.B. None will be admitted into the Boxes but by Printed Tickets which will be deliver'd at the Door at 5s. each. Pit 3s. Gallery 2s. Receipts: #162 1s. London Journal, 28 Dec.: 'Tis said, they had not less than 260l. in the House

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Necromancer; or, Harlequin Doctor Faustus

1761
13 June 1724 @ Drury Lane Theatre

Event Comment: Weekly Journal or Saturday's Post, 13 June: His Majesty's Comedians have Orders not to depart above a certain Number of Miles from London his Season, in order, as tis said, to be at hand to entertain his Prussian Majesty, who is expected here in a Month's Time

Performances

1762
03 April 1725 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. [For an essay on theatrical affairs, see London Journal, 3 April.

Performances

Mainpiece Title: Julius Caesar

Afterpiece Title: Apollo and Daphne

Dance: The Chesire Boy

1763
17 April 1725 @ Drury Lane Theatre

Event Comment: For an essay on the taste of the town, see London Journal, 17 April

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: Harlequin Doctor Faustus

1764
19 November 1726 @ Lincoln's Inn Fields

Event Comment: [By Owen Swiny.] Not Acted these Ten Years. All the Characters new drest. Pit and Boxes to be laid together by tickets only at 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Receipts: #163 3s. 6d. Probable attendance: p1t and boxes, 464 paid and 14 orders; stage, 2 paid; balcony, 4 paid; slips, 21 paid and 1 order; first gallery, 270 paid and 9 orders; second gallery, 124 paid. [The Prologue was printed in London Journal, 26 Nov.

Performances

Mainpiece Title: Camilla

1765
26 November 1726 @ Lincoln's Inn Fields

Event Comment: Receipts: #116 10s. Probable attendance: boxes, 191 paid and 12 orders; pit, 262 paid and 5 orders; slips, 25 paid and 2 orders; first gallery, 242 paid and 6 orders; second gallery, 50 paid and 1 order. For an essay on Camilla, see London Journal, 26 Nov. Mrs Pendarves to Anne Granville, 27 Nov.: I was at the opera of Camilla...performed by a Mrs Chambers, Mrs Barbiere, Mrs Fletchere, a Signor Rochetti, Mr Leveridge, Mr Legard. I can't say I was much pleased with it, I liked it for old acquaintance sake, but there is not many of the songs better then ballads.-Mrs Delany@Autobiography, I, 125

Performances

Mainpiece Title: Camilla

1766
26 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. The Company of Italian Comedians seeing the Nobility continue to honor their Performances with their Presence, are resolved to stay several Years in London

Performances

Mainpiece Title: Il Matriomonio Disturbato; Or, Pantalon's Marriage Disturbed By The Different Humours Of The Ladies: Nane Gonolier And Brighella Co-rivals In Their Amours With Argentina, And Their Challente, Together With Entertainments Of Masquerades, Serenades, Risings, Songs And Dances After The Ventetian Manner

Dance: Poictiers

1767
10 December 1726 @ Lincoln's Inn Fields

Event Comment: Receipts: #80 18s. 6d. Probable attendance: boxes, 119 paid and 13 orders; stage, 1 paid; pit, 206 paid and 10 orders; slips, 15 paid and 3 orders; first gallery, 132 paid, second gallery, 38 paid. For comments upon theatrical affairs, see Mist's and London Journal, 10 Dec

Performances

Mainpiece Title: Camilla

1768
13 February 1727 @ Lincoln's Inn Fields

Event Comment: [Written by Lewis Theobald. Set to Music by Galliard.] The Entertainment being entirely new Dress'd: With New Scenes, Machines, and other Decorations. Pit and Boxes laid together at 5s. Receipts: #216 12s. Probable attendance: boxes, 269 paid; stage, 1 paid; balcony, 4 paid; pit, 274 paid and 4 orders; slips, 54 paid and 2 orders; first gallery, 456 paid; second gallery, 195 paid. Mist's, 18 Feb.: It is of the Nature of Pantomimes, partly grotesque, and partly vocal, but far exceeds all ever yet shewn, in the Magnificence and Beauty of the Scenes, the Number and Richness of the Habits, as well as the Fable, which is purely poetical, as the Italian Operas ought to be. [See also London Journal, 18 Feb.

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Rape of Proserpine; With The Birth and Adventures of Harlequin

1769
23 March 1728 @ King's Theatre

Event Comment: For a letter on opera, see London Journal, 23 March

Performances

Mainpiece Title: Siroe

1770
29 January 1729 @ King's Theatre

Event Comment: LLa Staffetta Italian or The Italian Post, 30 Jan., has a letter, dated 26 Aug. 1728, concerning music in London

Performances

1771
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

1772
09 January 1731 @ Lincoln's Inn Fields

Event Comment: Receipts: #31 16s. London Evening Post, 9 Jan.: Mr Rich...having sprain'd his Foot, is so well recover'd, that its hoped he will be able to perform in a few Days

Performances

Mainpiece Title: Love Makes A Man

Dance: As17310104

1773
19 April 1731 @ Drury Lane Theatre

Event Comment: Benefit Miss Robinson. Bt Command of His Royal Highness the Duke, [Duke present. The Epilogue is printed in London Evening Post, 24 April.

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: Phebe

Dance: Essex, Rainton, Miss Robinson; Tambourine, Les Characters de la Dance-Miss Robinson

1774
19 April 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Blazing Comet

Song: Song on the Privilege and Happiness of Free@Masonry A very humorous Song on the Charitable Corporation, sent by George Robinson, Esq. late Treasurer, from Italy to his Friends in London-

Performance Comment: late Treasurer, from Italy to his Friends in London-.
Cast
Role: from Italy to his Friends in London Actor: .

1775
03 June 1732 @ King's Theatre

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius