SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "May"/1) | (@(roleclean,performerclean) "May")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1809 matches on Event Comments, 175 matches on Performance Comments, 72 matches on Performance Title, 59 matches on Roles/Actors, and 1 matches on Author.
Event Comment: Tickets delivered by Wilson, Darley, Thompson, Helme, Mrs Hamilton, and the Orchestra will be admitted (Account-Book). [Afterpiece in place of The Positive Man, announced on playbill of 22 May.] Receipts: #254 7s. 6d. (89/16/6; 1/2/0; tickets: 163/9/0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Rival Knights

Afterpiece Title: Barnaby Brittle

Event Comment: The last Subscription Night [but see 29 May]

Performances

Mainpiece Title: La Regina Di Golconda

Dance: End of Act I Ballet, as17840420; End of Act II Dance, as17840318End of Opera Le Deserteur, as17840520

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: As SCENE 1, 17 May, including Muse Euterpe, as17840427.

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: Hob in the Well

Dance: End of mainpiece The Charms of a Camp (performers not listed, but see17840521)

Event Comment: Tuesday [25 May] was, by mistake, advertised as the last Subscription, which closes only This Evening

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Semiramis, as17840520, but added: Oroe-Henry; omitted: Vestris [Jun.], Mme Theodore

Event Comment: [Extra night] Benefit for Wild. Wild respectfully informs the Public, on account of the Loss he sustained by his former Night [see 17 May], the Managers of Covent Garden and Hay-market Theatres, as well as the several Performers, have granted him their free Assistance. Receipts: none listed

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Comus

Dance: End of Act III of mainpiece Dance by Byrne and Mrs Goodwin; End of Act IV Dance by Harris and Miss Besford

Song: In afterpiece Sweet Echo, as17840323but accompanied by Foster

Event Comment: Benefit for Sga Sestini [who had 1st acted Phebe at CG on 13 Mar. and 10 May 1784]. Mainpiece: Not acted these 4 years. Afterpiece: Never perform'd here

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Rosina

Song: End of mainpiece Edwin's favorite song in The Castle of Andalusia, A Master I have, by Master Sestini

Event Comment: Mainpiece [1st time in London; T 3, by William Hayley, 1st acted at Chichester, late in May 1784. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder (European Magazine, Aug. 1784, p. 165). Contrary to the usual custom on the 1st night of a new play, the parts on this occasion are assigned]. "Palmer had done with Lord Russel as he did with many other characters, that is, totally neglected to study the words of the part . . . Whenever he felt himself at a loss he dexterously introduced some passages from The Earl of Essex, which he contrived to fit into the cues received by Lord Russel." His brother, R. Palmer, who told this anecdote to Boaden, said that the audience suspected nothing amiss (Boaden, Kemble, I, 193)

Performances

Mainpiece Title: Lord Russel

Afterpiece Title: The Agreeable Surprise

Event Comment: [Mrs Gordon is identified by MS annotation on Kemble playbill. Her 1st appearance on the stage was at the HAY, 30 May 1781, as Miss Lyon.]

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Rambler

Song: Mainpiece: Vocal Parts by Johnstone, Brett, Gaudry, Doyle, Lloyd; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs Morton, Mrs Chalmers, Mrs Davenett, Miss Stuart, Mrs Bannister

Event Comment: Account-Book, 21 Oct.: Paid Lee Lewes on cancelling his engagement #21. [Lee Lewes acted on the night of his benefit, 9 May 1785, but not again this season.] Receipts: #104 0s. 6d. (78/7/0; 25/12/0; 0/1/6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Harlequin Junior

Event Comment: The Doors to be opened at 5:15. To begin exactly at 6:15 [see 2 May 1785]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Rambler

Song: In mainpiece To thee, O gentle sleep! by Brett

Event Comment: The Doors will be opened at 5:15. To begin at 6:15 [see 2 May 1785]. Receipts: #216 13s. 6d. (193/4/0; 22/19/6; 0/10/0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17841218; End of Opera The Deserter. Skirmish-Slingsby; the other characters by Lepicq, Mme Rossi [playbill of 13 May 1784 lists: The Deserter-Lepicq; Louisa-Mme Rossi], Henry, Zuchelli, Mme Degville, Nivelon, Mlle Dorival

Performance Comment: Skirmish-Slingsby; the other characters by Lepicq, Mme Rossi [playbill of 13 May 1784 lists: The Deserter-Lepicq; Louisa-Mme Rossi], Henry, Zuchelli, Mme Degville, Nivelon, Mlle Dorival ., Henry, Zuchelli, Mme Degville, Nivelon, Mlle Dorival .
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Performance Comment: In which Meadows (from the Theatre Royal [Crow Street], Dublin) will make his 1st appearance in this Kingdom [he probably acted Lubin (see CG, 24 May 1786)]; Solomon-Decastro; the Quaker-Dighton (1st appearance in that character); Floretta-Mrs Benson; Gillian-A Young Lady (1st appearance on any stage [unidentified]) .unidentified]) .

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

Event Comment: Benefit for Edwin. Public Advertiser, 29 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Altered from Beaumont and Fletcher [i.e. from Fletcher alone]. Afterpiece: Not acted these 6 years [acted 28 May 1782]

Performances

Mainpiece Title: Women Pleas'd

Afterpiece Title: The Devil to Pay

Song: In Act IV of mainpiece a song by Mrs Martyr; End of Mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1785 04 11 End of Act II of mainpiece A Description of the Curiosities of the Tower of London by Edwin

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. 1st piece: With a Kitchen Scene. [The new pantomime is identified in Public Advertiser, 16 Apr. The same newspaper on 2 Apr. states that it was the same as that produced at DL for Delpini's benefit in 1782 [10 May].]

Performances

Mainpiece Title: A New Pantomime [don Juan]

Afterpiece Title: The Deserter

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Event Comment: Benefit for Mrs Siddons. Public Advertiser, 18 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. "The mournful tone, the pathetic countenance, and the long-drawn expression pervaded the sprightly scenes of Rosalind as effectually as if the play had been Isabella" (Public Advertiser, 2 May). Receipts: #327 8s. 6d. (150/1/9; 9/11/6; 0/6/0; tickets: 167/10/0) (charge: #106/15/10)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: End of Act I of mainpiece, as17850307athi

Event Comment: Benefit for Dignum and Mrs Wilson. Public Advertiser, 2 May: Tickets to be had of Dignum, Little Wild-street, Drury-lane; of Mrs Wilson, No. 2, Catherine-street, Strand. Mainpiece: Not acted these 4 years. Receipts: #301 19s. 6d. (33/5/0; 15/19/0; 1/2/6; tickets: 251/13/0) (charge: #108 15s.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece The Mansion of Peace (composed by Webbe) by Dignum; End of Act IV Awake, AEolean Lyre, as17850422, but Wilson in place of Staunton; End of mainpiece Bright Phoebus has mounted the Chariot of Day (composed by Hook) by Dignum

Event Comment: Benefit for Chapman and Wright. Public Advertiser, 2 May: Tickets to be had of Chapman, No. 47, Carey-street, Lincoln's-inn-fields; of Wright, No. 21, Berner-street, Westminster. Receipts: #224 18s. 6d. (33/19/0; 10/11/0; 0/8/6; tickets: 180/0/0) (charge: #113 9s.)

Performances

Mainpiece Title: The Convivial Coterie [i

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir

Event Comment: Benefit for Williames and Staunton. Public Advertiser, 3 May: Tickets to be had of Williames, No. 22, Gerrard Street; of Staunton, No. 9, St. Martin's Street. Receipts: #192 8s. 6d. (23/10/0; 11/9/0; 0/11/6; tickets: 156/18/0) (charge: #110 18s.)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Comus

Event Comment: Benefit for Bonnor. 1st piece: Not acted these 5 years. 2nd piece: Translated from La Fete de Campagne; ou, L'Intendant Comedien malgre lui, written by Mons. Dorvigny, and acted in Paris with uncommon applause. 3rd piece: Written by Harry Carey; not acted these 16 years [acted 28 May 1773]

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Manager an Actor in Spite of Himself

Afterpiece Title: The Contrivances

Dance: As17850416

Event Comment: Benefit for Wild [prompter]. Public Advertiser, 7 May: Tickets to be had of Wild, No. 17, Bow-street, Covent Garden. The unfortunate circumstance of breaking his leg . . . has prevented his attending the theatre the whole season [and see 18 Apr.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lawyers' Panic

Afterpiece Title: Three Weeks after Marriage

Event Comment: Tickets delivered by Lyon, Gardner, Leslie, Finney, Barthrope, Gilles, Sherratt for The Chances [announced on playbill of 20 May] will be admitted. Receipts: #130 3s. (23/18/0; 14/4/6; 0/8/6; tickets: 91/12/0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece Dance by Mr and Miss Hamoir