SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Matthew Pearce"/1) | (@(roleclean,performerclean) "Matthew Pearce")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 374 matches on Performance Comments, 181 matches on Performance Title, 174 matches on Author, 63 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: Parolles-Woodward; King-Hull; Lafeu-Clarke; Bertram-Lewes; Clown-Shuter; Duke-DuBellamy; Steward-Fearon; Lords-Cushing, Davis; Interpreter-Thompson; Diana-Mrs Mattocks; Widow-Miss Pearce; Countess-Mrs Hull; Helena-Miss Macklin.
Cast
Role: Widow Actor: Miss Pearce

Afterpiece Title: Thomasand Sally

Dance: End: A Comic Dance, The Italian Gardeners-Mr and Miss West (Late pupils of Sg Grimaldi) [their first appearance on this stage. [See dl 9 Dec. 1760.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-Lewis; Smith-Clarke; Others-Dunstall, Quick, Clinch, Lewes, Whitefield, DuBellamy, Baker, Davis, Fearon, Cushing, Thompson, Hollingsworth, Wewitzer, Fox, Bates, Burton, Miss Dayes, Miss Pearce, Miss Besford, Miss Barsanti; With Suitable Dances-, Machinery, Decorations, a Reinforcement of Mr Bayes's New Raised Troops.

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-A Gentleman [Mr Melmoth] first appearance on English stage; King-L'Estrange; Pharamond-Clinch; Dion-Hull; Cleremont-Davis; Thrasiline-Thompson; Capt. of Mob-Dunstall; Countryman-Cushing; Woodman-Fox; Arethusa-Mrs Mattocks; Megra-Miss Sherman; Galatea-Mrs Whitefield; Lady-Miss Pearce; Bellario-Mrs Melmoth[, first time., first time.
Cast
Role: Lady Actor: Miss Pearce

Afterpiece Title: Daphne and Amintor

Dance: II: The Provencale, as17740928; III: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Bensley, first time; Major Oakly-Shuter; Charles-Wroughton; Lord Trinket-Lewis[, first time; Russet-Dunstall; Sir Harry-Quick; O'Cutter-Fox; Tom-Hollingsworth; Paris-Wewitzer; John-Bates; Harriet-Mrs Mattocks; Lady Freelove-Mrs Pitt; Toilet-Miss Pearce; Mrs Oakly-A Lady[, first appearance on English Stage [Mrs Hunter]., first appearance on English Stage [Mrs Hunter].
Cast
Role: Toilet Actor: Miss Pearce

Afterpiece Title: Comus

Dance: II: The Provencale, as17740928

Performances

Mainpiece Title: King Henry Ii; Or, The Fall Of Rosamond

Performance Comment: King Henry-Bensley, first time; Clifford-Hull; Prince Henry-Wroughton; Salisbury-Booth; Leicester-Fearon; Verulam-Thompson; Abbot-Clarke; Queen Eleanor-Mrs Melmoth[, first time; Ethelinda-Miss Pearce; Rosamond-the Lady who performed Mrs Oakly [Mrs Hunter].Mrs Hunter].
Cast
Role: Ethelinda Actor: Miss Pearce

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Woodward; Sir George-Lewis; Charles-Wroughton; Sir Jealous-Dunstall; Sir Francis-Shuter; Whisper-Cushing; Scentwell-Miss Pearce; Isabinda-Mrs Lessingham; Patch-Mrs Pitt; Miranda-Miss Macklin; To Conclude with Marplot's Address to the Town-.
Cast
Role: Scentwell Actor: Miss Pearce

Afterpiece Title: The Golden Pippin

Dance: After the Address: The Vintage Festival, as17741007 (playbill); The Merry Sailors-Aldridge. (Public Advertiser)

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Barry; Edgar-Lewis, first time; Gloster-Hull; Bastard-Bensley; Kent-Clarke; Albany-Whitefield; Cornwall-Davies; Gentleman Usher-Quick; Burgundy-Thompson; Goneril-Miss Pearce; Regan-Mrs Whitefield; Arante-Miss Dayes; Cordelia-Mrs Barry.
Cast
Role: Goneril Actor: Miss Pearce

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Country Madcap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations)-Reinhold; Zorobabel-Quick; Bawble-Lee Lewes; Thomas-Whitefield; Mrs Midnight-Mrs Pitt; Jenny-Miss Pearce; Country Madcap-Mrs Mattocks.
Cast
Role: Jenny Actor: Miss Pearce

Dance: End: A New Comic Dance, call'd The Portraits A@la@Mode-Dagueville, Helme, Sga Vidini

Performances

Mainpiece Title: Lady Jane Grey

Performance Comment: Lord Guildford Dudley-Lewis, first time; Pembroke-Bensley; Northumberland-Hull; Gardiner-Clarke; Suffolk-Fearon; Sussex-L'Estrange; Sir John Gates-Booth; Lieut.-Chaplin; Dutchess of Suffolk-Mrs Hull; Lady-Miss Pearce; Lady Jane Grey-Mrs Hartley.
Cast
Role: Lady Actor: Miss Pearce

Afterpiece Title: The Romance of an Hour

Cast
Role: Jenny Actor: Miss Pearce

Dance: End Tragedy: A Comic Dance, call'd Rural Merriment-Aldridge, Mrs Stephens

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Orestes-Barry; Pyrrhus-Bensley, first time; Pylades-Clinch; Phoenix-L'Estrange; Andromache-Mrs Hartley, first time; Cleone-Miss Pearce; Cephisa-Miss Dayes; Hermione-Mrs Barry, first time.
Cast
Role: Cleone Actor: Miss Pearce

Afterpiece Title: The Druids

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Barry; Hippolitus-Lewis; Lycon-Lee; Cratander-L'Estrange; Officers-Thompson, Chaplin; Ismena-Mrs Mattocks; Lady-Miss Pearce; Phaedra-Mrs Barry.
Cast
Role: Lady Actor: Miss Pearce

Afterpiece Title: The Upholsterer

Dance: End Tragedy: Rural Merriment, as17741209

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Performance Comment: Varanes-Barry; Marcian-Clarke; Leontine-Hull; Aranthes-Davis; Atticus-Thompson; Lucius-L'Estrange; Theodosius-Lewis; Pulcheria-Mrs Bulkley; Julia-Miss Ogilvie; Delia-Miss Pearce; Flavilla-Miss Dayes; Athenais-Mrs Barry.
Cast
Role: Delia Actor: Miss Pearce

Afterpiece Title: The Lyar

Performance Comment: Young Wilding-Lee Lewes; Old Wilding-Fearon; Sir James Eliot-Davies; Papillion-Quick; Miss Godfrey-Mrs Whitefield; Kitty-Miss Pearce; Miss Grantham-Mrs Bulkley.
Cast
Role: Kitty Actor: Miss Pearce

Dance: III: The Vintage Festival, as17741007; End: The Frolick, as17741214; End II Afterpiece: A Minuet-Aldridge, Mrs Bulkley

Event Comment: The music was composed by Matthew Lock, and the architectural elements were created by Peter Mills, Surveyor of the City. For further details, see Robert Withington, English Pageantry (1918), I, 243

Performances

Mainpiece Title: The Relation Of His Majesties Entertainment Passing Through The City Of London, To His Coronation: With A Description Of The Triumphal Arches, And Solemnity

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p.359: See also Nicoll, Restoration Drama, p. 346. There is no indication as to whether this is the premiere. The music for four songs was composed by Matthew Lock. See A New Collection of Songs and Poems...by Thomas D'Urfey, 1683

Performances

Mainpiece Title: The Fool Turn'd Critick

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene at the Silent Woman. See also Nicoll, Restoration Drama, p. 350. Matthew Prior, Satire Upon the Poets: @Mountfort how fit for Politicks and Law@That play'd so well Sir Courtly and Jack Daw.

Performances

Mainpiece Title: The Silent Woman

Event Comment: By Matthew Taubman. There seems to have been less pageantry than usual, perhaps none

Performances

Mainpiece Title: London's Anniversary Festival Performed On Monday, October The 29th, 1688, For

Related Works
Related Work: London's Anniversary Festival, Performed on Monday October the 29th, 1688 Author(s): Matthew Taubman
Event Comment: For the poem, see Matthew Prior,@The@Literary@Works, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 125-28; II, 856-57

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Event Comment: Betterton's Company. This performance was probably the first day of this revival, for Matthew Prior wrote to Abraham Stanyan, 8 Jan. 1699@1700: To-morrow night Betterton acts Falstaff, and to encourage that poor house the Kit Katters have taken one side-box and the Knights of the Toast have taken the other (HMC, Bath MSS. [London, 1908], III, 394). See also 28 Jan. 1699@1700. The play was advertised in the London Gazette, No. 3601, 13-16 May 1700, and the title page states: Reviv'd, with Alterations. Written Originally by Mr Shakespear

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff

Event Comment: Benefit Matthew Dubourg, the Youth of 14 Years of Age. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; With several Solos and Concertos-Dubourg

Event Comment: Benefit Matthew Dubourg. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Dubourg

Event Comment: British Journal, 5 Jan. 1723: Mr Matthew Birkhead, one of the Comedians [of dl], died on Sunday Morning last [30 Dec.

Performances

Mainpiece Title: The Spanish Fryar

Music: Between the Acts: Select Pieces-