SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Matthew Lock"/1) | (@(roleclean,performerclean) "Matthew Lock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 239 matches on Performance Title, 143 matches on Performance Comments, 89 matches on Author, 75 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Letter from John Potter, Proprietor of the New Theatre in the Haymarket, to the author of the General Advertiser: As the resentment of the Town for the disappointment of the performance advertised to be exhibited at my theatre on Monday last, shall fall entirely upon me, I hope I may be allowed to acquaint the public with the nature of my case. [Suggests he should not be to blame for misbehavior of any person who hired his house, that he had some apprehensions in this case, but that the Bottle Conjurer paid the rent in advance and agreed to have a House officer in the box office to return the money if the audience was displeased.] All the caution above mentioned was taken, and the money locked up in the office, guarded by persons of reputation, who would have returned it, and publicly on the stage told them, that if the person did not appear, their money should be return'd. But instead of complying with that offer, my House was pulled down, the Office broken open, the money taken out, and the servants oblig'd to fly to save their lives. I hope therefore this may be deem'd a sufficient justification in my behalf, and all that could be reasonably expected from me; and that those gentlemen who are conscious of having injured me, will be so generous as to make me a reasonable Satisfaction, considering the damage I have suffer'd, which in a moderate computation will amount to upwards of four thousand pounds. This day is Publish'd, at 1s. Lethe, a Dramatic Satire, by David Garrick as it is perform'd at Drury Lane. By Paul Vaillant, facing Southampton Street in the Strand. [A letter from Samuel Foote to the Author of the General Advertiser clears himself from any imputation of confederacy in the Bottle Conjuror fraud. See also my Introduction, note 103.] Receipts: #100 (Cross); #119 2s. 6d. (Powel)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Lethe

Music: I: A Piece of Music-the Child

Dance: II: New Scotch Dance-Cooke, Ann Auretti

Event Comment: Benefit for ye encrease of a fund for ye support of a publick Charity [Lock Hospital] (Cross(. Rec'd cash #76 17s. 6d., plus #123 16s. from tickets; Total #200 13s. 6d. Paid Moor for pair breeches for Garrick #1 5s.; Paid 1 year's subscription to H. Park Hospital #10 10s.; To Garrick by George Garrick #7 10s.; Paid King playing S. Doctor #1 1s. by order of Lacy (Treasurer's Book). Last time of performing till the Holidays. Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Miss in Her Teens

Dance: Grandchamps, Mlle Auretti

Event Comment: Benefit for James, Winstone and Burton, Tickets of James, at Mr Dale's Watchmaker in Little Wild St.; or Winstone at the Queen's Head, in Duke's Court, near Bow St., Covent Garden; and of Burton at the Lock and Key, in Brownlow St. near Long-Acre, and at the Stage Door. As Mr Burton is confin'd with a violent cold, he hopes his friends will excuse his not having waited on them and be so kind as to send for tickets to his lodgings as above. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti, Little Swiss

Event Comment: Towards a fund for ye Support of a publick Charity-(ye Lock Hospl.). King Lear & Duke & no Duke given out for Wed., 23 & bills put up, but not play'd on account of Mr Havard's illness, at 12 at noon, bills were dispers'd saying--the Play of King Lear, design'd for to Night is oblig'd to be defer'd on Account of Mr Havard's sudden illness. N.B--It was a very hot day (Cross). Tickets to be had at the following Coffee Houses: The St James, in St James's St.; The Mount, in Grosvenor St.; George's the upper end of the Haymarket; the Bedford and Tom's in Covent Garden; Garraway's in Cornhill; and at the Stage Door of the Theatre. Tickets deliver'd out for 16 April will be taken. [Cross lists no Receipts.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Scapin

Dance: CCountry Amusements-. See17530412

Event Comment: Benefit for Burton and Miss Minors. Tickets of Burton at the Lock and Key in Brownlow St., Long-Acre; of Miss Minors, at a Baker's in Bridges St., and at the Stage Door. Tickets deliver'd out by Marr, Miss Batchelor, and Mrs Gibbons will be taken. Receipts: #160 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Grumbler

Song: II: A New Ballad-Beard; IV: A New Song call'd The Return-Vernon

Dance: III: Country Amusements, as17540416 V: A Minuet-Gerard, Miss Batchelor

Event Comment: Benefit for the Lock Hospital. Prices Box and Pit half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. At the Particular Desire of several Persons of Quality

Performances

Mainpiece Title: L'allegro And Il Penseroso

Afterpiece Title: Ode to St Cecelia's Day

Afterpiece Title: First Violin Concerto

Event Comment: A play reviv'd for ye Lock Hospital (Cross). Never acted there before. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Schemers; Or, Ye City Match

Event Comment: Benefit for the Lock Hospital. Tickets deliver'd out for 24 March will be taken (Cross)

Performances

Mainpiece Title: Concerto Spirituale

Music: First Violin and New Overture compos'd by De Giardini-; I: Concerto on Organ-Stanley; II: The Stabat Mater of Pergolesi-Sga Mingotti, Ricciarelli; Concerto on the Violin-DeGiardini; III: A Quartetto-Hasse, Mingotti, Ricciarelli, Mondini, Champness

Event Comment: Benefit for the General Lying-In Hospital for married and unmarried Women, in Duke's St., Grosvenor Square. Ladies desired to send servants by 3 o'clock. Tickets to be had at Arthur's, the Bedford, and the Temple Exchange Coffee Houses and also at the aforesaid Hospital. Tickets delivered for The Revenge will be taken. Next Week will be publish'd a Key to Lilliput in a letter to the Author of the Dramatic Entertainment. "Open Locks, whoever Knocks." Receipts: #266 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for ye Lock Hospital (Cross). Receipts: #160 (Cross); Charges #84 (Winston MS 8)

Performances

Mainpiece Title: Merope

Afterpiece Title: Lethe

Event Comment: Benefit for a Public Charity, The Lock Hospital (Cross Diary)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Musical Lady

Dance: IV: Comic Dance, as17621210

Event Comment: Benefit for a Public Charity at the Chapel of the Lock Hospital near Hyde Park corner. Gallery 10s. 6d. Bottom of Chapel 3s. None to be admitted without tickets. To begin at 11:30 in the forenoon. Oratorio composed by Dr Arne

Performances

Mainpiece Title: Judith

Music: FFirst violin, Concerto-Giardini; Concerto on Hautboy-Vincent

Event Comment: Benefit of the Charity. A new Oratorio Music by Worgan, at the Chapel of Lock Hospital, near Hyde Park Corner. To begin at 11:30 a.m. No persons to be admitted without tickets. Gallery half a guinea, bottom of the chapel 5s. Books of the Oratorio 1s. at Rivington, St Pauls Churchyard, &c

Performances

Mainpiece Title: Manasseh

Music: FFirst Violin, a Concerto-Giordini

Event Comment: Benefit of the Charity, at the Chapel of the Lock Hospital. To begin at 12 noon. A new Oratorio. Music by Worgan. It was to hear him [Giardini] that I went (Neville MS Diary)

Performances

Mainpiece Title: Manasseh

Music: CConcerto on violin-Sig Giardini

Event Comment: Benefit for a Public Charity. [Specified in Account Book, as the Lock Hospital, which received #11 3s. over and above house charges and sundries (candles, kettle drum, side drum, wardrobe) plus #23 5s. for disposing of 93 Box tickets.] @Receipt #97 15s.@House Charges #84@Candles #1 5s.@Kettle Drum 5s.@Side Drum 2s.@Wardrobe #1@Total #86 12s.@Balance due the Hospital #11 3s.@93 Box Tickets valued at #23 5s.@Money #97 15s.@Total in House #121 (Account Book).@ N.B. Received of Mrs LaRoche her half value of Tickets for 12th Inst. #59 13s

Performances

Mainpiece Title: King John

Afterpiece Title: The Apprentice

Dance: End: The Merry Sailors, as17671009

Event Comment: Being the Last time of performing till the Holidays. Paid Mr Stamford the Balance due to the Lock Hospital the 22nd Inst. #11 3s. Paid Mr Wright balance due Middlesex Hospital 18th Inst. #49 19s. (Account Book). Receipts: #137 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Garland, as17671214

Event Comment: At the Lock Hospital. Benefit for the Charity

Performances

Mainpiece Title: Ruth

Music: VViolin Concerto-Giardini

Event Comment: Oratorio set to music by Giardini. Benefit for the Charity at the Lock Hospital Chapel. To begin precisely at 11:30 a.m. Tickets for the Gallery 10s. 6d. Bottom of the Chapel 5s

Performances

Mainpiece Title: Ruth

Music: First Violin-Giardini; After Part II: a Concerto Violin-Sga Sirmen

Event Comment: A Sacred Oratorio set to Music by Giardini. To begin at 12 noon at the Lock Hospital Chapel near Hyde Park corner. Benefit for the Charity. Tickets 10s. 6d

Performances

Mainpiece Title: Ruth

Music: First Violin, Concerto-Giardini

Event Comment: [3rd piece in place of Lock and Key, advertised on playbill of 30 June.

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Agreeable Surprise

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene at the Silent Woman. See also Nicoll, Restoration Drama, p. 350. Matthew Prior, Satire Upon the Poets: @Mountfort how fit for Politicks and Law@That play'd so well Sir Courtly and Jack Daw.

Performances

Mainpiece Title: The Silent Woman

Event Comment: By Matthew Taubman. There seems to have been less pageantry than usual, perhaps none

Performances

Mainpiece Title: London's Anniversary Festival Performed On Monday, October The 29th, 1688, For

Related Works
Related Work: London's Anniversary Festival, Performed on Monday October the 29th, 1688 Author(s): Matthew Taubman
Event Comment: For the poem, see Matthew Prior,@The@Literary@Works, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 125-28; II, 856-57

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Event Comment: Betterton's Company. This performance was probably the first day of this revival, for Matthew Prior wrote to Abraham Stanyan, 8 Jan. 1699@1700: To-morrow night Betterton acts Falstaff, and to encourage that poor house the Kit Katters have taken one side-box and the Knights of the Toast have taken the other (HMC, Bath MSS. [London, 1908], III, 394). See also 28 Jan. 1699@1700. The play was advertised in the London Gazette, No. 3601, 13-16 May 1700, and the title page states: Reviv'd, with Alterations. Written Originally by Mr Shakespear

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff