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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Masters Hamilton"/1) | (@(roleclean,performerclean) "Masters Hamilton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3028 results for: Keyword - Masters Hamilton
We found 1790 matches on Performance Comments, 1031 matches on Performance Title, 450 matches on Event Comments, 145 matches on Roles/Actors, and 10 matches on Author.

2326
04 November 1783 @ Covent Garden

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Poor Soldier

Song: In mainpiece To thee, O, gentle sleep by Brett

2327
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

2328
30 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Camp

Dance: After the Singing, as17840311athi

Song: End of mainpiece a favourite song by Miss George

Monologue: 1784 04 30 Before the mainpiece an occasional Address spoken by Mrs Wells

2329
11 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Lyar

Dance: As17840311athi

2330
20 May 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

2331
19 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Genius of Nonsense

2332
10 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades

Afterpiece Title: The What d'ye Call It

Monologue: 1784 08 10 End of interlude Joe Haynes's Epilogue, riding on an Ass, by Wilson

2333
26 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

2334
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

2335
28 September 1784 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

2336
23 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Catherine and Petruchio

2337
06 November 1784 @ Covent Garden

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Tom Thumb

Dance: End of Act III of mainpiece The Belle of the Village, as17840917

2338
04 February 1785 @ Covent Garden

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Magic Cavern

2339
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

2340
18 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Performance Comment: In which several capital Catches and Glees, selected from the most Eminent Masters. The celebrated Anacreontic Song by Bannister. Two Imitative Songs by Bannister Jun. The principal Vocal Parts by Bannister, Dignum, Suett, Williames, Barrymore, Chapman, Master Clarke .

Afterpiece Title: The Winter's Tale

Afterpiece Title: An Author on the Wheel; or, A Piece cut in the Green-Room

Afterpiece Title: ROSINA

Song: In 2nd piece the Sheep-sbearing Song by Miss Phillips. imitations. In 3rd piece, by Bannister Jun

2341
05 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Convivial Coterie [i

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir

2342
17 June 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

2343
13 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

2344
17 October 1785 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Catherine and Petruchio

Song: In Act v of mainpiece a Roman Ovation. The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.]

2345
18 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Jubilee

2346
21 November 1785 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Tom Thumb

Song: As17851114, but added: Mrs Swords

2347
01 December 1785 @ Covent Garden

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Rosina

2348
30 December 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Hurly-Burly

2349
29 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption

Music: End of Part I concerto on the violoncello by Mason

2350
06 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: End of Act III of mainpiece The Lucky Return, as17860105; End of Act IV Minuet de la Cour, as17860116