Event Comment: Mainpiece: To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament, under the direction of Dubois. [These were included in all subsequent performances.] With a new Overture and new Additional Musick, by Storace, Shaw, and other Eminent Masters. And new Dresses, Decorations and Machinery. [Miss Redhead is identified in Kemble Mem.] Account-Book, 20 Dec. 1792: Paid Kemble to purchase horses for Cymon #180 14s. 6d. (223.11.6; 55.4.0; 3.19.0)

Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)

Event Comment: [In afterpiece the playbill retains Miss Menage, but she "being at the Italian Opera this Evening, Master Chatterley play'd her part" (Powell).] Receipts: #361 1s. 6d. (298/8/6; 55/12/0; 7/1/0)

Event Comment: Oratorio: Written by Milton, and set to Music by Handel. Instrumental Performers as 12 Feb., but added: Lavenu. Morning Herald, 18 Feb.: Both Sweet Bird, accompanied on the violin by G. Ashley, and But o sad virgin, accompanied on the cello by C. Ashley, were sung by Miss Parke; Let me wander not unseen by Miss Leak; Come and trip it by Master Elliot