SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Master Leoni now called "/1) | (@(roleclean,performerclean) "Master Leoni now called ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1426 matches on Performance Comments, 1334 matches on Performance Title, 748 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Coriolanus

Performance Comment: Edition of 1723 lists: Cajo Marzio Coriolano-Francesco Bernardi called Senesino; Volumnia-Signora Francesca Cuzzoni; Veturia-Signora Margherita Durastanti; Claudia-Mrs Anastasia Robinson; Sesto Furio-Guiseppe Boschi; Azzio Tullo-Gordon; Sicino-Gaetano Berenstatt.

Performances

Mainpiece Title: Pharnaces

Performance Comment: Edition of 1723 lists: Tomiri-Signora Cuzzoni; Farnace-Fr Bernardi , called Senesino; Adrasto-Giuseppe Boschi; Cirene-Mrs Anastasia Robinson; Clitarco-Signora Margherita Durastanti; Osmano-Gaetano Berenstadt.

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

Performance Comment: Clegg=][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth.

Performances

Mainpiece Title: Tamerlane

Performance Comment: Edition of 1724 lists: Tamerlano-Andrea Pacini; Bajazet-Francesco Borosini; Asteria-Signora Francesca Cuzzoni; Andronico-Francesco Bernardi called Senesino; Irene-Signora Anna Dotti; Leone-Guiseppe Boschi.

Performances

Mainpiece Title: Momus Turn'd Fabulist

Afterpiece Title: Perseus and Andromeda

Performance Comment: As17300102, but Spaniard-_; Spanish Servant-_ now called; Hussar-Nivelon; Hussar's Servant-Hippisley.
Cast
Role: Spanish Servant Actor: _ now called

Performances

Mainpiece Title: Porus

Performance Comment: Edition of 1731 lists: Poro-Francesco Bernardi called Senesino; Cleofide-Signora Anna StradadePo; Erissena-Signora Antonia Merighi; Gandarte-Signora Francesco Bertolli; Alessandro-Annibale Pio Fabri; Timagene-Giovannie Giuseppe Commano.

Performances

Mainpiece Title: Rinaldo

Performance Comment: Edition of 1731 lists: Goffredo-Annibale Pio Fabri; Almirena-Signora Anna StradadelPo; Rinaldo-Francesco Bernardi called Senesino; Armida-Signora Antonio Merighi; Argante-Signora Francesca Bertolli; Mago-Giovanni Giuseppe Commano.

Performances

Mainpiece Title: Admetus

Performance Comment: Wherein Signora Bagnolesi, lately arrived from Italy, is to perform; but 2d edition of 1731 lists: Admeto-Senesino; Alceste-Signora Anna Bagnolesi; Hercules-Gio. Battista Pinacci; Trasimede-Antonio Guaxandi called Campioli; Antignona-Signora Anna StradadelPo; Meraspe-Antonio Montagnana. See also Deutsch, Handel, p. 278.

Performances

Mainpiece Title: Tunbridge Walks

Performance Comment: Yeoman-Aston Sr, commonly called Tony Aston, from lif, the first Time of his appearing on this Stage; Reyard-Jones; Loveworth-Barcock; Maiden-Hicks; Squib-Walker; Belinda-Miss Jones; Hillaria-Mrs Miller; Mrs Goodfellow-Mrs Mann; Jenny-Mrs Clarke; Lucy-Mrs Aston.

Afterpiece Title: The Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Dance: new Scots Dance to Ballad Tunes-Davenport, Miss Jones; Hornpipe, Chesire Round-Johnson

Song: Two new Songs-Aston

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Performance Comment: Phillis (Country Girl)-Miss Raftor; Tom (Footman)-Berry; Toby (Innkeeper)-Jones; Harry-Ridout; Lucy-Mrs Shireburn; Dorcas-Mrs Herle; Phillis (Chambermaid)-Mrs Mullart; but edition of 1733 lists as the cast: Tom-Berry; Toby-Harper; Harry-Ridout; James-E. Roberts; Dorcas-Mrs Sireburn; 1st Phillis-Mrs Pritchard; 2d-Miss Oates; Lucy-Miss Mann (possibly the cast for a later revival); Epilgoue-Miss Norris, Granddaughter of the late Mr Norris, commonly called Jubilee Dicky.

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Performances

Mainpiece Title: Astartus

Performance Comment: Cast not listed, but edition of 1734 lists: Clearco-Francesco Bernardi, called Senesino; Elisa-Signora Celestina Hempson; Sidonia-Signora Maria Segatti; Nino-Signora Francesco Bertolli; Fenicio-Montagnana; Agenore-Rochetti .

Performances

Mainpiece Title: Iphigenia In Aulis

Performance Comment: Cast not listed, but edition of 1735 lists: Iphigenia-Signora Cuzzoni; Clitemnestra-Signora Bertolli; Achille-Broschi Farinello; Agamemnon-Francesco Bernardi, called Senesino; Ulisse-Signora Segatti; Calcante-Montagnana .
Event Comment: A New Opera. [Librettist not known. Music by Handel.] London Daily Post and General Advertiser, 13 May: Last Night was perform'd ... Atalanta ...in which was a new Set of Scenes painted in Honour to this Happy Union, which took up the full length of the Stage: The Fore-part of the Scene represented an Avenue to the Temple of Hymen, adorn'd with Figures of several Heathen Deities. Next was a Triumphal Arch on the Top of which were the Arms of their Royal Highnesses, over which was placed a Princely Coronet. Under the Arch was the Figure of Fame, on a Cloud, sounding the Praises of this Happy Pair. The Names Fredericus and Augusta appear'd above in transparent Characters. Thro' the Arch was seen a Pediment supported by four Columns, on which stood two Cupids embracing, and supporting the Feathers, in a Princely Coronet, the Royal Ensign of the Prince of Wales. At the farther End was a View of Hymen's Temple, and the Wings were adorn'd with the Loves and Graces bearing Hymenael Torches, and putting Fire to Incense in Urns, to be ofter'd up upon this Joyful Union. The Opera concluded with a Grand Chorus, during which several beautiful Illuminations were display'd. . . . There were present their Majesties, the Duke, and the Four Princesses

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

Performance Comment: Cast not listed, but edition of 1736 lists: Atalanta-Signora Strada; Meleager-Gioachino Conti, called Egizzielli; Irene-Signora Maria Negri; Amintas-Beard; Nicander-Waltz; Mercury-Reinhold .
Event Comment: The New Theatre by the Pound. [From 4 Aug. to 20 Aug. At 1 P.M. and end at Nine. Sometimes it is called Jones' and Lacey's Company. For a puff, see Daily Advertiser, 9 Aug.]

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France By The English: [in It] A Ballad Opera, Call'd The Amorous Old Widow; Or, I Must Have A Comforter: With The Comical Humours Of The Rival Cowards; Or, The Whimsical Lovers

Music: By a Band of Musick just arriv'd from Naples [9 Aug. and afterwards.]

Performances

Mainpiece Title: Siroe

Performance Comment: Edition of 1736 lists: Cosroe-Francesco Tolve; Siroe-Carlo Broschi, called Farinello; Medarse-Signora Margaret Chimenti; Emira-Signora Antonia Merighi; Laodice-Signora Elisabetta duParc; Arasse-Antonio Montagnana.
Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-Griffin; Frederick-Havard; Clerimont-Mills; Ramilie-Macklin; James-Turbutt; Decoy-Ray; Sparkle-Lee; Harriet-Mrs Butler; Mariana-Mrs Mills; Mrs Wiaely-Mrs Bennet; Wheedle-Mrs Cross; Lappet-Mrs Clive; in which will be introduced a Song called The Life of a Beau-.

Afterpiece Title: Robin Goodfellow

Cast
Role: Robin Goodfellow Actor: Master W. Hamilton
Role: Puck Actor: Master Holman
Role: Cobweb Actor: Master J. Hamilton
Role: Moth Actor: Master Burgess
Role: Oberon Actor: Master Ferg

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Chymical Counterfeits; or, Harlequin Worm Doctor

Performance Comment: Harlequin-L'Agile; Colombine-Mrs Woodward; Doctor-Dunstall; Doctor's Man-Julian; Dropsical Man-Wallis; Pierot-Shawford; the whole to conclude with a Comic Dance called Le Maritime-.

Performances

Mainpiece Title: A Serenata

Performance Comment: In which will be introduced several Pieces on a new-invented Instrument, called The Corno Cromatico-.

Performances

Mainpiece Title: Pamela

Afterpiece Title: Lethe

Performance Comment: Aesop-W. Giffard; Charon-Julian; Attorney-Paget; Frenchman-Blakes; Irishman-Yates; Beau-Peterson; Mercury-Mrs Bishop; Drunken Man-Giffard; 1st Lady-Mrs Yates; 2nd Lady-Mrs Dunstall; Thomas-Crofts; Lucy-Mrs Hippisley; into which will be introduc'd a Song called The Life of a Belle-; that Scene being a Sequel to the Virgin Unmask'd. With Original Epilogue-.
Event Comment: Ever studious for Public Amusement, I...strayed last Week, to a place near the Haymarket in Westminster, and Temple Bar in Middlesex, call'd James's St., where at the New Theatre, a Play called the Miser, with an Entertainment called the Old Man Bit, or Harlequin Skeleton, I saw rehears'd. J. W. Gray's Inn 12 Oct.-Theatrical Clippings, Folger Library. Benefit Julian Late of Goodman's Fields Theatre. At the New Theatre in James St., near Haymarket...a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. 6 p.m. Note, Mr Julian taken this Opportunity to acquaint his Friends, that these Performances will be done with the utmost Regularity and Decoration, most of the Performers having belong'd to the Theatres. [This customary notice about the concert, time and prices will not be included unless changed.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Mock Doctor

Performances

Mainpiece Title: Joseph

Event Comment: At the Old Theatre. Advertisement for the Publick Good: Whereas a pack of Strolling Players, who by the Laws now in force are liable to be punished by His Majesty's Justices/of/the/Peace as vagrants and vagabonds, lately infested the villages of Clapham, Stackwell and Borough of Southwark and other places in the County of Surrey and have made several riots and have contracted several debts with His Majesty's liege subjects and have given out printed handbills and Tickets for several of their benefits, particularly that the play called the Recruiting Officer and the Entertainment called Flora, or Hob in the Well would be performed on Monday Night Last at Yeates Old Theatre in the Bowling Green in Southwark and Several Gentlemen and Ladies were prevailed on and paid for majy tickets and went in coaches expecting to see and hear the proposed entertainments but the said strollers neither performed nor returned the money advanced for such tickets though demanded, this Advertisement is therefore hembly recommended to the serious consideration of the justices of the peace for the said county of Surrey and also to give a friendly caution to unwary people not to be imposed upon by such persons in the future.--Daily Advertiser, 8 Nov. [See 27 Nov. at hay] On Tuesday last the Court Leets for the Town and Borough of Southwark...Likewise directed the Constables to use their utmost Endeavours toward suppressing the Acting of Plays...and avoiding all unlawful Games and Plays....By the Statue, no Plays to be acted but in Westminster, or Place of his Majesty's Residence, on forfeit of #50.--London Courant, 6 Nov

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Flora

Performances

Mainpiece Title: The Artful Husband

Afterpiece Title: The Stage Coach

Dance: Salomon, Signora Padouana

Performances

Mainpiece Title: The Fine Lady's Airs; Or, An Equipage Of Lovers

Performance Comment: Sir Harry Sprightly-Giffard; Blenheim-Delane; Nicknack-Yates; Bramble-Macklin; Lady Tossup-Mrs Cross; Lady Rodomont-Mrs Woffington; with an Epilogue called the Universal Prompter-.

Afterpiece Title: The King and the Miller of Mansfield

Song: I: By particular Desire, Arrah my Judy-Barrington

Dance: Salomon, Sga Padouana, Salomon's Son