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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Massey"/1) | (@(roleclean,performerclean) "Massey")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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536 results for: Keyword - Massey
We found 886 matches on Roles/Actors, 187 matches on Performance Comments, 12 matches on Event Comments, 3 matches on Performance Title, and 0 matches on Author.

526
27 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Cast
Role: Mrs Vixen Actor: Mr Massey

Afterpiece Title: Medea and Jason

Cast
Role: Mrs Vixen Actor: Mr Massey

527
01 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Waterman; or, The First of August

Afterpiece Title: Medea and Jason

Cast
Role: Mrs Vixen Actor: Mr Massey

528
12 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Candidate

Afterpiece Title: Medea and Jason

Cast
Role: Mrs Vixen Actor: Mr Massey

529
06 May 1748 @ Covent Garden

Event Comment: Benefit for Banks, Gwinn (Pit Doorkeeper), Trott, Smith. Tickets deliver'd by Massey, Elliot, Carney will be taken

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Virgin Unmask'd

530
30 April 1760 @ Haymarket Theatre

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Afterpiece Title: Britannia's Triumph; or, The Contest of Love and Glory

Performance Comment: Skeggs, Massey.

Dance: HHornpipe-

Music: The Band all mask'd in the Venetian Taste

531
07 June 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

532
13 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Characters by Palmer, Parsons, Massey, Wewitzer, R. Palmer, Egan, Stevens, Edwin; Miss Harper (with several additional airs). [For assignment of parts sec 27 Aug.] hathi.

Afterpiece Title: The Son-in-Law

Dance: End of mainpiece, as17820606

533
05 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Candidate

Performance Comment: Principal Characters by Parsons, Bannister, Swords, Davis, Baddeley, Kenny, Ledger, Bannister Jun., Barrett, Pierce, Staunton, Wilson; Miss Kirby, Mrs Lloyd. [Cast from text (J. Stockdale, 1782) and London Chronicle, 6 Aug.: Sir Gregory Gander-Parsons; Serjeant Glib-Bannister; Wrinkle-Swords; Town Clerk-Davis; Cook-Baddeley [in text: Wewitzer (see17820808)]; Twilight-Kenny [in text: Massey (see17820808)]; Waiters-Ledger, Barrett; Harry-Bannister Jun.; Mayor-Pierce; Captain Allspice-Staunton; Negus-Wilson; Sally-Miss Kirby; Maria-Mrs Lloyd.] New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi. New Prologue spoken by Palmer. [This was spoken, as here assigned, at all subsequent performances.] hathi.

Dance: As17820613

534
08 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Candidate

Performance Comment: As17820805, but Wewitzer in place of Baddeley; Massey in place of Kenny; Kenny in place of Pierce .

Dance: As17820613

535
26 November 1792 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

536
17 November 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.