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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mas Harris"/1) | (@(roleclean,performerclean) "Mas Harris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 404 matches on Performance Comments, 201 matches on Performance Title, 112 matches on Event Comments, 72 matches on Roles/Actors, and 29 matches on Author.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin's Invasion

Dance: II: A New Double Hornpipe-Mas. White, Miss Lings; IV: New Tambourine Dance-Mas. Byrn, Miss Byrn, Miss Wilkinson, scholars to Sg Giorgi (playbill)

Performance Comment: White, Miss Lings; IV: New Tambourine Dance-Mas. Byrn, Miss Byrn, Miss Wilkinson, scholars to Sg Giorgi (playbill).
Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: The Fingalian Dance-Mas. Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.

Performance Comment: Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.]See17720921.]
Event Comment: Benefit for Dumay, Harris & Holloway. Receipts: #277 18s. (50.2; tickets: 227.16) (charge: #107 10s.)

Performances

Mainpiece Title: The Comedy Of Errors

Related Works
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Comedy of Errors Author(s): Thomas Hull

Afterpiece Title: The Norwood Gypsies

Dance: End III: a new Tambourine Dance-; in which the Minuet de la Cour and Gavot-Harris, Miss Matthews; End IV: Minuet-Dumay, Miss Dagueville; a dew Minuet and Allemandecomposed by Dagueville-Holloway, Miss Lings; to conclude with: Quadrilles-; In afterpiece: Dancing, as17800510

Ballet: End: The Humours of New-Market. As17800508

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Related Works
Related Work: The Island of St. Marguerite Author(s): Thomas Shaw Jr.
Related Work: Tarugo's Wiles; or, The Coffee House Author(s): Sir Thomas St. Serfe
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): Thomas Attwood

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

Performance Comment: e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews .
Related Works
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The City Bride; or, The Merry Cuckold Author(s): Joseph Harris
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris
Related Work: King and No King Author(s): Thomas Harris
Related Work: The Spring Author(s): James Harris
Event Comment: Benefit for Mas. Maltere, Miss Foulcade, Mrs L'font & Goodwin. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Anatomist

Dance: II: Wooden Shoe-Master Malter, two Miss Foulcades; III: Dutch Sailor-Mas. Maltere; IV: Les Fantasies de la Dance, as17500428 but-Miss Foulcade; V: Louvre & Minuet-Maltere, Miss Foulcade

Event Comment: Benefit for Simson and Wife and Mas. Simson. Tickets of Simson in Wild Passage, Wild St., near Lincoln's Inn Fields; at Grigsbys Coffee House, behind the Royal Exchange, and at stage door. Afterpiece: By particular Desire. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Performance Comment: By Children-(Cross). Jasper-Mas. Cautherley; Fribble-Mas. Simson; Capt. Flash-Mas. Moore; Puff-Mas. Wallace; Miss Biddy-Miss Simson; Occasional Prologue-Mas. Simson; Concluding with a Country Dance-characters.
Cast
Role: Jasper Actor: Mas. Cautherley
Role: Fribble Actor: Mas. Simson
Role: Flash Actor: Mas. Moore
Role: Puff Actor: Mas. Wallace
Role: Occasional Prologue Actor: Mas. Simson

Song: I: Hooly and Fairly-Beard

Dance: III: A Minuet-Mas. Simson, Miss Simson

Event Comment: Benefit for Parsons, Real, Miss Cokayne, Mas. Besford, Francis. Both pieces By Particular Desire. Tickets deliver'd by Wild, Bassan, Pullin, Mrs Griffiths, Mrs Paddick, Mrs Walters, and Widow Trott will be taken. [House took half value of tickets in addition to ready money.] @Tickets Box Pit Gallery Value Half Value@Parsons 17 76 73 #22 19s. #11 9s. 6d.@Real 19 9 12 #7 6s. #3 13s.@Miss Cokayne 10 25 42 #10 9s. #5 4s. 6d.@Mas. Besford 1 32 49 #9 19s. #4 19s. 6d.@Francis - 41 18 #7 19s. #3 19s. 6d.@Wylde 5 18 29 #6 17s. #3 8s. 6d.@Bassan 14 53 56 #17 1s. #18 10s. 6d.@Pullin - 34 83 #13 8s. #6 14s.@Mrs Griffiths - 32 46 #9 8s. #4 14s.@Mrs Paddick 6 26 26 #8 #4@Mrs Walters 2 13 31 #5 11s. #2 15s. 6d.@Widow Trott 28 4 17 #9 6s. #4 13s.@Total 102 363 482 #128 3s. #64 1s. 6d.@ Receipts: #80 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Dragon of Wantly

Dance: III: New Pantomime Ballet(third time)-Mas. Blurton, Miss Besford, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: Cancelled. Theatre and all the Gardens [closed] on account of the Death of Louisa Anne [sister of His Majesty]--until 23 May. [This was to have been the Benefit night for Mortimer, Tomlinson, and Lings.] Tickets deliver'd by Miss Berkley, Mas. Cape, and for The Committee were to have been taken

Performances

Mainpiece Title: None

Afterpiece Title: None

Performance Comment: Catharine and Petruchio. As17680319 but Music Master-Lings.

Dance: [I: Double Hornpipe-Mas. Cape, Miss Taylor.

Performances

Mainpiece Title: The Noble Pedlar

Music: In the course of the concert Catches and Glees: 1st Violin and new solo concerto-Barthelemon; New Concerto on Organ-Carter (composed by Barthelemon); New French Horn and Trumpet Concerto (also Barthelemon's composition) by Mas. Rogers of Bath (Mr Leander's scholar) 12 years old; and by Mas. Green (Mr Jones's scholar) 10 years old. Several New Simphonies composed by Barthelemon. To conclude with the Canon of the favourite burletta The Magic Girdle

Performance Comment: Rogers of Bath (Mr Leander's scholar) 12 years old; and by Mas. Green (Mr Jones's scholar) 10 years old. Several New Simphonies composed by Barthelemon. To conclude with the Canon of the favourite burletta The Magic Girdle .

Performances

Mainpiece Title: The Duenna

Afterpiece Title: A Duke and no Duke

Dance: End Opera: A New Comic Dance call'd Mirth and Jollity-Aldridge, Mas. Jackson, Mas. Langrish, Miss Besford

Performance Comment: Jackson, Mas. Langrish, Miss Besford.
Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Performances

Mainpiece Title: King And No King

Related Works
Related Work: King and No King Author(s): Thomas Harris

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

Event Comment: CCymbeline cannot be performed on account of Indisposition of Mrs Yates. Tickets delivered by Stoppelaer and Mas. Harris, will be taken. Charges: half house-charges, plus half-value of tickets #89 15s., minus half value of receipts left a deficit to Stoppelaer of #54 8s., covered by income from Tickets of #105 19s. (Box 144; Pit 335; Gallery 197). [Harris seems to have had no charges and to have cleared #38 12s. from tickets (Box 97; Pit 51; Gallery 67). William Gard and Singleton performed as usual in Harlequin's Jubilee and received customary pay. See 15 Feb.] (Account Book.) Receipts: #70 14s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin's Jubilee

Dance: II: The Dutch Dance, as17691111

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv, Part Ii

Related Works
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey

Afterpiece Title: The Man of Quality

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Event Comment: Benefit of Settree. Tickets delivered by Mas. Settree and Miss Twist will be taken

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Address-Cibber; Rural Dance Blind Man's Buff-Master Settree, Miss Twist; Hooley and Fairley-Lauder; Two Comic Lectures-Cibber, Company; the Tailors-Mas. Settree, Miss Twist; Grand Concerto for French horns-; When all the Attic Fire was fledfrom Eliza-Miss Gaudry; Auction-Cibber; Italian air-Mimicotti, accompanied by Myn Heer Von@Poop Broomsticato; As17570728 New Cantata by Mr Shuman-Mr Sadler 1st appearance on any stage; Minuet-Mas. Settree, Miss Twist; Italian Peasants-Joly, Mlle Dulisse; Marine Boys Marching to Portsmouth-; Handel's Water Music-; with Preamble on Kettle Drums-Mother Midnight; Comic Epilogue-Miss Midnight (riding on an Ass).
Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan

Afterpiece Title: Harlequin's Frolic

Dance: End: As17570819

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Prince Prospero Actor: Harris
Related Works
Related Work: The Triumphs of Love and Honour Author(s): Thomas Cooke
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: King Henry the Fifth Actor: Harris
Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Theocles Actor: Harris
Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips
Event Comment: The Duke's Company. Pepys, Diary: With my wife and Mercer to the Duke's house, and there saw The Rivalls, which I had seen before; but the play not good, nor anything but the good acting of Betterton and his wife and Harris

Performances

Mainpiece Title: The Rivals

Performance Comment: See16640910, but Philander?-Betterton; Theocles?-Harris; Heraclia?-Mrs Betterton.
Cast
Role: Theocles? Actor: Harris
Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips
Event Comment: The Duke's Company. It seems likely that this play was acted about this time. Pepys, Diary, 20 Feb.: I heard discourse how Harris of [Duke's] play-house is sick, and everybody commends him, and, above all things, for acting the Cardinall

Performances

Mainpiece Title: The Cardinal

Performance Comment: Cardinal-Harris.
Cast
Role: Cardinal Actor: Harris.
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's play house, and there saw Mustapha, which, the more I see, the more I like; and is a most admirable poem, and bravely acted; only both Betterton and Harris could not contain from laughing in the midst of a most serious part, from the ridiculous mistake of one of the men upon the stage; which I did not like

Performances

Mainpiece Title: Mustapha

Performance Comment: Solyman?-Betterton; Mustapha?-Harris.
Cast
Role: Mustapha? Actor: Harris.
Event Comment: [The Duke's Company. For Harris' role, see Pepys, 11 May 1668. For Angel as Stephano, see An Elegy Upon...Mr Edward Angell, reprinted in A Little Ark, pp. 38-39: @Who shall play Stephano now? your Tempest's gone@To raise new Storms i' th' hearts of every one.@ For Underhill as Trincalo, note his nickname of Prince Trincalo. (For Mary Davis as Ariel and Mrs Long as Hypolito, see J. H. Wilson, All the King's Ladies, pp. 140, 166.) Downes (Roscius Anglicanus, p. 33): The Tempest...Acted in Lincolns-Inn-Fields...alter'd by Sir William Davenant and Mr Dryden before 'twas made into an Opera. Pepys, Diary: At noon resolved with Sir W. Pen to go see The Tempest, an old play of Shakespeare's, acted, I hear, the first day; and so my wife, and girl, and W. Hewer by themselves, and Sir W. Pen and I afterwards by ourselves; and forced to sit in the side balcone over against the musique-room at the Duke's house, close by my Lady Dorset and a great many great ones. The house mighty full; the King and Court there: and the most innocent play that ever I saw; and a curious piece of musique in an echo of half sentences, the echo repeating the former half, while the man goes on the latter, which is mighty pretty. The play [has] no great wit, but yet good, above ordinary plays. Thence home with Sir W. Pen, and there all mightily pleased with the play

Performances

Mainpiece Title: The Tempest

Performance Comment: Adapted by Sir William Davenant and John Dryden. A possible cast: Ferdinand-Harris?; Stephano-Angel?; Trincalo-Underhill?; Ariel-Mary Davis?; Hypolito-Mrs Long?.
Cast
Role: Ferdinand Actor: Harris?
Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett
Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Performance Comment: Edition of 1668: No actors' names, no prologue, no epilogue. Downes (Roscius Anglicanus, p. 28): Courtall-Smith; Freeman-Young; Sir Joslin-Harris; Sir Oliver-Nokes; Ariana-Mrs Jenning; Getty-Mrs Davies; Lady Cockwood-Mrs Shadwell.
Cast
Role: Sir Joslin Actor: Harris
Event Comment: The Duke's Company. Pepys, Diary: Here comes Harris, and first told us how Betterton is come again upon the stage: whereupon my wife and company to the [Duke's] house to see Henry the Fifth.... Thence I to the playhouse, and saw a piece of the play, and glad to see Betterton

Performances

Mainpiece Title: Henry The Fifth

Performance Comment: Owen Tudor?-Betterton; Henry V-Harris?; Princess Katherine-Mrs Betterton?. See also 13 Aug. 1664.
Cast
Role: Henry V Actor: Harris?