SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mary Martin"/1) | (@(roleclean,performerclean) "Mary Martin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 562 matches on Performance Comments, 243 matches on Event Comments, 114 matches on Performance Title, 49 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Bon Ton

Performance Comment: Sir John Trotley (with the original Prologue)-Wilkinson; Lord Minikin-Martin; Col. Tivy-Clifford; Jessamy-Williams; Davy-Baker; Lady Minikin-Mrs Gooch; Gump-Mrs Forster; Miss Tittup-Miss Crow.
Cast
Role: Lord Minikin Actor: Martin

Song: End: The Soldier Tired-Miss Crow

Entertainment: Monologue Previous: an Occasional Address-Miller

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Earl of Southampton-Adcock; Lord Burleigh-Martin; Sir Walter Raleigh-Maffet; Essex-Wilkinson; Queen Elizabeth-Mrs Sidney; Countess of Nottingham-Mrs Sincock; Rutland-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Lord Burleigh Actor: Martin

Afterpiece Title: The Citizen

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

Performance Comment: Characters by Aickin, Palmer, C. Kemble, Bannister, Suett, Caulfield, Wathen, R. Palmer, Palmer Jun., Waldron Jun., Davies, Trueman, Abbot, Burton, Lyons, Ledger, Mrs Kemble, Mrs Harlowe, Miss DeCamp, Mrs Hopkins; Cast from Larpent MS: Count de Valdesoto-Aickin; Pedro de Rascafria-Palmer; Henrique-C. Kemble; Basco de Robeldondo-Bannister; NicolasSassenigo-Suett; Tayo-Caulfield; Roca-Wathen; Cerbero-R. Palmer; Lopez-Palmer Jun.; Martin-Waldron Jun.; President of the Inquisition-Davies; Ignacio-Trueman; Gomez-Abbot; Citizens-Burton, Lyons, Ledger (these not listed in MS); Celestina-Mrs Kemble; Mariguita-Mrs Harlowe; Cattania-Miss DeCamp; Benedicta-Mrs Hopkins; Prologue-R. Palmer; Epilogue-Miss DeCamp.
Cast
Role: Martin Actor: Waldron Jun.

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Village Fete

Performance Comment: Principal Characters by Quick, Incledon, Munden, Townsend, Bowden, Haymes, Linton, Street, Gray, Mrs Mountain, Mrs Clendining, Mrs Martyr. [Cast from Larpent MS: Sir Martin Marygold-Quick; Fairlove-Incledon; Nicholas-Munden; Peter the Preacher-Townsend [in MS: Fawcett]; Kate-Mrs Mountain [in MS: Mrs Henley]; Peggy-Mrs Clendining; Lady Marygold-Mrs Martyr [in MS: Mrs Gilbert]; unassigned-Bowden, Haymes, Linton, Street, Gray.
Cast
Role: Sir Martin Marygold Actor: Quick
Role: Lady Marygold Actor: Mrs Martyr

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Hollingsworth; Edward-Bannister Jun.; Lewis-Caulfield; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Whitfield; Martin-Wathen; Hugo-Dowton; Lady Elinor de Courcy-Miss DeCamp; Adela (by Permission of the Proprietor of the Opera House)-Sga Storace; Cicely-Mrs Bland; Maud-Mrs Booth.
Cast
Role: Martin Actor: Wathen

Afterpiece Title: Sylvester Daggerwood

Dance: End I: The Camp-[i.e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Hollingsworth; Edward-Bannister Jun.; Lewis-Suett; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Holland; Martin-Wathen; Hugo-Dowton; Lady Elinor de Courcy-Miss DeCamp; Adela-Miss Dufour (1st appearance on any stage [i.e. in a speaking part]); Cicely-Mrs Bland; Maud-Mrs Maddocks.
Cast
Role: Martin Actor: Wathen

Afterpiece Title: The Wandering Jew or Loves Masquerade

Entertainment: Entertainment.End afterpiece: As17971016

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times or The Banquet Gallery

Performance Comment: [Characters by Cory, Barrymore, Kelly, Middleton, Surmont, Bannister Jun., Wathen, Suett, Sedgwick, Dignum, Caulfield, Trueman, Sparks, Hollingsworth, Webb, Ryder, Roffey, Grimaldi, Mrs Crouch, Mrs Bland, Miss Menage, Mrs Maddocks. Cast from text (Cadell and Davies [1799]: Baron Fitzallan-Cory; Baron Ruthenwolf-Barrymore; Edmund-Kelly; Henry-Middleton; Orlando-Surmont; Martin-Bannister Jun.; Andrew-Wathen; Nicholas-Suett; Villagers-Sedgwick, Dignum, Caulfield, Trueman, Hollingsworth; Servants-Webb, Ryder; Claribel-Mrs Crouch; Rachael-Mrs Bland; Susan-Miss Menage; Old Woman-Mrs Maddocks; unassigned-Sparks, Roffey, Grimaldi; Chorus of Soldiers-Danby, Tett, Atkins, Dibble, Denman, Caulfield [Jun.], Maddocks, Brown, Wentworth, Fisher, Cook; Chorus of Villagers-Potts, Meyers, Willoughby, Phillimore, Fisher, Evans, Aylmer, Gallot, Bardoleau, Peck, Ms Butler, Ms Bowyer, Ms Coates, Ms Gawdry, Ms Jacobs; Minstrels-Ms Roffey, Ms Jacobs [sic], Ms R. Jacobs, Ms Jackson, Ms Wentworth, Ms Arne, Ms Illingham, Ms Saunders, Ms B. Menage; Principal Dancer-Mlle Parisot; Vassals-Whitmell, Wells, Garman, Johnston, Goodman, Gauron, Bayzand, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.
Cast
Role: Martin Actor: Bannister Jun.

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Feudal Times

Performance Comment: As17990204, but Martin-Wathen in place of Bannister Jun.; Andrew-Caulfield of Wathen; Villagers-Evans, _Caulfield; Chorus of Soldiers-+Mead, +Sawyer, _Bardoleau; Chorus of Villagers-+Bardoleau, _Mead, _Sawyer.

Performances

Mainpiece Title: Will And No Will Or Wits Last Stake

Performance Comment: Linger-King; Saville-Russell; Caveat-Maddocks; Item-Sparks; Martin-Bannister Jun.; Mrs Watchly-Miss Tidswell; Myra-Miss Heard; Lucetta-Miss Pope.
Cast
Role: Martin Actor: Bannister Jun.

Afterpiece Title: Trials of the Heart

Afterpiece Title: The Wedding Day

Cast
Role: Martin Actor: Bannister Jun.

Song: End 2nd piece: The Country Club-Bannister Jun.; In 3rd piece: In the dead of the Night-Mrs Jordan

Entertainment: Monologue End: Foote's Prologue to The Author-King; in which is introduced the well-known Fable of The Man the Boy and the Ass-King

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As18000514, but added: Baron of Oakland-Hollingsworth; Lewis-Trueman; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Holland; Martin-Wathen; Cicely-Miss B. Menage.
Cast
Role: Martin Actor: Wathen

Afterpiece Title: The Sultan

Song: In afterpiece: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; II: song-Master Suett

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As18000523, but Martin-Evans.
Cast
Role: Martin Actor: Evans.

Afterpiece Title: The Devil to Pay

Event Comment: In an edition of Covent Garden Drollery, M. Summers, p. 67, prints an Epilogue, Spoken by the Lady Mary Mordant, before the King and Queen, at court, to the faithfull Shepherdess; Summers includes a letter (p. 121) from Gerrard to Lord Strafford, 9 Jan. 1662@3, concerning a performance of The Faithfull Shepherdess at Court. In another edition of the Covent Garden Drollery (London, 1928), G. Thorn-Drury argues that the performance belongs to Twelfth Night, 1633@4 (pp. 146-47)

Performances

Event Comment: The King's Company. Pepys, Diary: With my wife by water to the Royall Theatre; and there saw The Committee, a merry but indifferent play, only Lacey's part, an Irish footman, is beyond imagination. Here I saw my Lord Falconbridge, and his Lady, my Lady Mary Cromwell, who looks as well as I have known her and as well clad; but when the House began to fill she put on her vizard, and so kept it on all the play; which of late is become a great fashion among the ladies, which hides their whole face

Performances

Mainpiece Title: The Committee

Event Comment: Pepys, Diary: Though nine o'clock at night, carried them [Mary Joyce, Anthony Joyce and Kate Joyce] into a puppet play in Lincolnes Inn Fields, where there was the story of Holofernes, and other clockwork, well done

Performances

Mainpiece Title: Puppet Plays

Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

Event Comment: On this day Pepys heard a report about the reopening of the play-houses which probably was an erroneous rumor: And found Sir W. Pen talking to Orange Moll [Mary Meggs] of the King's house, who, to our great comfort, told us that they begun to act on the 18th of this month

Performances

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeths Troubles And The History Of Eighty Eight

Event Comment: The King's Company. Pepys, Diary: With my Lord Bruncker and his mistress to the King's playhouse, and there saw The Indian Emperour; where I find Nell come again, which I am glad of; but was most infinitely displeased with her being put to act the Emperour's daughter, which is a great and serious part, which she do most basely. The rest of the play, though pretty good, was not well acted by most of them, methought; so that I took no great content in it. But that, that troubled me most was, that Knipp sent by Moll [Mary Meggs] to desire to speak to me after the play; and she beckoned to me at the end of the play, and I promised to come; but it was so late

Performances

Mainpiece Title: The Indian Emperor

Event Comment: The Duke's Company. Pepys, Diary: With Sir W. Pen, my wife, and Mary Batelier to the Duke of York's house, and there saw Heraclius, which is a good play; but they did so spoil it with their laughing, and being all of them out, and with the noise they made within the theatre, that I was ashamed of it, and resolve not to come thither again a good while, believing that this negligence, which I never observed before, proceeds only from their want of company in the pit, that they have no care how they act

Performances

Mainpiece Title: Heraclius

Event Comment: Pepys, Diary: To the Duke of York's playhouse, and there met my wife and Deb. and Mary Mercer and Batelier, where also W. Hewer was, and saw Hamlet, which we have not seen this year before, or more; and mightily pleased with it; but, above all, with Betterton, the best part, I believe, that ever man acted

Performances

Mainpiece Title: Hamlet

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Event Comment: Lady Mary Bertie to Katherine Noel, 2 Jan. 1670@1: There is letely come out a new play writ by Mr Dreyden who made the Indian Emperor. It is caled the Conquest of Grenada. My brother Norreys tooke a box and carryed my Lady Rochester and his mistresse and all us to, and on Tuestay wee are to goe see the second part of it which is then the first tim acted (Rutland MSS, HMC, 12th Report, Part V [London, 1889], 22). From this letter it is difficult to tell whether by "Tuestay" is meant Tuesday 3 Jan. 1670@1 or Tuesday 10 Jan. 1670@1. Hence, Part II has been entered on both days

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: I have news to send you but that there are two very fine new plays lately acted (HMC, 12th Report, Part V [London, 1889], II, 22)

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 Feb. 1670@1: They say the greate Ball is to be danced on Munday night (HMC, 12th Report, Part V, Vol. II, p. 22). If this refers to the ballet, see 9 Feb. 1670@1

Performances

Event Comment: Lady Mary Bertie to Katherine Noel, 4 March 1670@1: I was with my Lady Rochester and my Lady Bettey Howard and Mrs Lee at a play (HMC, 12th Report, Part V, Vol. II, page 23)

Performances