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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Madam Davies"/1) | (@(roleclean,performerclean) "Madam Davies")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2121 results for: Keyword - Madam Davies
We found 2179 matches on Performance Comments, 135 matches on Event Comments, 49 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

2076
27 May 1774 @ Drury Lane Theatre

Event Comment: Benefit for Widow Bowers, Percy, Wood and Robinson. Tickets delivered for The Orphan and by Mr Hodges will be taken. Paid Mr Davies on Note #30; Mr Clinch for 5 days at beginning of season not on list #2 1s. 8d.; Mr Cooke's 4 boys 11th inst. #1 10s. (Treasurer's Book). Receipts: #256 12s. 6d. Charges: #84. Profits to Widow Bowers and beneficiaries: #172 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: High Life below Stairs

2077
02 May 1775 @ Covent Garden

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Davies, $Wewitzer">Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Dance: End: The Vintage Festival, as17741007

2078
03 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Performance Comment: Parts by Bannister, Waldron, Dibdin, Davies, Wrighten, Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard, Mrs Scott, Mrs Love, and a Young Gentlewoman. Steady-Bannister; Lubin(?)-Dibdin; Solomon(?)-Waldron; Easy-Wrighten; Countrymen-Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard; Floretta(?)-Mrs Scott; Cicely-Mrs Love; Gillian-A Young Gentlewoman (Miss Wilde) first appearance on this stage (Genest, V, 452).

2079
30 August 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: As17750728 but Parts-Davies, _Williams.
Cast
Role: Parts Actor: Davies, _Williams.

Afterpiece Title: The Lyar

Dance: Tambourine Dance-

2080
22 May 1777 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Public Advertiser, 7 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #329 17s. (48.15; tickets: 281.2) (charge: #105)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: As17770515

2081
17 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 7 years. No joke ever raised such loud and repeated mirth, in the galleries, as Sir John 's labour in getting the body of Hotspur on his back...At length this upper-gallery merriment was done away [with] by the difficulties which Henderson encountered in getting Smith on his shoulders. So much time was consumed in this pick-a-pack business that the spectators grew tired, or rather, disgusted. It was thought best, for the future, that some of Falstaff 's ragamuffins should bear off the dead body" (Davies, I, 273-75). [For Henderson as Falstaff see hay, 24 July 1777.] Receipts: #207 10s. 6d. (185.6.0; 20.7.0; 1.17.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

2082
20 May 1778 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for The Lady's Last Stake will be taken. Tickets sold at the doors will not be admitted. Public Advertiser, 16 May: Tickets to be had of Green, the corner of Norris-street, Hay-market; of Ansell, Davies-street, Berkley-square. Receipts: #290 14s. 6d. (40.19.6; tickets: 249.15.0) (charge: #105)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Commissary

Ballet: The Sailors' Revels at Portsmouth. As17780515

2083
18 May 1779 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets sold at the Doors will not be admitted. Public Advertiser, 8 May: Tickets to be had of Green, the corner of Norris-street, St. James's, Haymarket; of Ansell, Davies-street, Berkeley-square

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

2084
19 May 1780 @ Covent Garden

Event Comment: Benefit for Green and Ansell, box-keepers. Tickets delivered for Know Your Own Mind (which is unavoidably obliged to be set aside) will be admitted this Evening. Public Advertiser, 11 May: Tickets to be had of Green, the corner of Norris-street, No. 55, Hay-market; of Ansell, Davies-street, Berkeley-square. Receipts: #277 9s. 6d. (29.12.6; tickets: 247.17.0) (charge: #105)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Deaf Lover

Ballet: End: The Humours of New-Market. As17800518

2085
24 September 1781 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Marriage Act

Dance: In Act I of mainpiece a Masquerade Scene incident to the Play and a Minuet by Aldridge and Miss Besford. [These were included, as here assigned, in all subsequent performances.]

Song: End of Act iv of mainpiece Juliet's Funeral Procession with the Solemn Dirge. Vocal Parts by Mattocks, Reinhold, Davies, Robson, J. Wilson, Baker, Darley, Doyle, Simpkinson; Miss Harper, Mrs Martyr, Miss Morris, Mrs Morton, Miss Stuart, Mrs Kennedy

Performance Comment: Vocal Parts by Mattocks, Reinhold, Davies, Robson, J. Wilson, Baker, Darley, Doyle, Simpkinson; Miss Harper, Mrs Martyr, Miss Morris, Mrs Morton, Miss Stuart, Mrs Kennedy .

2086
02 November 1781 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Touchstone

Performance Comment: Principal Characters by W. Bates, Wilson, Jones, Booth, Newton, L'Estrange, Baker, Robson, Egan, Doyle, J. Wilson, Stevens, Ledger, Davies; Miss Morris (1st time), Miss Langrish, Mrs Kennedy. [Partial cast from Songs (G. Kearsly, 1779) and playbill of 11 May 1782: Harlequin-W. Bates; Keel-Wilson; Feridon-Mrs Kennedy.] hathi. hathi.

2087
29 November 1782 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years [not acted since 3 Oct. 1776]. The Conscious Lovers, and the new Farce of The Best Bidder, announced for to-morrow, are obliged to be deferred on account of the Indisposition of Parsons. "We left the Theatre with the precise Impressions a Theatre ought to leave--We were perhaps more good, at any Rate certainly we felt more fond of Goodness" (Public Advertiser, 30 Nov.). "Mrs Siddons, in the third act of the Fair Penitent, was so far affected, with assuming the mingled passions of pride, fear, anger, and conscious guilt, that I might appeal to the spectators, whether, in spite of the rouge which the actress is obliged to put on, some paleness did not shew itself in her countenance" (Davies, II, 56). Receipts: #262 17s. (247/2/0; 15/10/0; 0/5/0)

Performances

Mainpiece Title: Fair Penitent

Afterpiece Title: The Gentle Shepherd

2088
10 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. "I could wish an actor of Brereton's merit would avoid tones in speaking which approach to something like singing" (Davies, m, 251). Receipts: #311 7s. (131/15/0; 6/9/6; 0/1/6; tickets: 173/1/0) (charge: #106 10s. 6d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: A Trip to Scotland

2089
24 April 1784 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

Performance Comment: the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy .

2090
25 May 1784 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Cast
Role: Poins Actor: Davies

Afterpiece Title: Rosina

Cast
Role: Rustic Actor: Davies

Dance: End of mainpiece The Charms of a Camp, as17840521

Song: End of Act II of mainpiece Tally Ho! by Mrs Martyr; End of Act iv Poor ThomasDay by Edwin, Davies, Brett

Performance Comment: by Mrs Martyr; End of Act iv Poor ThomasDay by Edwin, Davies, Brett .

2091
02 June 1784 @ Covent Garden

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Poor Soldier

Performance Comment: As17840219, but Davies (1st time) in place of Bannister; Bonnor (1st time) in place of Wewitzer .

Dance: End of mainpiece Malbrough, as17840508

Monologue: 1784 06 02 After the Dance an Address, not listed on playbill, written and spoken by Mrs Abington (London Chronicle, 5 June)

2092
14 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Son-in-Law

Performance Comment: As17840529, but Davies in place of R. Palmer; R. Palmer in place of Egan; Mrs Bannister in place of Miss Hooke .

2093
16 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Cast
Role: Melville Actor: Davies

Afterpiece Title: The Election of the Managers

Performance Comment: As17840602 but Davies in place of Aickin .

Dance: As17840601

2094
15 July 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Two To One

Cast
Role: Crape Actor: Davies

Afterpiece Title: The Son-in-Law

Performance Comment: As17840529, but Davies in place of R. Palmer; Mrs Bannister in place of Miss Hooke .

Dance: As17840713

2095
14 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: The Son-in-Law

Performance Comment: As17840529, but Davies in place of Barrett; Mrs Bannister in place of Miss Hooke .

2096
02 December 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals

2097
17 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Performance Comment: As17841215 Prologue spoken by Davies [and thereafter (see17841214, and 22 Feb. 1785)] .

Afterpiece Title: The Mock Doctor

Dance: As17841201

2098
18 April 1785 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Performance Comment: A Select Scene, consisting of Music and Dancing, in which: a Hunting Song [Tantivy, the welkin resounds] by Mrs Martyr; the celebrated Vauxhall Echo Catch [They say there is an echo here (performers not listed)]; a Pastoral Dialogue [Alas! Poor Sue] by Johnstone and Mrs Martyr; Auld Robin Gray by Mrs Kennedy; Poor ThomasDay by Edwin, Brett, Davies. Abdiel, the Genius-Master Farley .

Afterpiece Title: Barataria

Cast
Role: Don Quixote Actor: Davies

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

2099
17 October 1785 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Catherine and Petruchio

Song: In Act v of mainpiece a Roman Ovation. The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.]

Performance Comment: The Music composed by Shield, with a Grand Chorus ["taken from Caractacus" (Public Advertiser, 21 Oct.)] by Dr Arne. Vocal Parts by Johnstone, Brett, Davies, Cubitt, Palmer, Darley, Meadows, Doyle; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Gray, Miss Orme, Miss Francis, Miss Browning, Mrs Bannister. [This was included, as here assigned, in all subsequent performances.] hathi.

2100
11 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Performance Comment: Principal Parts by Quick, Booth, Palmer, Brown, Wewitzer, Fearon, Davies, Edwin; Mrs Webb, Miss Brangin, Mrs Wells. Cast not known. Prologue spoken by Holman .

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227