SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Madam Billington"/1) | (@(roleclean,performerclean) "Madam Billington")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 160 matches on Performance Comments, 49 matches on Event Comments, 37 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Prophet

Performance Comment: Rathmud-Quick; The Sultan-Bannister; Carlos-Johnstone; Lazarus-Blanchard; Hali-Powel; The Vizier-Thompson; Ismene-Mrs Martyr; Faracknaz-Mrs Billington.
Cast
Role: Faracknaz Actor: Mrs Billington.

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Johnstone; Sir Harry Sycamore-Edwin; Mervin-Duffey; Ralph-Blanchard; Fairfield-Darley; Farmer Giles-Bannister; Fanny-Mrs Martyr; Theodosia-Mrs Mountain; Lady Sycamore-Mrs Webb; Patty-Mrs Billington (1st appearance in that character).
Cast
Role: Patty Actor: Mrs Billington

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: L'allegro Ed Il Penseroso 0; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: The Mansion of Peace-Harrison (Webbe); I feel the Deity within, Arm arm ye brave-Sale; We come in bright array-Chorus (Judas Maccabaeus); Praise the Lord-Miss Poole; (Esther); My arms, Sound an alarm-Incledon; We hear the pleasing call-Chorus (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington; Hallelujah! for the Lord God omnipotent reigneth-Grand Chorus (The Messiah).

Music: End I: 1st concerto , Op. 3, by Geminiani-G. Ashley

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle (with songs)-Johnstone; Sir Christopher Curry-Quick; Campley-Davies; Medium-Powel; Mate-Darley; Trudge-Fawcett (1st appearance in that character); Wowski-Mrs Martyr; Narcissa-Miss Francis; Patty-Mrs Fawcett; Yarico (with additional songs)-Mrs Billington.
Cast
Role: Yarico Actor: Mrs Billington.

Afterpiece Title: Oscar and Malvina

Dance: End II: Negro Dance-

Music: As17911024

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17910920, but Capt. Macheath-Johnstone; Polly-Mrs Billington.
Cast
Role: Polly Actor: Mrs Billington.

Afterpiece Title: Modern Antiques

Dance: In III: a Hornpipe-Platt

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Incledon; Hawthorn-Johnstone (1st appearance in that character); Hodge-Blanchard; Sir William Meadows-Powel; Eustace-Davies; Carter-Rees; Cook-Rock; Footman-Blurton; Justice Woodcock-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Mountain; Maid-Miss Stuart; Rosetta-Mrs Billington.
Cast
Role: Rosetta Actor: Mrs Billington.

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Incledon; Artaxerxes-Gray; Artabanes-Darley; Rimenes-Davies; Semira-Mrs Mountain; Mandane-Mrs Billington.
Cast
Role: Mandane Actor: Mrs Billington.

Afterpiece Title: The Midnight Hour

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Marian

Performance Comment: Edward-Johnstone; Sir Henry Freeman-Incledon; Robin-Blanchard; Thomas-Darley; Jamie-Powel; Oliver-Thompson; Peggy-Mrs Mountain; Patty-Mrs Martyr; Marian-Mrs Billington.
Cast
Role: Marian Actor: Mrs Billington.

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Afterpiece Title: Robin Hood

Performance Comment: As17910928, but Allen o'Dale-Gray; Angelina-Mrs Billington.
Cast
Role: Angelina Actor: Mrs Billington.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17910920, but Peachum-Powel; Polly-Mrs Billington.
Cast
Role: Polly Actor: Mrs Billington.

Afterpiece Title: Love in a Camp

Dance: In III: a Hornpipe-Byrne

Song: End: Black Eyed Susan-Incledon

Event Comment: The Duke's Company, the receipts for #20 being signed by Richard Baddeley (A Calendar of the Middle Temple Records, ed. Hopwood, p. 170). W. J. Lawrence (Review of English Studies, IX (1933), 221) suggests The Adventures of Five Hours as a possibility. Pepys, Diary: I met Madam Turner...she and her daughter having been at the play to-day at the Temple, it being a revelling time with them

Performances

Mainpiece Title: An Unidentified Play

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: [After stopping at Bridges Street] against our wills, went all to see Tu Quoque again, where there is pretty store of company, and going with a prejudice the play appeared better to us. Here we saw Madam Morland, who is grown mighty fat, but is very comely. But one of the best parts of our sport was a mighty Pretty lady that sat behind us, that did laugh so heartily and constantly, that it did me good to hear her

Performances

Mainpiece Title: Tu Quoque

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Event Comment: L. C. 5@142, p. 38 (see also Nicoll, Restoration Drama, p. 355): Order to Mr Staggins, Master of his Majesty's Musick, and in his absence to Mr Lock, who officiates for him:--That all His Majesty's musitians doe attend to practise in the theatre at Whitehall at such tymes as Madam Le Roch and Mr Paisible shall appoint for ye practiceing of such musick as is to be in ye French comedy to be acted before His Matie [the 29 May]

Performances

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1696, suggests that it was first presented not later than June 1696. The cast also has a large number of relatively new players, suggesting a performance in the early summer, when the young actors had more opportunities to act. Several Songs, with the names of the singers, were published separately: Hark you, madam, can't I move you, set by John Eccles, and sung by Bowman and Mrs Bracegirdle; Shou'd I not lead a happy life, set by John Eccles and sung by Reading and M. Lee; From Aberdeen to Edinburgh, set by Ackeroyd and sung by Mrs Hudson; all in Deliciae Musicae, The Second Book of the Second Volume, 1696. Preface, Edition of 1696: I am almost asham'd to mention the extraordinary Success of a Play which I myself must condemn....Let me leave this ungrateful Subject to acknowledge my obligations to Mr John Eccles, who not only set my three Dialogues to most charming Notes, but honour'd the Words to Admiration. Downes, Roscius Anglicanus, p. 44: Love's a Jest, a Comedy, done by Mr Mateox; succeeded well, being well Acted, and got the Company Reputation and Money

Performances

Mainpiece Title: Love's A Jest

Event Comment: Betterton's Company. The date of the first performance is not known, but Lucyle Hook, James Brydges Drops in at the Theatre, Huntington Library Bulletin, VIII (1945), 309, speculates that James Brydges' attendance at lif this day may have been prompted by his seeing this new play, as he stayed longer than he often did at a theatrical performance. The comedy was certainly acted before 12 March 1699@1700. James Brydges, Diary: I went to ye play in Lincolns inn fields, where I met Sr G. Coply, who set me down after it was ended (Huntington MS St 26). Downes, Roscius Anglicanus, p. 45: The Way of the World, a Comdey wrote by Mr Congreve, twas curiously Acted; Madam Bracegirdle performance her Part so exactly and just, gain'd the Applause of Court and City; but being too Keen a Satyr, had not the Success the Company Expected

Performances

Mainpiece Title: The Way Of The World

Event Comment: Benefit Penkethman, Note, The Subscribers are desir'd not to bring their Tickets this Day, his Friends having promis'd to make this a Jubilee Day to him, and fill the House at the full Price, Mr Penkethman being at a greater Charge than ordinary. For the Entertainment of Madam la Signiora Fount, Signiora, Espagnola, Native d'Barcellone di cale Quallificatta, who will, in a particular Manner, hounour Mr Penkethman...by appearing in her own Country Habit. The Boxes opened to the Pit at 2s. 6d. At five o'clock, by reason of thelength of the Entertainments, and that the Gentry may return to London before 'tis Dark

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Dance: Whimsical Dance between a Miller, his Wife, and a Town Miss-; Chest Dance, after the Italian Manner, between Scaramouch, Punchanello, Coachman, and Cookmaid-; French Peasant and his Wife-; Ladder Dance-a famous Master; Scaramouch-LeSac; Dance by a Flemming in Wooden Shoes-; Dance by a Switzer-; Night Scene of Scaramouch, Harlequin, Cooper, Wife, and others-

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

Performances

Mainpiece Title: Le Furbarie Per Vendetta; Or, Bridghella's Revenge Contrariated By Argentina: With Harlequin's Transformation, Viz

Performance Comment: a Physician, Master of Musick, Madam Patasia, or Lady Pancake, Swaggerer, Giant, and Grand Bashaw; Together with his Comical Egress and Regress to and from the Tower.
Event Comment: Benefit Mlle Salle. By Command of His Royal Highness the Prince of Wales. Tickets to be had at Madam Salle's Lodgings at Mr Belleur, Jeweller, opposite the Red-Lion, Brownlow-street, DL

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: I: Pigmalion by Lally, Mlle Salle &c. II: Fawns by Lally, Mlle Grognet, Miss Rogers, Mrs De l'Orme. III: By Denoyer and Mlle Salle. IV: By Mlle Grognet, Miss Rogers, Mrs De l'Orme. V: Minuet by Denoyer and Mlle Salle

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Merlin's Cave; or, Harlequin Skeleton

Performance Comment: Chasseur Royal-Lowe; Merlin-Howard; Diana-Miss Davis; Aerial Spirits-Cooke, Villeneuve, Desse, Christian, Gardner; Madam Cointrie, Mrs Villeneuve, Mrs Gondou, Miss Batchelor; Jupiter in the character of Harlequin-Miles; Mercury-Vincent; Doctor-Bencraft; Colombine-Miss Haughton; Pierrot-Lalauze.
Event Comment: Benefit for Legge, Desse and Mrs Chambers. Tickets deliver'd out by Madam Petite will be taken

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Contrivances

Dance: GGrand Comic Ballet, as17511216

Song: II: Old Chiron-Lowe, Legge; III: Honour and Arms-Legge; IV: If Love's a Sweet Passion-Mrs Chambers

Event Comment: Benefit for Grandchamps, Stoppelaer, Madam Camargo. Tickets deliver'd out by Paddick, Holtom, Gardiner, and Miss Morrison will be taken

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Lover His Own Rival

Dance: I: (By Desire) Two Pierrots-Settree, Gardner; II: A Peasant-Gardner; III: A New Dance-Mad Camargo; V: Minuet, Louvre-Grandchamps, Mad Camargo

Event Comment: Benefit for Holtom, Miss Cockayne, Crudge (Housekeeper), Miss Young, and others. Tickets deliver'd for Jervais, Mrs Gwinn, and Madam Huette will be taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Double Disappointment

Dance: MMinuet, Louvre-Settree, Mlle Huette; Italian Peasants-Granier, Mlle Camargo