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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mad Casentini"/1) | (@(roleclean,performerclean) "Mad Casentini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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433 results for: Keyword - Mad. Casentini
We found 217 matches on Performance Title, 170 matches on Performance Comments, 74 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

201
22 May 1778 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad-Cap

Performance Comment: Cantileno (with imitations)-Reinhold; Ballad-Mahon; Zorobabel-Quick; Lord Bawble-Robson; The Country Mad@Cap-Mrs Mattocks.
Cast
Role: The Country Mad@Cap Actor: Mrs Mattocks.

Dance: End II: The Arts and Sciences, as17780509; in which an Assault-Master Dagueville, Master Holland; with a Minuet-Master Dagueville, Miss Bullock; Prince of Wales's New Court Minuet-Master Holland, Miss Simonet

202
18 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Flitch of Bacon

Song: End II: several of the newest and most favourite Catches and Glees-Reinhold, Vernon, Champness, Leoni, assisted by several of the most eminent performers; End: Mad Tom, in character, as17800410

203
28 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: The Hodge Podge; or, A Receipt to Make a Benefit

Dance: As17810612

Entertainment: In 3rd piece: Speaking, Singing, Sneezing, Yawning, Acting, Pantomime-; particularly The Military Exercise-Mrs Wells; With Hounds and with Horns-Mrs Cargill; Sweet Echo, Mad Bess(1st time)-Miss Harper

204
11 October 1783 @ Covent Garden

Event Comment: "The after-piece-that old obsolete Trash, the Country Madcap, by the aid of Quick and Mrs Mattocks' good Acting, was endured. Reinhold's imitation of Italian Singing . . . got three Peals of Applause" (Public Advertiser, 13 Oct.). Receipts: #150 4s. 6d. (147/1/6; 3/3/0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: The Country Mad-Cap

205
24 April 1784 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

206
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

207
16 November 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

208
25 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Romp

Dance: End of mainpiece The Sailors' Revels, as17860424

Song: In the course of the evening Collin cur'd of roving; End of Dancing Mad Bess (in character), both by Miss George

209
09 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap; or, Miss Lucy in Town

Performance Comment: Zorobabel-Quick; Lord Bawble-Palmer; Signor Cantileno-Darley; Ballad-Brown; Thomas-Cubitt; Mrs Midnight-Mrs Pitt; Tawdry-Miss Stuart; The Country Madcap (with songs)-Mrs Martyr (1st appearance in that character) .
Cast
Role: The Country Madcap Actor: Mrs Martyr

Dance: End of 2nd piece The Drunken Sailor Reclaim'd, as17860424

Song: End of Act II of 1st piece a new song, Toung Henry, by Mrs Martyr

Monologue: 1786 05 09 Before 1st piece a new Occasional Address spoken by Holman

210
17 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Cast
Role: The Country Madcap Actor: Mrs Martyr

Afterpiece Title: The Country Mad Cap

Cast
Role: The Country Madcap Actor: Mrs Martyr

Dance: End of 2nd piece The trapping Landlady, as17860426

211
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper-Tunstall; Major Belford-Brooke; Doctor Prattle-Randall; Madam Cordival [recte Florival]-Mrs Taylor; Bell-Miss Brooke.

Afterpiece Title: The Shipwreck; or, Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

212
02 June 1790 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Marian

Song: In: Mad Bess (composed by Purcell)-Mrs Billington; accompanied-Knyvett; In afterpiece: Sweet Bird (from L'Allegro il Penseroso, by Handel)-Mrs Billington; accompanied on the violin (for that night only)-Weichsel

213
03 June 1790 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Cast
Role: Madge Actor: Mrs Wells

Afterpiece Title: The Follies of a Day

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

214
07 June 1790 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Nootka Sound

Song: In: Mad Bess, as17900602

215
26 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Devil to Pay

Song: End: (for this night only) Mad Bess-Mrs Crouch, in character

216
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)

217
25 April 1794 @ Covent Garden

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE SAILOR'S FESTIVAL

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

218
20 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE SAILOR'S FESTIVAL

Afterpiece Title: MODERN ANTIQUES

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502

219
18 May 1796 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

220
24 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Warwick And Margaret Of Anjou

Afterpiece Title: The Lie of the Day

Afterpiece Title: Sprigs of Laurel

Song: In Course Evening: The Waiter-Fawcett; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Mad Bess (in character)-Mrs Clendining; The Sportman's snug little Cot, Admiral Benbow-Incledon

221
30 August 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Afterpiece Title: The Hodge Podge; or, A Receipt to make a Benefit

Afterpiece Title: The Son-in-Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

222
06 April 1799 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

223
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

224
16 September 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Tars at Torbay

Afterpiece Title: Peeping Tom

Entertainment: Vaudeville End: Satan's Address to the Sun , from Milton's Paradise Lost-the Young Gentleman who last year (see17980917) recited a portion of Gray's Bard; Musical Pasticcio, The Cryer-Suett; My mother bids me bind my hair (Haydn)-Master Suett; a Comic Song descriptive of Bartholomew Fair-Wathen; Mad Tom (Purcell)-Story; The Irish Newsman-Clarke; Crazy Jane (Miss Abrams)-Mrs Bland; Imitations-Caulfield

225
01 March 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Bella Pescatrice

Performance Comment: Principal Characters-Lazzarini, Cipriani, Agostino Lipparini, Giuseppe Lipparini, Sga Casentini, Sga Calvesi, Sga Salimbeni. Cast from libretto (H. Reynell, 1791): Cavaliere Cedidoro-Lazzarini; Don Alfonso-Cipriani; Conte-Lipparini Sen.; Maccabruno-Lipparini Jun.; Dorinda-Sga Casentini; Vespina-Sga Calvesi; Lisetta-Sga Salimbeni.
Cast
Role: Principal Characters Actor: Lazzarini, Cipriani, Agostino Lipparini, Giuseppe Lipparini, Sga Casentini, Sga Calvesi, Sga Salimbeni. Cast from libretto
Role: Dorinda Actor: Sga Casentini

Dance: As17910217

Ballet: Amphion et Thalie. As17910217