Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mad Clairon"/1) | (@(roleclean,performerclean) "Mad Clairon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
420 results for: Keyword - Mad Clairon
We found 217 matches on Performance Title, 157 matches on Performance Comments, 73 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

201
18 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Flitch of Bacon

Song: End II: several of the newest and most favourite Catches and Glees-Reinhold, Vernon, Champness, Leoni, assisted by several of the most eminent performers; End: Mad Tom, in character, as17800410

202
28 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: The Hodge Podge; or, A Receipt to Make a Benefit

Dance: As17810612

Entertainment: In 3rd piece: Speaking, Singing, Sneezing, Yawning, Acting, Pantomime-; particularly The Military Exercise-Mrs Wells; With Hounds and with Horns-Mrs Cargill; Sweet Echo, Mad Bess(1st time)-Miss Harper

203
11 October 1783 @ Covent Garden

Event Comment: "The after-piece-that old obsolete Trash, the Country Madcap, by the aid of Quick and Mrs Mattocks' good Acting, was endured. Reinhold's imitation of Italian Singing . . . got three Peals of Applause" (Public Advertiser, 13 Oct.). Receipts: #150 4s. 6d. (147/1/6; 3/3/0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: The Country Mad-Cap

204
24 April 1784 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

205
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

206
16 November 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

207
25 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Romp

Dance: End of mainpiece The Sailors' Revels, as17860424

Song: In the course of the evening Collin cur'd of roving; End of Dancing Mad Bess (in character), both by Miss George

208
09 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap; or, Miss Lucy in Town

Performance Comment: Zorobabel-Quick; Lord Bawble-Palmer; Signor Cantileno-Darley; Ballad-Brown; Thomas-Cubitt; Mrs Midnight-Mrs Pitt; Tawdry-Miss Stuart; The Country Madcap (with songs)-Mrs Martyr (1st appearance in that character) .
Cast
Role: The Country Madcap Actor: Mrs Martyr

Dance: End of 2nd piece The Drunken Sailor Reclaim'd, as17860424

Song: End of Act II of 1st piece a new song, Toung Henry, by Mrs Martyr

Monologue: 1786 05 09 Before 1st piece a new Occasional Address spoken by Holman

209
17 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Cast
Role: The Country Madcap Actor: Mrs Martyr

Afterpiece Title: The Country Mad Cap

Cast
Role: The Country Madcap Actor: Mrs Martyr

Dance: End of 2nd piece The trapping Landlady, as17860426

210
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper-Tunstall; Major Belford-Brooke; Doctor Prattle-Randall; Madam Cordival [recte Florival]-Mrs Taylor; Bell-Miss Brooke.

Afterpiece Title: The Shipwreck; or, Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

211
02 June 1790 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Marian

Song: In: Mad Bess (composed by Purcell)-Mrs Billington; accompanied-Knyvett; In afterpiece: Sweet Bird (from L'Allegro il Penseroso, by Handel)-Mrs Billington; accompanied on the violin (for that night only)-Weichsel

212
03 June 1790 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Cast
Role: Madge Actor: Mrs Wells

Afterpiece Title: The Follies of a Day

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

213
07 June 1790 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Nootka Sound

Song: In: Mad Bess, as17900602

214
26 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Devil to Pay

Song: End: (for this night only) Mad Bess-Mrs Crouch, in character

215
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)

216
25 April 1794 @ Covent Garden

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE SAILOR'S FESTIVAL

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

217
20 May 1794 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE SAILOR'S FESTIVAL

Afterpiece Title: MODERN ANTIQUES

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502

218
18 May 1796 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

219
24 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Warwick And Margaret Of Anjou

Afterpiece Title: The Lie of the Day

Afterpiece Title: Sprigs of Laurel

Song: In Course Evening: The Waiter-Fawcett; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Mad Bess (in character)-Mrs Clendining; The Sportman's snug little Cot, Admiral Benbow-Incledon

220
30 August 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Afterpiece Title: The Hodge Podge; or, A Receipt to make a Benefit

Afterpiece Title: The Son-in-Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

221
06 April 1799 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

222
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

223
16 September 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Tars at Torbay

Afterpiece Title: Peeping Tom

Entertainment: Vaudeville End: Satan's Address to the Sun , from Milton's Paradise Lost-the Young Gentleman who last year (see17980917) recited a portion of Gray's Bard; Musical Pasticcio, The Cryer-Suett; My mother bids me bind my hair (Haydn)-Master Suett; a Comic Song descriptive of Bartholomew Fair-Wathen; Mad Tom (Purcell)-Story; The Irish Newsman-Clarke; Crazy Jane (Miss Abrams)-Mrs Bland; Imitations-Caulfield

224
08 April 1729 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pilgrim-Ryan; Roderigo-Quin; Alphonso-Hippisley; Mad Scholar-Milward; Mad Taylor-Hall; Drunken Servant-Bullock; Alinda-Mrs Bullock; Juletta-Mrs Younger; With the Humours of Bedlam-; Mad Soldier-Salle; Mad Dancing Master-Moreau; Mad Gamester-Pelling; Mad Taylor-Newhouse; Mad Beau-Tabatier; Mad Lady-Mrs Legare.
Cast
Role: Mad Scholar Actor: Milward
Role: Mad Taylor Actor: Hall
Role: Mad Soldier Actor: Salle
Role: Mad Dancing Master Actor: Moreau
Role: Mad Gamester Actor: Pelling
Role: Mad Taylor Actor: Newhouse
Role: Mad Beau Actor: Tabatier
Role: Mad Lady Actor: Mrs Legare.

Afterpiece Title: Italian Jealousy; or, French Gallantry; With the Tavern Bilkers

Dance: HHighlander and Mistress-Salle, Mrs Legare; French Sailor-Salle, Mrs Legare

225
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Lewis; Rodorigo-Aickin; Curio-Davies; Siberto-Mahon; Old Pilgrim-Fearon; Master of the Mad-house-Webb; Alphonso-Wilson; Mad Welshman-Edwin; Mad Tailor-Quick; Mad Scholar-Whitfield; Mad Parson-Booth; Mad Englishman (with a song)-Bannister; Mad Bess (with a song)-Mrs Martyr; Juletta-Mrs Wilson; Fool-Miss Stuart; Alinda-Mrs Robinson .
Cast
Role: Master of the Mad Actor: house-Webb
Role: Mad Welshman Actor: Edwin
Role: Mad Tailor Actor: Quick
Role: Mad Scholar Actor: Whitfield
Role: Mad Parson Actor: Booth
Role: Mad Englishman Actor: Bannister
Role: Mad Bess Actor: Mrs Martyr

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass