SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Love"/1) | (@(roleclean,performerclean) "MMr Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2769 matches on Performance Title, 988 matches on Performance Comments, 422 matches on Event Comments, 99 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-A Young Gentleman (1st appearance on any stage [Dignum]); Justice Woodcock-Parsons; Sir William Meadows-Aickin; Eustace-Williames; Hodge-Moody; Hawthorn-Bannister; Margery-Mrs Wrighten; Deborah Woodcock-Mrs Love; Lucinda-Miss M. Stageldoir; Rosetta-Miss George. hathi.
Cast
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: High Life below Stairs

Performance Comment: Lovel-Bannister Jun.; Duke's Servant-Palmer; Sir Harry's Servant-Dodd; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope .
Cast
Role: Lovel Actor: Bannister Jun.

Dance: In Act I of mainpiece Country Dance incident to the Piece [This was danced in all subsequent performances]; End of Act II of mainpiece, as17840916; In afterpiece a Mock Minuet by Palmer and Miss Pope [This was danced, as here assigned, in all subsequent performances]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Wewitzer; Eustace-Davies; Young Meadows-Meadows (1st appearance in London); Luanda-Miss Langrish; Madge-Mrs Wells; Deborah Woodcock-Mrs Love; Rosetta-Miss George .
Cast
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: Hunt the Slipper

Dance: End of Act II of mainpiece, as17850601

Performances

Mainpiece Title: Love In A Village

Performance Comment: Justice Woodcock-Edwin; Hawthorn (1st time)-Mathews; Sir William Meadows-Aickin; Hodge-Wewitzer; Eustace-Davies; Young Meadows-Meadows [sic]; Lucinda-Miss Burnett; Madge-Mrs Wells; Deborah Woodcock-Mrs Love; Rosetta-Miss George .
Cast
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: Hunt the Slipper

Dance: End of Act II of mainpiece a Divertissement by Byrn, Master Giorgi, Miss Byrn, the two Miss Simonets

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Kelly (1st appearance in that character); Justice Woodcock-Parsons; Sir William Meadows-Aickin; Eustace-Williames; Hodge-Moody; Hawthorn-Bannister; Margery-Miss Collett; Deborah Woodcock-Mrs Love; Lucinda-Miss Stageldoir; Rosetta-Mrs Crouch (1st appearance in that character).
Cast
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: The Distress'd Baronet

Dance: End II: As17870113; I: a Country Dance (incident to the [main]piece)-

Song: [Kelly introduced a song, Love thou maddening power, and a duet, Each joy in thee possessing, neither one listed on playbill. Both were composed by Gluck, and both had English words by Elizabeth Sheridan (Kelly, I, 301-2)]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Justice Woodcock-Edwin; Hawthorn-Mathews; Sir William Meadows-Aickin; Hodge-Wewitzer; Eustace-Johnson; Young Meadows-Meadows [sic]; Lucinda-Mrs Forster; Madge-Mrs Brown; Deborah Woodcock-Mrs Love; Rosetta-Miss George.
Cast
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: A Beggar on Horseback

Performance Comment: Corny Buttercup-Edwin; Horace-Lawrence; Cosey-Johnson; Scout-Burton; James-Swords; Old Barnavag-Barret; Tweedle-Lyons; Billy-Painter; Old Codger-Parsons; Mrs Mummery-Mrs Webb; Mrs Neighborly-Mrs Love; Miss Barnavag-Miss Francis; Nancy Buttercup-Mrs Kemble.
Cast
Role: Mrs Neighborly Actor: Mrs Love

Dance: End II: Love for Love, as17870625

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Kelly; Justice Woodcock-Waldron; Sir William Meadows-Aickin; Eustace-Williames; Hodge-Moody; Hawthorn-Dignum; Margery-Miss Collett; Deborah Woodcock-Mrs Love; Lucinda-Miss Stageldoir; Rosetta-Mrs Crouch.
Cast
Role: Deborah Woodcock Actor: Mrs Love

Afterpiece Title: The First Floor

Dance: End II: As17870920; I: Country Dance incident to the Piece-

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Love's Mistress

Event Comment: The Duke's Company. Pepys, Diary: Then by water, Creed and I, to Salisbury Court and there saw Love's Quarrell acted the first time, but I do not like the design or words

Performances

Mainpiece Title: Love's Quarrel

Event Comment: Pepys, Diary So back to the Opera, and there I saw again Love and Honour, and a very good play it is

Performances

Mainpiece Title: Love And Honour

Event Comment: Pepys, Diary: My wife and I to the Opera, and there saw again Love and Honour, a play so good that it has been acted but three times and I have seen them all, and all in this week; which is too much, and more than I will do again a good while

Performances

Mainpiece Title: Love And Honour

Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

Event Comment: The Duke's Company. Evelyn, Diary: I was so idle as to go see a play, cald Love and honor

Performances

Mainpiece Title: Love And Honour

Event Comment: The King's Company. Pepys, Diary: We by coach to the Theatre and saw Love in a Maze. The play hath little in it but Lacy's part of a country fellow, which he did to admiration

Performances

Mainpiece Title: Love In A Maze

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Event Comment: This play, which was licensed on 22 April 1664, was a revision of Flecknoe's Love's Dominion, 1654. There is no indication, other than the date of licensing, which points to a specific time when it was acted. The Duke's Company

Performances

Mainpiece Title: Love's Kingdom

Event Comment: The Duke's Company. Evelyn, Diary: Saw a facecious Comedy Cald Love in a Tub

Performances

Mainpiece Title: Love In A Tub

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Love's Pilgrimage

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, all alone, and saw Love's Maistresse. Some pretty things and good variety in it, but no or little fancy in it

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Mask

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's house, and there saw Love Trickes, or the School of Compliments; a silly play, only Miss Davis?'s dancing in a shepherd's clothes did please us mightily

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Love's Cruelty

Event Comment: Pepys does not name the theatre in which he saw this play, but previous performances of the play were given by the King's Company. Pepys, Diary: To a play, Love's Cruelty.... Play part 2s. Oranges, 1s

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw Love's Mistresse revived, the thing pretty good, but full of variety of divertisement

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Masque

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, and there saw Cupid's Revenge, under the new name of Love Despised, that hath something very good in it, though I like not the whole body of it. This day the first time acted here

Performances

Mainpiece Title: Love Despised

Event Comment: The United Company. The date of the premiere is not known, although a reference in the text to 1690 suggests that the play may have been produced in that year; but the fact that it was not advertised in the London Gazette until 6-9 April and not entered in the Term Catalogues until May 1691 suggest that it posaibly appeared early in 1691. This play was discussed in Wit for Money, or Poet Stutter; A Dialogue between Smith, Johnson, and Poet Stutter; containing Reflections on some late Plays, and particularly on Love for Money, or The Boarding School. The British Museum copy of this pamphlet has a manuscript date of 23 April 1691. Downes, Roscius Anglicanus, p. 42: The Boarding School; Wrote by Mr Durfy, it took well being justly Acted. Earl of Ailesbury, mid-January 1690@1: My Lady Fenwick was a great intriguer, and had always castles in the air in her imagination to that degree, that I was present at a play where she was brought in. If I mistake not it was The Boarding School, and the famous comic, Mr Lee, in woman's clothes represented her to the life, and so exactly had her features and complexion that one could hardly have distinguished one from the other (Memoirs, [London, 1890], II, 390-91)

Performances

Mainpiece Title: Love For Money; Or, The Boarding School

Event Comment: It is not known in which theatre this revival occurred. It was witnessed by van Constantijn Huygens, Monday 19 Dec. 1695 N.S. [translation]: In the afternoon I was at the comedy with my wife and Mrs Creitsmar. They played an old show called: The Love in the Tubb (Publications of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 560)

Performances

Mainpiece Title: Love In A Tub