SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Love"/1) | (@(roleclean,performerclean) "MMr Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2769 matches on Performance Title, 988 matches on Performance Comments, 422 matches on Event Comments, 99 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Event Comment: MMr Love Falstaff 1st time (Cross Diary)

Performances

Mainpiece Title: King Henry Iv, Part I

Performance Comment: Falstaff-Love, 1st appearance there; Hotspur-Holland; King-Havard; Prince of Wales-Palmer; Lady Percy-Mrs Palmer; Hostess-Mrs Bradshaw; Sir Richard Vernon-Blakes; Glendower-Stevens; Worcester-Bransby; Mortimer-Castle; Blunt-Mozeen; Poins-Packer; Douglas-Parsons; Northumberland-Scrase; Westmoreland-Ackman; Sheriff-Fox; Bardolph-Clough; Carrier-Moody; Francis-Vaughan [who probably doubled as 2nd Carrier].who probably doubled as 2nd Carrier].

Afterpiece Title: The Musical Lady

Dance: End: Hearts of Oak-Vincent, Miss Baker

Event Comment: MMr Sowdon Play'd Ch; (Cross). Mainpiece: Not acted these 2 years. [See 15 Nov. 1743]. Receipts: #80 (Cross); #91 13s. (Powel)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Devil to Pay

Cast
Role: Lady Loverule Actor: Miss Pitt

Music: I: Overture to Rodelinda on Flute-the Child; III: Music-the Child

Dance: V: Savoyards, as17480920

Event Comment: MMr Mossop from the theatre in Dublin is engag'd at the Theatre Royal in Drury Lane, and will perform there the latter end of this week. Receipts: #80 (Cross)

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Loveless-Havard; Elder Worthy-Burton; Flareit-Mrs Green; Amanda-Mrs Ward; Sir William-Taswell; Young Worthy-Palmer; Mrs Anne-Mrs Cross; Lawyer-Vaughan; Hillaria-Mrs Mills; Sly-Shuter; Snap-Yates; Sir Novelty-Woodward; Narcissa-Mrs Clive.
Cast
Role: Loveless Actor: Havard

Afterpiece Title: The Lying Valet

Song: Master Mattocks

Event Comment: MMr Garrick did Loveless & Miss Houghton (from Covent Garden) Amanda-well-[applause] (Cross). Receipts: #160 ($Cross)

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: Loveless-Garrick first time; Sir Novelty Fashion-Woodward; Elder Worthy-Burton; Younger Worthy-Palmer; Sir William Wisewoud-Taswell; Snap-Yates; Sly-Shuter; Amanda-Miss Haughton [being her first appearance on this stage [she was at cg the early pa t of the season]; Narcissa-Mrs Clive; Hillaria-Mrs Mills; Flareit-Mrs Bennet; Mrs Anne-Mrs Cross.
Cast
Role: Loveless Actor: Garrick first time

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: L'Entree de Flore, as17521122

Event Comment: MMr Colman's night as author of the Alterations in this Play. Receipts: #172 10s. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: Love at First Sight

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Love and War

Performance Comment: Love: Goldsmith's poem of Edwin and Angelina. Scene, A Hermit's Cell. Edwin-A Young Gentleman (1st appearance on any stage unidentified); Angelina-Mrs Plomer; War: Scene I. A Sea-port. Officers carousing. O say Bonny Lass-; Scene II. A Village. Serjeant-Davies; Country Lasses-Mrs Gaudry; Milkmaid-Miss Collett; Admiral Benbow-Bannister; A new dance, The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin.

Afterpiece Title: Gretna Green

Event Comment: The United Company. The date of the first performance is not known, and the play is one of a large group commonly assigned to September-December 1690. As the Prologue implies an autumn production, it has been placed at late September, although the premiere may have been October. It was advertised in the London Gazette, 18-22 Dec. 1690, and entered in the Term Catalogues, Feb. 1690@1. The music was composed by Henry Purcell. See Purcell, Works, Purcell Society, XXI (Dramatic Music, III, 1917), xii-xiv. Dedication: So visibly promoting my Interest on those days chiefly (the Third and the Sixth) when I had the tenderest relation to the welfare of my Play [i.e. Southerne had two benefits]. Langbaine (English Dramatick Poets, 1691, Appendix): This Play was acted with extraordinary Applause, the Part of Sir Anthony Love being most Masterly play'd by Mr Montfort: and certainly, who ever reads it, will find it fraught with true Wit and Humour. Gentleman's Journal, January 1691@2: [The Wives' Excuse, newly performed] was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town have lik'd so well

Performances

Mainpiece Title: Sir Anthony Love; Or, The Rambling Lady

Performance Comment: Edition of 1691: Sir Anthony Love-Mrs Mountford; Valentine-Mountford; Ilford-Williams; Sir Gentle Golding-Bowen; An Abbe-Antho. Leigh; Count Canaile-Hodgson; Count Verole-Sandford; Palmer-Powel Jr; Waitwell-Bright; Traffique-Kirkham; Cortaut-Mich. Lee; Servant to Sir Gentle-Cibber; Servant to Ilford-Tho. Kent; Floriante-Mrs Butler; Charlote-Mrs Bracegirdle; Volante-Mrs Knight; Prologue-Mrs Bracegirdle; Epilogue-Mrs Butler.
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Event Comment: [W+Winston MS 8 lists the mainpiece as All for Love. But Love for Love appears in the Public Advertiser and in Rich's Register.

Performances

Mainpiece Title: Love For Love

Cast
Role: Loveless Actor: Lowe

Afterpiece Title: The Englishman Return'd from Paris

Dance: As17551101

Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Performances

Mainpiece Title: Love For Love

Event Comment: Betterton's Company. London Post, 28 June-1 July 1700: Yesterday the Play called the Tempest was acted at the Old Play-house; and that called Love for Love at the new, both for the benefit of the poor English Slaves, &c. and I am told, that the sum arising thereby, amounted to about 250 #. It being put on the Playhouse Bills on Friday last, That each Company were to Act that day, and the whole Profits to go to'ards the Redemption of the English now in Slavery at Machanisso in Barbary, we are credibly informed, That, pursuant thereunto, the Treasurers of the Theatre Royal in Drury Lane, did on Saturday last pay into the hands of the Churchwardens of St.@Martin's the sum of 20 #. out of the Receipts of the Play acted by that Company, towards the Relief of those our Natives from Slavery, which good example 'tis hoped, may move others to be speedy and generous in their Charity for the same purpose. What the other Company gave I do not yet hear

Performances

Mainpiece Title: Love For Love

Event Comment: Daily Advertiser, 18 Aug.: His Royal Highness the Prince, and several Persons of Quality, were present at the Play Love for Love, which was acted at the Theatre upon the Green

Performances

Mainpiece Title: Love For Love

Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Dance: III: A Hornpipe-Granier

Event Comment: No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.]*c1765 11 01 cg No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson Legend-Love; Valentine-Reddish; Tattle-Dodd; Scandal-Palmer; Foresight-Parsons; Ben (with Song)-Moody; Trapland-Hartry; Buckram-Keen; Officer-Wright; Jeremy-W. Palmer; Mrs Frail-Mrs Jeffries; Mrs Foresight-Mrs Reddish; Miss Prue-Mrs Abington; Nurse-Mrs Bradshaw; Angelica-Mrs W. Barry.
Cast
Role: Sir Sampson Legend Actor: Love

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson-Love; Valentine-Reddish; Tattle-Dodd; Scandal-Palmer; Foresight-Parsons; Ben (with song)-Moody; Trapland-Hartry; Buckram-Keen; Officer-Wright; Miss Prue-Mrs Abington; Mrs Foresight-Mrs Reddish; Mrs Frail-Mrs Egerton; Nurse-Mrs Bradshaw; Angelica-a young Gentlewoman, being her first appearance.
Cast
Role: Sir Sampson Actor: Love

Afterpiece Title: The Institution of the Garter

Event Comment: Mainpiece: Not acted these 5 years. Written by Congreve. [For Prologue see 19 Nov.] Love for Love was revived with alterations by R. B. Sheridan Esq. (Note by J. P. Kemble on Hopkins Diary). Receipts: #150 0s. 6d

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Elopement

Performance Comment: As17761001, but Lover-Burton.
Cast
Role: Lover Actor: Burton.
Event Comment: On Account of Mrs Yates's Indisposition A Trip to Scarborough [announced on playbill of 20 Mar.] is obliged to be deferred. [The playbill retains Mrs Abington as Miss Prue, but "Last Saturday night, Mrs Abington being suddenly taken ill, Mrs Mattocks supplied the Part in Love for Love; and though we will not pretend to put her comic Abilities on a Level with those of Mrs Abington, yet her Performance was exceedingly humourous and entertaining" (Gazetteer, 24 Mar.).] Paid Mrs Abington in lieu of a benefit #200. Receipts: #218 8s. (188.0.0; 28.15.6; 1.12.6)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Milesian

Cast
Role: Charles Marlove Actor: Dodd

Dance: As17770215

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Palmer; Scandal-Bensley; Foresight-Edwin; Tattle-R. Palmer; Sir Sampson Legend-Usher; Jeremy-Baddeley; Trapland-Barrett; Ben-Wilson; (with a song in character) A soldier and a sailor-Wilson; Miss Prue-Mrs Wilson; Mrs Foresight-Mrs Lloyd; Mrs Frail-Mrs Cuyler; Nurse-Mrs Love; Angelica-Miss Farren.
Cast
Role: Nurse Actor: Mrs Love

Afterpiece Title: Henry and Emma

Afterpiece Title: The Son-in-law

Dance: End 1st piece: As17800615

Performances

Mainpiece Title: Love For Love

Performance Comment: Tattle-King; Valentine-Farren; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Jeremy-Baddeley; Trapland-Burton; Ben-Yates; Angelica-Miss Farren; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Nurse-Mrs Love; Miss Prue-Mrs Abington.
Cast
Role: Nurse Actor: Mrs Love

Afterpiece Title: Fortunatus

Cast
Role: Sir Philip Modelove Actor: Baddeley
Role: Tradelove Actor: Fawcett
Role: Mrs Prim Actor: Mrs Love
Role: Ann Lovely Actor: Miss Farren.

Performances

Mainpiece Title: Love For Love

Performance Comment: Tattle-King; Valentine-Farren; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Jeremy-Baddeley; Trapland-Waldron; Ben-Yates; Angelica-Miss Farren; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Nurse-Mrs Love; Miss Prue-Mrs Abington .
Cast
Role: Nurse Actor: Mrs Love

Afterpiece Title: The Gentle Shepherd

Cast
Role: Mause Actor: Mrs Love

Performances

Mainpiece Title: Love For Love

Performance Comment: Tattle-King; Valentine-Farren; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Jeremy-Baddeley; Trapland-Waldron; Ben-Dodd; Mrs Frail-Miss Pope; Miss Prue-Miss Wheeler (1st appearance in that character); Mrs Foresight-Mrs Ward; Nurse-Mrs Love; Angelica-Miss Farren .
Cast
Role: Nurse Actor: Mrs Love

Afterpiece Title: The Rival Candidates

Dance: End of mainpiece The Butterfly, as17830426

Performances

Mainpiece Title: Love For Love

Performance Comment: As17831128, but Foresight-Parsons; added: Nurse-Mrs Love .
Cast
Role: Nurse Actor: Mrs Love

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Dance, The Jovial Sailors, by Mills and Miss M. Stageldoir