SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Harris James"/1) | (@(roleclean,performerclean) "MMr Harris James")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2187 matches on Author, 1195 matches on Performance Comments, 515 matches on Event Comments, 97 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Ernelinda

Related Works
Related Work: Ernelinda Author(s): John James Heidegger

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger

Performances

Mainpiece Title: Arminius

Related Works
Related Work: Arminius Author(s): John James Heidegger

Performances

Mainpiece Title: Netley Abbey

Afterpiece Title: THE SIEGE OF MEAUX

Related Works
Related Work: The Siege of Meaux Author(s): Henry James Pye

Afterpiece Title: THE SPEECHLESS WIFE

Performances

Mainpiece Title: The Siege Of Meaux

Related Works
Related Work: The Siege of Meaux Author(s): Henry James Pye

Afterpiece Title: THE PACKET BOAT

Afterpiece Title: THE DEATH OF CAPTAIN COOK

Performances

Mainpiece Title: The Deserter

Afterpiece Title: THE SIEGE OF MEAUX

Related Works
Related Work: The Siege of Meaux Author(s): Henry James Pye

Afterpiece Title: BARNABY BRITTLE

Performances

Mainpiece Title: The Siege Of Meaux

Related Works
Related Work: The Siege of Meaux Author(s): Henry James Pye

Afterpiece Title: NETLEY ABBEY

Afterpiece Title: THE SICILIAN ROMANCE

Dance: End of 1st piece The Wapping Landlady by Blurton, Mrs Ratchford, &c

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Performances

Mainpiece Title: Piety In Pattens

Afterpiece Title: THE SPANISH BARBER

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Performances

Mainpiece Title: Ill Tell You What

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Dance: Afterpiece: To conclude with a Highland Reel by the Characters

Performances

Mainpiece Title: Rosina

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Dance: 3rd piece: To conclude as17940805

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Afterpiece Title: THE AGREEABLE S URPRISE

Dance: 2nd piece: To conclude as17940805

Performances

Mainpiece Title: Auld Robin Gray

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Afterpiece Title: THE SON IN LAW

Afterpiece Title: THE VILLAGE LAWYER

Dance: 1st piece to conclude as17940805

Performances

Mainpiece Title: Auld Robin Gray

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Afterpiece Title: THE SON IN LAW

Afterpiece Title: THE CHILDREN IN THE WOOD

Dance: As17940826

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Auld Robin Gray

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James Arnold

Song: End: Mock Italian Song from The Irish Mimic; or, Blunders at Brighton-Fawcett

Entertainment: MonologueIn evening: Monsieur Tonson-Fawcett

Performances

Mainpiece Title: Adelaide

Related Works
Related Work: Adelaide Author(s): Henry James Pye

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: Adelaide

Related Works
Related Work: Adelaide Author(s): Henry James Pye

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: Susanna An Oratorio

Performance Comment: Parts were: Chelsias (Susana's father); Joacim (Her Husband); Daniel; 1st Elder; 2nd Elder; Judge-; [ Susannah; Attendant (Larpent MS). But Susanna-Signora Frasi; Attendant-Signora Sibilla; Daniel-the Boy; Joacim-Signora Galli; First Elder-Lowe; Second Elder-Rheinhold; Chelsias-Reinhold (Deutsch, Handel, p. 656).*c1749 2 10 cg [For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.
Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Mustapha The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Mustapha Actor: Harris
Role: Achmat Actor: James Noke