SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Beard"/1) | (@(roleclean,performerclean) "MMr Beard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 564 matches on Performance Comments, 534 matches on Performance Title, 185 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMr Vernon, in Garcia, tho not meddled with in the 1st Act was in the 5 hiss'd off, on account of the old affair of his Marriage--an Epilogue was spoke to ye farce by Mrs Clive--(Indiff) (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Event Comment: MMr Draper (bookseller) dy'd of an Apoplexy (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Cast
Role: Servant Actor: Beard

Afterpiece Title: Catherine and Petruchio

Event Comment: MMr Garrick's Benefit (Cross). Receipts: #212 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Cast
Role: Mercury Actor: Beard

Dance: NNew Comic Dance, as17560205

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: MMr Barbandt's Third and Last Subscription Oratorio. [Pope's poem set by Charles Barbandt in two parts, with solos interspersed: violin, flute, Lute, Frenchhorn, hautboy, and Organ.] Books of the Oratorio stitch'd in blue paper at 1s. each sold at Mrs Browne's in the Haymarket

Performances

Mainpiece Title: The Universal Prayer

Event Comment: MMr Foote did Fondlewife & Buck (Cross). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Englishman in Paris

Event Comment: MMr Mossop Osmin ye 1st time (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Genii

Event Comment: MMr Woodward's Night for ye Pantomime (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Mercury Harlequin

Event Comment: MMr Vernon play'd his Wife's part & was well receiv'd (Cross). [The Public Advertiser, however, carried her name in the play notice.] Receipts: #100 (Cross)

Performances

Mainpiece Title: Eliza

Afterpiece Title: Lilliput

Event Comment: MMr Austin did Aboan (Cross). Third time of his appearing on this stage (Public Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Mercury Harlequin

Event Comment: MMr Foote Play'd (Cross). Receipts: #120 (Cross). [The Theatrical Review, 1757-58, p. 48, comments on the afterpiece]: I read the farce before I could see it performed; the judgment I then passed on it was not in its favor, and the exhibition did not make any material alteration in my way of thinking. I laughed indeed much more than I had done in reading it, but on recollection I was not a little displeased to find that I was laughing at an individual not at a species

Performances

Mainpiece Title: Merope

Afterpiece Title: The Author

Event Comment: MMr Woodward continuing ill Vernon did his Part-(all right) (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Tempest

Cast
Role: Hymen Actor: Beard

Afterpiece Title: Harlequin Ranger

Cast
Role: others Actor: Beard.
Event Comment: MMr Cibber having obtained Leave to act Plays, etc. at the Theatre in the Haymarket, humbly solicits Subscription, from his Patrons among the nobility, Gentry, etc. @Conditions. Each Subscriber will have@for Five Guineas 25 Box, or 40 Pit Tickets@for four Guineas 20 Box, or 32 Pit Tickets@for three Guineas 15 Box, or 24 Pit Tickets@for two Guineas 10 Box, or 16 Pit Tickets@for one Guinea 5 Box, or 8 Pit Tickets@for Half a Guinea 4 Pit Tickets or 6 Gallery@ Subscription Tickets will be taken any Night of the first Ten Performances. No Subscriptions will be received after Thursday 1 Jan. 1758, the first Day of Performance. The Play, Farce, and Entertainments will be timely mentioned in the Bills, Advertisements, &c

Performances

Event Comment: MMr Mossop having receiv'd a letter from several Upholsterers, takes this method of acquainting the Writer, that he shall be very ready to give full Explanation with respect to the contents, upon receiving notice how he may convey an answer; but he must beg leave to decline any further reply in the Public Papers, being unwilling to treat seriously what very possibly may have been intended only as a joke (Public Advertiser)

Performances

Event Comment: MMr Fleetwood in ye fight with Paris in ye last Act, having a Sword by his Side instead of a Foil, run Mr Austin (Paris) into the belly, he lay some time but at last call'd to be taken off--a Surgeon was sent for--No harm, a Small Wound, & he is recover'd (Cross). Receipts: #140 (Cross); #153 6d. (Winston MS 8)

Performances

Mainpiece Title: Romeo And Juliet

Dance: TThe Millers, as17581012

Event Comment: MMr Garrick did Marplot Mr Garrick spoke an Epilogue to the Busy Body & was greatly receiv'd, the Audience wou'd fain have had it repeated, but when I told 'em he was not well, the noise ceas'd. Mr Grimaldi [hurt?] in a Jump in the Swiss (Cross). Receipts: #210 (Cross); #204 10s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Anatomist

Dance: TThe Swiss, as17581102

Event Comment: MMr Oram (our Painter) dy'd-a worhty honest Man (Cross). Receipts: #150 (Cross); #147 6s. (Winston MS 8)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: A Duke and no Duke

Ballet: II: The Prussian Camp. As17581214

Event Comment: MMr Oram buried at St. Martins (Cross). [This year was translated and published Rousseau's Letter to M D'Alembert (Preface and 190 pp.) on the effect of dramatic entertainments on mankind. Thesis: Aim of the stage is to amuse; authors succeed when they follow the whims of the public. "Let us not then attribute to the stage a power of changing opinions or manners, when it is only that of following or heightening them."] Receipts: #130 (Cross); #129 16s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Mercury Harlequin

Event Comment: MMr Taswell dy'd -an excellent Actor, the best in that Way since Johnson (Cross). Receipts: #160 (Cross); #165 16s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Fortunatus

Event Comment: MMr Garrick being still indisposed with cold & hoarseness, Guardian deferred till tomorrow. Receipts: #160 (Cross); #158 18s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Fortunatus

Song: III: A Cantata-Miss Young

Event Comment: MMr Hartry is oblig'd to postpone his Comic Lecture...being engaged in making many alterations therein. The serious part will be consideredly shortened, some other pieces expunged, and many scenes of humour added, which he hopes will be entertaining. He is extremely troubled that anything in his Lecture on Tuesday should have given offence to any one person present, and is no less concerned that those Ladies and Gentlemen who were desirous to hear him perform (that part which appeared exceptionable to others) were disappointed. He is sorry there was any disaffection either way. He is not conscious of having attempted anything with an intention to offend, or that has not already been allowed of inclusion though more unpardonable. The foibles and peculations of private characters have been brought on the stage by others, those only of public men by him. He hopes it will not appear vain or arrogant to say that after such unequaled peals of applause which he met with for some time while uninterrupted, it would be paying an ill compliment to so crowded and brilliant an audience not to flatter himself will possessing some degree of merit: And if he afterwards failed in any or every particular it was altogether owing (notwithstanding the seeming spirit he assumed) to the confusion he was in at the Party Affair which followed. It was his first appearance in public, and in such a situation it is no wonder he was robb'd of his comic powers; but he hopes when his Lecture is alter'd there will be found in it nothing which can give offense, or deprive him of that generous indulgence to a young performer which characterizes a British audience. [No further performance of the Lecture seems to have been given.

Performances

Event Comment: MMr Larpent...called upon me at Somerset House & went to Drury Lane & see Richard 3rd & Harlequin's Invasion & sat in the front Boxes. It was the first play I have seen this winter & I think I shan't be in a hurry to go again till there is better Co[mpany]y in the Boxes. It was not over till 11, went to the Turk's Head & home (Hailey, Brietzcke Diary, N & Q, Vol. 199, p. 260)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

Event Comment: MMr Foote's Oratorical Lectures will be continued in the New Theatre in the Haymarket this day, between Twelve and One noon. [In six parts]: 1. Oratory in general, 2. Its utility demonstrated from its universality, 3. Distinct species of oratory, 4. The present practice peculiar to the English, 5. Necessity of an Academy, 6. The propriety of appointing the author perpetual professor. The whole to be illustrated in apt instances by a set of pupils long trained to the art, one of which is amazing proof of the force of Genius when properly cultivated (Public Advertiser). [These lectures were given 36 times and referred thereafter this season as The Orators.

Performances

Mainpiece Title: The Orators

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: MMr Love Falstaff 1st time (Cross Diary)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: The Musical Lady

Dance: End: Hearts of Oak-Vincent, Miss Baker