SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Baddeley"/1) | (@(roleclean,performerclean) "MMr Baddeley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1233 matches on Performance Comments, 179 matches on Event Comments, 12 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMr Garrick did Richard (Cross). This day is publish'd, Dedicated to the Right Honorable John, Earl of Orrery, Sejanus a Tragedy, as it was intended for the stage, with a Preface; wherein the Manager's reasons for refusing it are set forth. By Mr Gentleman. Printed for R. Manby and H. S. Cox on Ludgate Hill. [Garrick turned it down and Gentleman accepted his judgment without animosity.] Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Shepherd's Lottery

Event Comment: MMr Francis has successfully avoided the common fault of a buskin'd expression, and left the plain language of nature to be supported by the dignity of the sentiment: He has I think, not above one or two similies, and scarce one unnecessary or purely ornamental epithet. In this he has judiciously imitated the simplicity of the antients, and of our Milton's Samson Agonistes, as he has also done in the contrivance of the fable, by preserving the unities...'Twould be idle in me to observe that this play is a true tragedy, tho' nobody dies in it, as it has so large a share in exciting the only objects, terror and pity. There is one excellency, which I cannot help pointing out, as it is almost universally overlook'd by all dramatic writers: I mean the MORAL without which there is no perfect drama. (Have at you All; Or The Drury Lane Journal, 20 Feb. 1752). Receipts: #170 (Cross)

Performances

Mainpiece Title: Eugenia

Event Comment: MMr Woodward said--I have been getting you (to Bayes) a fine parcel of Monsters, & they have knock'd me down & taken 'em from me--(thinking of the late Dispute) a little hissing &c. but it went off--Great Applause all thro'. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: Concluding: Devisse, Mad Auguste

Event Comment: MMr Garrick did Loveless & Miss Houghton (from Covent Garden) Amanda-well-[applause] (Cross). Receipts: #160 ($Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: IV: L'Entree de Flore, as17521122

Event Comment: MMr Woodward's Night for Making ye Genii (Cross). There was such a Prodigious crowd to get into the Pit and Galleries at Drury Lane, being Mr Woodward's Night, that many of the females who came there with aprons, Handkerchiefs, caps and Capuchins, returned home without them; it was the most numerous and brilliant Audience that has been seen for some time(Public Advertiser, 16 Jan.). Receipts: #206 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Genii

Event Comment: MMr Foote play'd Buck & Miss Macklin Lucinda, --went off tol: ye Girl was lik'd-she sung in ye Character Aly Croky--fine, --& danc'd a Minuet--well (Cross). [Foote was engaged as an actor for a certain number of nights and made his 1st appearance on this evening-he spoke a Prologue written by Garrick which was encored every night Genest, IV, 380). The Prologue was printed in the Public Advertiser on 29 Oct. suggesting the many sources of laughter on stage as they appealed to various parts of the House, pointing fun at Foote, and closing with his mock, humble statement: @"Many my passions are, tho' one my view@They all concenter--in the pleasing you.'@ It also contained information about a specialty performer on the Cello, Monsieur Cervetti, and his reception by the upper galleries: @"...In like extremes your laughing humour shows@Have ye not roar'd from Pit to upper Rows@And all the jest was, What? a Fiddler's nose..."@ The person here meant is M Cervetti, who has been a standing joke with the upper gallery for a long time past, on account of the length of his nose: but as I am inform'd, that no feature of his Mind is out of proportion, unless it be that his good qualities are extraordinary, I take this opportunity to mention that it is cruel to render him uneasy in the Business, in which he is eminent, and by which he must gain his livlihood." See identical comment in Gray's Inn Journal, 27 Oct. A puff for Miss Macklin appeared in Gray's Inn Journal, 20 Oct.] Receipts: #190 [Cross)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Englishman in Paris

Event Comment: MMr Foote interrupted in ye Prologue by a Drunk: Gent-nothing (Cross). Afterpiece: Published at 1s. by Foote. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Englishman in Paris

Event Comment: MMr Woodward's Night for ye Pantomime (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Fortunatus

Event Comment: MMr Garrick being hoarse went not so well as expected (Cross). Mainpiece: Not acted these ten years. An Historical Play written by Shakespeare. The Characters New Dress'd. Receipts: #180 (Cross)

Performances

Mainpiece Title: King John

Music: Between the Acts: The Pieces of Music , are adapted to the play, and taken from the Works of Handel and Martini-

Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Music: As17540123

Dance: Devisse, Mlle Auguste

Event Comment: MMr Garrick's Benefit tho not in ye bills. Mainpiece by Particular Desire (Cross). Receipts: #230 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: A Duke and no Duke

Event Comment: MMr Devisse has Tickets (Cross). Last till Holidays. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Fortunatus

Dance: By Particular Desire. The Louvre and Minuet-Devisse, Mlle Auretti

Event Comment: MMr Woodward's Night for ye Pantomime. Receipts: #205 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Proteus

Event Comment: MMr Leveridge dy'd aged 95 he had left ye Stage some years (Cross)

Performances

Mainpiece Title: None

Event Comment: MMr Garrick made a Speech and so Ended the Season (Cross). Books of the Masque sold at the Theatre. Receipts: #200 (Cross)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: Britannia

Event Comment: MMr Murphy from Covent Garden did Osmyn. Indiff-tho' great applause (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Devil to Pay

Event Comment: MMr Holland did Eumenes-Great Applause ($Cross). Afterpiece: By Desire. Receipts: #160 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Devil to Pay

Event Comment: MMr Vernon, in Garcia, tho not meddled with in the 1st Act was in the 5 hiss'd off, on account of the old affair of his Marriage--an Epilogue was spoke to ye farce by Mrs Clive--(Indiff) (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Event Comment: MMr Draper (bookseller) dy'd of an Apoplexy (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Catherine and Petruchio

Event Comment: MMr Garrick's Benefit (Cross). Receipts: #212 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Dance: NNew Comic Dance, as17560205

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: MMr Barbandt's Third and Last Subscription Oratorio. [Pope's poem set by Charles Barbandt in two parts, with solos interspersed: violin, flute, Lute, Frenchhorn, hautboy, and Organ.] Books of the Oratorio stitch'd in blue paper at 1s. each sold at Mrs Browne's in the Haymarket

Performances

Mainpiece Title: The Universal Prayer

Event Comment: MMr Foote did Fondlewife & Buck (Cross). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Englishman in Paris

Event Comment: MMr Mossop Osmin ye 1st time (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Genii

Event Comment: MMr Woodward's Night for ye Pantomime (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Mercury Harlequin