SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMiss Williams"/1) | (@(roleclean,performerclean) "MMiss Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 1664 matches on Performance Comments, 474 matches on Event Comments, 52 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: MMiss Susan Mullart, since call'd Mrs Evans [See 5 Jan. 1762]. It is said that Mr Ridout very artfully seduc'd her, and that proofs of their Intimacy appearing Miss Mullart assumed the name of Mrs Evans, and gave out that she had been privately married (Hopkins MS Notes). Ridout had died 28 May 1761. [See 30 Dec. 1761 and also 2 April 1761.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Coronation

Event Comment: MMiss Cheney made her first appearance this Night, in Miss Prue, a Pretty Figure, play'd with Spirit, very Aukward, & Speaks too much at the top of her Voice (Hopkins). Miss Prue by a young Gentlewoman. Great Applause (Cross Diary). This night Miss Cheney made her first appearance on the stage in the character of Miss Prue--play'd with spirit,--a very pretty, genteel Figure, but very raw and aukward--got great applause. Think there is materials in her composition with care and application to make an actress.--Mr Yates in the speech where he says 'the more she cries, the less she'll p--' happened to speak the words a little too plain, and was justly hissed by the Audience--his song was encored,--he sung it again,--a Hiss and a Clap when he went off (Hopkins Diary--MacMillan). Receipts: #187 16s. 6d. (MacMillan)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Fortunatus

Event Comment: MMiss Plym made her first appearance in the character of Viola--a very pretty figure both in breeches and otherwise,--a thin weak voice, and received a decent reception (Hopkins Diary--$MacMillan). Miss Plym made her first appearance this Night in Viola, a very pretty Figure in both Dresses, a Thin weak Voice. pretty well receiv'd (Hopkins). Viola Miss Plym, first appearance; great applause (Cross Diary). Mainpiece: Not acted these 5 years. [See 5 Feb. 1755.] Receipts: #99 3s. (MacMillan)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Love at First Sight

Dance: End: The Provancalle, as17631014

Event Comment: MMiss Morris was a pupil of Mr Colman's--She was very much approved by the public in the character of Juliet. On the sixth night of her appearance on the stage she was taken ill, and died before the end of this season. See the Bill for her Benefit (Hopkins MS Notes). Afterpiece: Not acted these 6 years. [See 19 May 1762.] [The Occasional Prologue, by Colman, is Larpent MS 288, which introduces Miss Morris as Juliet, and stresses the qualms and fears of a new performer.] Receipts: #227 19s. 6d. (Account Book). Lloyd's Evening Post, 28-30 Nov.: Sir: The managers of both theatres have of late, in order to put a stop to the Public complaint against a dearth of actors, given trials to several stage candidates that seemed to have any promising requisite. Such experiments have not proved fruitless. The most brilliant and interesting of which was the young lady's appearance on Covent Garden Theatre last night, in the character of Juliet. So great was her terror, on presenting herself for the first time before a crowded audience, that, deprived of all her powers, she fell down on the stage in a swoon. The first act in consequence, was all terror on her side, all compassion and anxiety on that of the audience. But having had time between the first and second Acts to recover from her panic, she shone forth in the Balcony Scene the most pleasing promise of a young tragic actress that has been seen for half a century past, and continued so throughout. Her person is genteel, her tone of voice insinuating, variable, and melodious; her recitation is just and sensible; very affecting in the pathetic parts; condescending, free, and polite are the familiar speeches with the Nurse. She is happily devoid of all stage whine, and tragedy Cant. The manner she has been rudimented in does great honour to her instructors, who have so judiciously prevented the so excellent actor of this verily a Shakespeare's Juliet, from being sophisticated by the studied tricks, and false ornamenting of mistaken modern and degenerate art

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Damon and Phillida

Event Comment: MMiss Burton made her first apperaranc on this stage in the part ofthe Country Girl. She is a pretty, genteel figure; Played the part well, and was much Applauded (Hopkins Diary). Country Girl, Young Gentlewoman, first Appearance (Cross Diary)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Queen Mab

Dance: II: A New Dance called The Hunters-Hamoir, Miss Hamoir

Event Comment: MMiss Weller a Pupil of Dr Arne first appear'd and-(Hopkins Diary). London Evening Post, 11 Jan.; A pupil of Dr Arne and scarecely 19 years of age; her figure is that of the tallest of the middle size, well proportioned and at present possesses a dignity and grace which when habit brings her to perfection cannot fail of being universally admired. Her face is oval with an aqualine nose and though from the timidity of a first appearance the rest of her features lost that necessary animation, yet there were periods when she could disposses herself of her confusion, that prognosticated great expression of countenance. Her voice was clear, commanding, and melodious, and her ear and manner both excellent. She is that kind of singer that one can be pleased from looking at as well as from hearing, --an excellence few vocal performers possess. Her acting abstracted from her voice would have done credit to a first appearance, as it was very pleasing and properly accompanied....What the managers could mean in casting Lucy for Miss Pope is extraordinary, as she sung, or indeed rather squalled every song so much out of tune that it was impossible for the music to accompany her; we do not however mean by this to cast the least reflection on so excellent an actress, as her spirited and judicious manner of playing it almost atoned for that of singing it

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE PURSE; or, Benevolent Tar

Song: In 2nd piece, as17940717

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Purse; or, Benevolent Tar

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: Peeping Tom

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Irish Legacy

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Prospero-Furnival; Sycorax-Hallam Sen; Ferdinand-Goodfellow; Alonzo-Wignell; Antonio-Dove; Gonsalo-Lee; Hippolito-Mrs Hallam; Stephano-Hallam; Mustacho-Shuter; Trinclo-L. Hallam; Ventoso-Cushing; Miranda-Mrs Wignell; Dorinda-Miss Budgell; Ariel-Miss Moreau; Caliban-Paget; Dances-Williams, Baker, Janno, Scott; Setebos-Miles; Pluto-Brett; Demons-Williams, Janno, Baker, Tool, Fulwell; Neptune-Brett; Amphytrite-Mrs Cushing.
Cast
Role: Dances Actor: Williams, Baker, Janno, Scott
Role: Demons Actor: Williams, Janno, Baker, Tool, Fulwell
Event Comment: [By John Williams] At Mr Penkethman's Theatre. Benefit Author. At 6:30 p.m

Performances

Mainpiece Title: Richmond Wells; Or, Good Luck At Last

Performance Comment: Actors only listed, but edition of 1723 lists: Randome-Shephard; Loveworth-Char. Williams; Gaylove-Wilks Jr; Cheatly-Oates; Tony Souscrown-Miller; Robin-Harper; Belinda-Mrs Morgan; Mrs Fainal-Mrs Wetherilt; Prologue-W. Wilks; Epilogue-Penkethman.
Cast
Role: Loveworth Actor: Char. Williams
Related Works
Related Work: Richmond Wells; or, Good Luck at Last Author(s): John Williams

Song: Drunken Man-Harper

Dance: Drunken Man-Harper

Performances

Mainpiece Title: Henry Viii

Performances

Mainpiece Title: Troilus And Cressida; Or, Truth Found Too Late

Performance Comment: Edition of 1679: The Prologue-Mr Betterton Representing the Ghost of Shakespear; Hector-Smith; Troilus-Betterton; Priam-Percivall; Aeneas-Joseph Williams; Pandarus-Leigh; Calchas-Percivall; Agamemnon-Gillo; Ulysses-Harris; Achilles-David Williams; Ajax-Bright; Nestor-Norris; Diomedes-Crosby; Patroclus-Bowman; Anthenor-Richards; Thersites-Underhill; Cressida-Mrs Mary Lee; Andromache-Mrs Betterton; The Epilogue-Thersites.
Cast
Role: Aeneas Actor: Joseph Williams
Role: Achilles Actor: David Williams

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Performance Comment: Edition of 1680: Prologue-Mr Betterton; Caius Marius-Betterton; Sylla-Williams; Marius Junior-Smith; Granius-Percivale; Metellus-Gillow; Quintus Pompeius-Williams; Cinna-Jevon; Sulpitius-Underhill; Lavinia-Mrs Barry; Nurse-Noakes; Epilogue-Mrs Barry; Lavinia-Mrs Barry.
Cast
Role: Sylla Actor: Williams
Role: Quintus Pompeius Actor: Williams

Performances

Mainpiece Title: The Misery Of Civil-war

Performance Comment: Edition of 1680: Prologue-; King Henry the Sixth-Joseph Williams; Richard Plantagenet-David Williams; Edward-Smith; George, Duke of Clarence-Bowman; Richard-Gillow; Earl of Warwick-Batterton; Old Lord Clifford-Percival; Young Clifford-Wiltshire; Queen Margaret-Mrs Leigh [Mrs Mary Lee]; Lady Grey-Mrs Batterton; Lady Eleanor Butler-Mrs Currer; Epilogue-.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Moor-Booth; Iago-Cibber; Cassio-Williams; Roderigo-Miller; Montano-Watson; Brabantio-Boman; Lodovico-William Mills; Desdemona-Mrs Thurmond; Emilia-Mrs Butler.
Cast
Role: Cassio Actor: Williams

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Giffard; Sir Sampson-W. Williams; Scandal-W. Giffard; Tattle-R. Williams; Foresight-Hallam; Ben-Burney Sr; Jeremy-Collet; Angelica-Mrs Purden; Mrs Foresight-Mrs Clark; Mrs Frail-Mrs Haughton; Prue-Mrs Mountfort; Nurse-Mrs Palmer.
Cast
Role: Sir Sampson Actor: W. Williams
Role: Tattle Actor: R. Williams

Dance:

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; Ghost-Smith; King-W. Giffard; Polonius-Collet; Laertes-W. Williams; Horatio-Huddy; Ostrick-W. Bullock; Guildenstern-R. Williams; Gravediggers-Penkethman, Hallam; Queen-Mrs Haughton; Ophelia-Mrs Giffard.
Cast
Role: Laertes Actor: W. Williams
Role: Guildenstern Actor: R. Williams

Afterpiece Title: Jealousy Deceived

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-a Gentleman, who never appeared on any stage since he perform'd the Part of Castalio at dl Highmore; Desdemona-Mrs Giffard; Emilia-Mrs Haughton; Cassio-W. Williams; Duke-Bardin; Roderigo-Penkethman; Lodovico-R. Williams; Brabantio-Machen; Montano-Lacy; Iago-W. Giffard.
Cast
Role: Cassio Actor: W. Williams
Role: Lodovico Actor: R. Williams

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe Shepherd's Holiday (with Additions)-Tho. Burny, Sandham, Eaton, Mrs Haughton, Miss Sandham, Miss Mountfort

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; King-W. Giffard; Ghost-Smith; Polonius-Collett; Horatio-Huddy; Laertes-W. Williams; Ostrick-Bullock; Gravediggers-Penkethman, R. Williams; Ophelia-Mrs Giffard; Queen-Mrs Haughton.
Cast
Role: Laertes Actor: W. Williams
Role: Gravediggers Actor: Penkethman, R. Williams

Song:

Dance:

Performances

Mainpiece Title: The Tempest

Performance Comment: Duke-Smith; Ferdinand-Bardin; Prospero-Havard; Antonio-Worsley; Gonzalo-Machen; Hippolito-Mrs Thomas; Stephano-Rosco; Mustacho-R. Williams; Ventoso-Collet; Trincalo-Morgan; Ariel-Master Woodward; Miranda-Mrs Palmer; Dorinda-Mrs Morgan; Caliban-W. Giffard; Sycorax-Collet; Waterman's Dance-Sandham, Rosco, R. Williams, Pearce, Bowcher; Neptune-a Gentleman; Amphitrite-Mrs Palmer.

Afterpiece Title: The Biter Bit; or, The Humours of Harlequin and Scaramouch

Afterpiece Title: The Throwsters Opera

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: William And Nanny

Song: End II: As17790927; End II: Song in The Milesian, being a description of a Sea Fight [Stand to your guns, my hearts of oak]-Bannister

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: William and Susan; or, The Sailor's Sheet-Anchor

Afterpiece Title: The Devil upon Two Sticks

Afterpiece Title: Gretna Green

Song: In 1st piece, as17850819; End of 3rd piece, as17850719