SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "M Summers"/1) | (@(roleclean,performerclean) "M Summers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 149 matches on Event Comments, 92 matches on Performance Title, 55 matches on Roles/Actors, 24 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Ghost

Dance: As17780601

Song: As17780529

Event Comment: According to M. Summers (A Bibliography of Restoration Drama, p. 13) Love's Mystery was entered into but erased from Herbert's original manuscript under his date. (See Herbert, Dramatic Records, p. 116.) The King's Company

Performances

Performances

Mainpiece Title: Cornelia

Performances

Mainpiece Title: Puppets

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Tyrannic Love; Or, The Royal Martyr

Event Comment: The Duke of York's Players acted at Oxford during this month. See M. Summers, The Playhouse of Pepys, p. 127, and Nicoll, Restoration Drama, p. 306

Performances

Performances

Mainpiece Title: Marcelia; Or, The Treacherous Friend

Performances

Mainpiece Title: The Generous Enemies; Or, The Ridiculous Lovers

Performances

Mainpiece Title: Juliana; Or, The Princess Of Poland

Performances

Mainpiece Title: Vittoria Corombona; Or, The White Devil

Performances

Mainpiece Title: Herod And Mariamne

Performances

Mainpiece Title: The Parson's Wedding

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The Reformation

Performances

Mainpiece Title: The Empress Of Morocco

Performances

Mainpiece Title: Andromache

Performances

Mainpiece Title: Psyche Debauched

Performances

Mainpiece Title: The Wrangling Lovers; Or, The Invisible Mistress

Performances

Mainpiece Title: The Duchess Of Malfy

Performances

Mainpiece Title: Tom Essence; Or, The Modish Wife