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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "M Maillet du Boulley"/1) | (@(roleclean,performerclean) "M Maillet du Boulley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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252 results for: Keyword - M Maillet du Boulley
We found 176 matches on Performance Title, 65 matches on Performance Comments, 21 matches on Event Comments, 2 matches on Author, and 0 matches on Roles/Actors.

151
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

152
01 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840226, but omitted: Slingsby, Mme Rossi; End of Opera Le Deserteur, as17840520

153
05 June 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Cocq du Pillage, as17840601 End of Opera Simiramis, as17840529

154
10 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

155
19 June 1784 @ King's Theatre

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Cocq du Village, as17840601 End of Opera Le Deserteur, as17840608

156
03 July 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511, but with the favourite Pas de Deux from Le Reveil du Bonheur by Vestris [Jun.] and Mme Theodore; End of Opera Le Deserteur, as17840626

157
22 May 1788 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

158
31 May 1788 @ King's Theatre

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: New Ballet, as17880426; End Opera: La Bonte du Seigneur-Mlle Hilligsberg, Didelot, Mlle Coulon, Henry, the two Miss Simonets, Miss Harvey, Vestris

159
17 March 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890310End Opera: a new Grand Ballet (composed by Noverre), Les Jalousies du Serail-Didelot, Beaupre, Duquesney, Nivelon, Mlle Emilie Colombe, Mlle Adelaide, Mlle Saulnier (1st appearance in England)

160
19 March 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: La Nymphe et le Chasseur, as17890303but the two Miss _Simonets, _Sala, _Saulnier; End Opera: Les Jalousies du Serail, as17890317

161
21 March 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890110; End Opera: Les Jalousies du Serail, as17890317

162
02 April 1789 @ Covent Garden

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: Rosina

Dance: 1st piece conclude with: Grand Dance, as17890219

Dance: End Opera: Les Jalousies du Serail-[See17890317 After which: Admete-[See17890331

Song: I: a new song-Sga Giuliani; II: a new song-Marchesi; [By particular desire the favourite duet in [The Deserter-[i.e. Il Disertore [will be introduced; End Opera: Ariettes [by Marchesi-Marchesi; accompanied on the harp-[the Mme Krumpholtz [and see17890430]

163
04 April 1789 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Admete, as17890331

164
02 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: Les Jalousies du Serail, as17890317but Mlle Guimard; in which the favourite +Pas de Deux Russe-[See17890507]; End Opera: Admete-[, as17890428

165
05 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Villana Riconosciuta

Dance: End I: Admete, as17890331End Opera: Les Jalousies du Serail, as17890502

166
21 May 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Ninette a la Cour, as17890514; but to conclude with the Pas de Six de la Rosieu-

167
28 June 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertissement, as17910523

Ballet: End II: La Fete du Seigneur. Le Seigneur-Vestris Sen.; Colin-Vestris Jun.; Tomas, pere de Colin-Casali; Paysiens-Victor, Vermilly; La Dame-Mlle Dorival; Colette-Mlle Hilligsberg; Cateau, mere de Colette-Mlle DeLaCroix; Paysiennes-Mlle Mozon, Mlle St.Amand

168
02 July 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Les Folies d'Espagne, as17910621 but Casali

Ballet: End II: La Fete du Seigneur. As17910628

169
05 July 1791 @ King's Theatre

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: As17910702

Ballet: La Fete du Seigneur. As17910702

170
10 March 1792 @ Haymarket Theatre

Performances

Mainpiece Title: La Locanda

Dance: End I: La Fete Villageoise-[see17920214]; End Opera: a new Pantomime Ballet, in I act, Le Volage Fixe (composed by D'Auberval [the music by Mazzinghi])-Mlle Hilligsberg, Mme D'Auberval, DeLaChapelle, D'Egville, Les Demoiselles Leonore et Rosine Simonet, Mlle Menage, Laborie; [end Pas de Cinque, entirely new, Le Menuet du Volage-

171
26 January 1793 @ King's Theatre

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

172
05 February 1793 @ King's Theatre

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: End I: Divertisement, as17930126; End II: Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Favre Gardel, Nivelon, Gentili (1st appearance in this country)

173
16 February 1793 @ King's Theatre

Performances

Mainpiece Title: I Giuochi D'agrigento

Dance: End: Les Epoux du Tempe, as17930205; End Opera: Divertisement, as17930126; but to conclude with a Pas de Trois et de Quatre-to the favourite air of God save the King, with variations

174
26 February 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe, as17930126

Ballet: End Opera: an entire new Heroic Pantomime Ballet Venus and Adonis (composed by Noverre). Cupid-Nivelon; Adonis-Favre Gardel; Mercury-Gentili; Jupiter-D'Egville; Hebe-Mlle Hilligsberg; The Graces-Mlle Bourgeois, Mlle Vedie, Mlle Droma; Venus-Mlle Millerd; Nymphs, Chasseurs-the Corps de Ballet

175
23 April 1793 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet