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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Handel"/1) | (@(roleclean,performerclean) "MMr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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713 results for: Keyword - M$Mr Handel
We found 391 matches on Event Comments, 197 matches on Performance Title, 184 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

526
09 March 1737 @ Covent Garden

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: Deutsch, Handel, p. 428, believes that Clio-sung bySignora Strada; Cloride-sung bySignora Maria Caterina Negri.

527
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

528
05 July 1737 @ Covent Garden

Event Comment: Each theatre received #250 from the Prince of Wales as a subsidy. See Deutsch, Handel, p. 439

Performances

529
18 January 1738 @ Covent Garden

Event Comment: LLord Wentworth to the Earl of Strafford, 19 Jan.: We was at Covent Garden Play House last night, my mother was so good as to treat us with it, and the Dragon of Wantcliff was the farce. I like it vastly and the musick is excessive pretty, and tho it is a burlesque on the operas yet Mr Handel owns he thinks the tunes very well composed....and it has been acted 36 times already and they are always pretty full. The poor operas I doubt go on but badly, for tho every body praises both Cafferielli and the opera yet it has never been full, and if it is not now at first it will be very empty towards the latter end of the winter.--Wentworth Papers, p. 539

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: The Dragon of Wantley

530
21 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Afterpiece Title: The Mock Doctor

Dance: I: A new Punch Dance-Master Ferg; III: French Peasants-Master Ferg, Miss Wright; IV: Grand Ballet-Muilment, Mrs Walter

Song: (BBy Desire) Ballad of Mary Scot-Mrs Clive

Music: Instead of an Overture to the Farce, will be performed a Grand Piece of Musick with Trumpets (being the Chorus...by Mr Handel)-; with a Preamble on the Kettle Drums-Master Ferg

Performance Comment: ..by Mr Handel)-; with a Preamble on the Kettle Drums-Master Ferg.

531
29 December 1738 @ King's Theatre

Event Comment: DDaily Advertiser, 29 Dec.: Mr Handel has hir'd the Opera-House in the Hay-Market for the Season, and intends to entertain the Town twice every Week with Oratorios

Performances

532
13 April 1739 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 13 April. Letter: Upon my Arrival in Town three Days ago, I was not a little surpriz'd, to find that Mr Handel's last Oratorio, (Israel in Egypt) which had been performed but once, was advertis'd to be for the last time on Wednesday....I was indeed concern'd, that so excellent a Work of so great a Genius was neglected, for tho' it was a Polite and attentive Audience, it was not large enough I doubt to encourage him in any future Attempt

Performances

533
22 November 1739 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: An Ode of Mr Dryden's [For St

Performance Comment: Cecilia's Day]. Deutsch, Handel, p. 490, lists Signora Francesino, Beard; [With two new Concertos for several Instruments-.

534
26 March 1740 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Esther

Performance Comment: Dean, Handel's Dramatic Oratorios, p. 212, lists: Esther-Signora Francesina; Ahasuerus-Beard; Haman-Reinhold; Israelite Woman-Mrs Arne; Mordecai-Immyns; Harbonah, Israelite-Corfe; Israelite-Williams.

Music: Witha Concerto on the Organ-; And a new Concerto for several Instruments, never performed but once-

535
02 April 1740 @ Hickford's Room

Performances

Mainpiece Title: Two Anthems

Performance Comment: O Sing unto the Lord, My Song shall be Alway-(by Mr Handel).

Afterpiece Title: David's Lamentation over Saul and Jonathan

536
10 January 1741 @ Lincoln's Inn Fields

Event Comment: A New Opera, [Text by Rolli. Music by Handel.] Boxes a half guinea. Pit 5s. First Gallery 3s. Second Gallery 2s. 6:30 P.M

Performances

Mainpiece Title: Deidamia

537
31 January 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: L'allegro, Il Penseroso, Ed Il Moderato

Performance Comment: See conjectures in Deutsch, Handel, p. 510. With several New Additions and Concertos on the Organ-; several Instruments-.

538
28 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: for a conjectural cast, see Dean, Handel's Dramatic Oratorios, p. 178. With Concertos on the Organ-; and other Instruments-; And a Concerto-Signior Veracini.

539
14 March 1741 @ King's Theatre

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: By Mr Handel for her Royal Highness the Princess of Orange's Wedding. In which will be introduced A Concerto on the Hautboy-Signior St.Martini; A Concerto on the German Flute-Mr Weideman; a Solo on the Violin-Mr Clegg; a Solo on the Violoncello-Signior Caporale; And a Concerto on the Bassoon-Mr Miller.

540
01 December 1741 @ King's Theatre

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Performances

Mainpiece Title: Alexander In Persia

541
19 December 1741 @ King's Theatre

Performances

Mainpiece Title: Penelope

Performance Comment: Monticelli; Amorevoli; Visconti; Muscovita. [Robert Price to Thomas, Earl of Haddington, 19 Dec.--Deutsch, Handel, p. 528.]

542
12 March 1742 @ Drury Lane Theatre

Event Comment: N.B. That the Ladies and Gentlemen may not be detained at the Theatre while Tickets are given them, they are desir'd to send for them to Mr Arne's House in Craven Buildings near Drury Lane, Number 17, or to Mr Bradshaw, Box-Keeper, at the Kings Arms in Great Russel St., where tickets may be had, and places taken. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Ladies are desir'd to send their servants to keep places by Four o'clock. NB: Mr Arne humbly hopes the Town will not be offended at this small advance of Prices, being at an extraordinary expence for copying all the Music, building the stage, additional instrumental performers, chorus singers, and erecting an Organ. [The attendance apparently was heavy. See note to repeated performance on 19 March.] Mainpiece: Written by Dryden and set to Music by Handel

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Judgment of Paris

543
29 April 1742 @ Goodman's Fields

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Lying Valet

Song: II: Can Love be controul'd by Advice-Miss Medina

Dance: I: Two Millers and Courtezan, as17420315 III: Welsh Buffoon, as17420406 IV: Drunken Peasant-David apShenkin

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; Handel's celebrated Water Musick-; To conclude with: the Coronation anthem-

Performance Comment: Woodbridge; Handel's celebrated Water Musick-; To conclude with: the Coronation anthem-.

544
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

545
31 March 1743 @ Covent Garden

Event Comment: The Last Oratorio Night this season. [Quatrain from Daily Advertiser printed in this bill defending oratorios against attacks in Universal Spectator; see Deutsch, Handel, p. 565.

Performances

Mainpiece Title: Samson

Music: Concerto on Organ-; Violin Solo-DuBourg

546
16 April 1743 @ King's Theatre

Event Comment: The Universal Spectator today carried an even harsher attack on the theatres as a place to represent oratorios; see Deutsch, Handel, pp. 567-68

Performances

Mainpiece Title: Sirbace

547
07 May 1743 @ King's Theatre

Event Comment: JJohn Branson, Steward, to John, Duke of Bedford: The Opera is a bankrupt. The Directors have run out #1600 and called this General Meeting to get the consent of the subscribers to take this debt upon themselves. This I opposed.--Deutsch, Handel, pp. 569-70

Performances

Mainpiece Title: Sirbace

548
19 November 1743 @ King's Theatre

Event Comment: [The statement, Musick compos'd by Mr. Handel is regularly repeated in the bills for this opera.

Performances

Mainpiece Title: Roxana

549
09 February 1744 @ Stationer's Hall

Event Comment: SStationers Hall, Ludgate St. Benefit Edmund Larken...With all the choruses. Composed by Mr Handel.] Printed Books of the Masque will be given gratis at the place of performance. Tickets at 5s. each. Particular care will be taken to have the Hall well air'd

Performances

Mainpiece Title: Acis And Galatea

Music: Concerto on German Flute-Burk Thumoth

Song: An English and an Italian Song-the sister of the above lady, a child of nine years; the whole to conclude with: the Coronation Anthem God Save the King-; Trumpet-Valentine Snow

550
21 March 1744 @ Covent Garden

Event Comment: The Earl of Egmont and Mrs Delany both were present (Deutsch, Handel, p. 588)

Performances

Mainpiece Title: Saul

Music: Concerto on Organ-