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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Handel"/1) | (@(roleclean,performerclean) "MMr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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772 results for: Keyword - M$Mr Handel
We found 391 matches on Event Comments, 197 matches on Performance Title, 184 matches on Performance Comments, 77 matches on Author, and 0 matches on Roles/Actors.

501
25 May 1715 @ King's Theatre

Event Comment: [Music by Handel. Text probably by J. J. Heidegger.] By Subscription, with the Pit and Boxes by ticket only (not to exceed 400). Stage Boxes 15s. Gallery 5s. At 6 p.m. And Whereas there is a great many Scenes and Machines to be mov'd in this Opera, which cannot be done if Persons should stand upon the Stage (where they could not be without Danger) it is therefore hop'd no Body, even the Subscribers, will take it Ill that they must be deny'd Entrance on the Stage

Performances

Mainpiece Title: Amadis

Dance:

502
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

503
09 December 1721 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. F. Handel.] A new Opera. Pit and Boxes at a half guinea. And in Regard to the Increase of the Number of Subscribers, no more than Three Hundred and Fifty Tickets will be delivered out. No Tickets will be disposed of at the Theatre, nor any Money taken there but for the Gallery. Gallery 5s

Performances

Mainpiece Title: Floridante

504
12 January 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

505
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

506
12 March 1723 @ King's Theatre

Event Comment: Benefit Signiora Margherita Durastanti. And particular Care will be taken to place Benches on the Stage for the Accommodation of the Company. N.B. Whereas the Benefit for Signiora Durastanti is Part of her Contract, the Directors of the Royal Academy of Musick resolve not to make use of the Liberty of the House for that Night. [This benefit brought her nearly a thousand pounds.-Deutsch, Handel, p. 160.

Performances

Mainpiece Title: Coriolanus

507
17 March 1724 @ King's Theatre

Event Comment: Benefit Signora Margherita Durastanti. Particular Care will be taken to Place Benches on the Stage for the Accommodation of the Company. [According to Deutsch, Handel, p. 160, her benefit brought her #1,000, in addition to a salary of 1,200 guineas yearly. The Cantata is printed in the Daily Journal, 18 March.

Performances

Mainpiece Title: Coriolanus

508
31 October 1724 @ King's Theatre

Event Comment: [Text by A. Piovene, adapted by N. F. Haym. Music by Handel.] Tickets half a guinea each. And in Regard to the Number of Subscribers, no more than Three Hundred and Forty Tickets will be deliver'd out. N.B. No Tickets will be given out at the Door, nor any Persons whatever admitted for Money. Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Tamerlane

509
13 February 1725 @ King's Theatre

Event Comment: [Text by A. Salvi, altered by Haym. Music by Handel.] Admission as 31 Oct. 1724

Performances

Mainpiece Title: Rodelinda

510
08 February 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

511
12 March 1726 @ King's Theatre

Event Comment: [Text by Rolli. Music by Handel.

Performances

Mainpiece Title: Scipio

512
05 May 1726 @ King's Theatre

Event Comment: [Text by Rolli. Music by Handel.] At 7 p.m. Daily Journal, 7 May: On Thursday Night, Signiora Faustina, the famous Roman Songstress, performed his Majesty, their Royal Highnesses, and great Numbers of the Nobility and Quality, in...Alexander...with great Applause

Performances

Mainpiece Title: Alexander

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): George Frideric Handel

513
31 January 1727 @ King's Theatre

Event Comment: [Music by Handel. Text possible by Haym or Rolli. Le Nuove Scene sone del Sigr Giuseppe Goupy.

Performances

Mainpiece Title: Admetus

514
29 April 1727 @ King's Theatre

Event Comment: For a long letter on operatic affairs, see Deutsch, Handel, pp. 207-8

Performances

Mainpiece Title: Floridante

515
11 November 1727 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by Handel.] Admission by Ticket only (not more than 400) at half a guinea. Gallery 5s

Performances

Mainpiece Title: Richard The First, King Of England

516
17 February 1728 @ King's Theatre

Event Comment: [Music by Handel. Text by Haym.] The King, Queen, Princess Amelia, and Princess Carolina present

Performances

Mainpiece Title: Siroe

517
30 April 1728 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.

Performances

Mainpiece Title: Ptolemy

518
02 December 1729 @ King's Theatre

Event Comment: [Text altered from A. Salvi. Music by Handel.] Pit and Boxes by Tickets only at half a guinea. Gallery 5s. At 6 p.m. [Customary notices.

Performances

Mainpiece Title: Lotharius

519
09 December 1729 @ King's Theatre

Event Comment: For a comment on this performance, see Rolli to Riva, 11 Dec., in Deutsch, Handel, pp. 249-50

Performances

Mainpiece Title: Lotharius

520
24 February 1730 @ King's Theatre

Event Comment: [Text by S. Stampigli. Music by Handel.

Performances

Mainpiece Title: Parthenope

521
04 April 1730 @ King's Theatre

Event Comment: A New Opera. [By Zeno. Music probably by Bartholmeo Cordans.-see Deutsch, Handel, p. 254.

Performances

Mainpiece Title: Ormisda

522
19 May 1730 @ King's Theatre

Performances

Mainpiece Title: Ptolemy

Performance Comment: Deutsch, Handel, p. 254 lists: Tolomeo-Bernacchi; Seleuce-Signora Strada; Elisa-Signora Merighi; Alessandro-Signora Bertolli; Araspe-Fabri.

523
12 January 1731 @ King's Theatre

Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Edition of 1731 gives no performers' names, but states: Done into English by Mr Humphreys.

Performances

Mainpiece Title: Wenceslaus

524
04 May 1731 @ King's Theatre

Event Comment: [For a reconstruction of the cast, see Deutsch, Handel, p. 274. Their Majesties present.

Performances

Mainpiece Title: Rodelinda

525
07 December 1731 @ King's Theatre

Performances

Mainpiece Title: Admetus

Performance Comment: Wherein Signora Bagnolesi, lately arrived from Italy, is to perform; but 2d edition of 1731 lists: Admeto-Senesino; Alceste-Signora Anna Bagnolesi; Hercules-Gio. Battista Pinacci; Trasimede-Antonio Guaxandi called Campioli; Antignona-Signora Anna StradadelPo; Meraspe-Antonio Montagnana. See also Deutsch, Handel, p. 278.
Cast
Role: Meraspe Actor: Antonio Montagnana. See also Deutsch, Handel, p. 278.