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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Handel"/1) | (@(roleclean,performerclean) "MMr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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713 results for: Keyword - M$Mr Handel
We found 391 matches on Event Comments, 197 matches on Performance Title, 184 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

376
27 January 1733 @ King's Theatre

Event Comment: A New Opera. Wherein the Cloaths and Scenes are all intirely New. [Music by Handel. Text possibly by Grazio Braccioli, but see Deutsch, Handel, p. 303.] Done into English by Mr Humphreys. [Their Majesties, Duke, and Princesses present.

Performances

Mainpiece Title: Orlando

377
07 April 1733 @ King's Theatre

Event Comment: For an essay on Handel and operas, see Craftsman, 7 April (reprinted in Deutsch, Handel, pp. 310-13)

Performances

Mainpiece Title: Deborah

378
29 December 1733 @ Lincoln's Inn Fields

Event Comment: A New Opera. [Ariadne in Naxus is title in edition of 1734. Music by Nicola Porpora. Text by Rolli. This was the opening of the opera company opposing Handel. See comment by Caspar Wilhelm von Brocke in Deutsch, Handel, p. 341.] Pit and Boxes half a guinea. First Gallery 4s. Upper Gallery 2s. 6d. 6 P.M

Performances

Mainpiece Title: Ariadne

379
05 January 1734 @ King's Theatre

Event Comment: A New Opera. [Recitatives by Handel. Apparently not published, and Deutsch, Handel, p. 342, gives no cast. Their Majesties and three eldest Princesses present.]

Performances

Mainpiece Title: Arbaces

380
04 February 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Music: Second Musick: 3d Concerto of the 1st Opera of Geminiani. Third Musick: Overture, with French Horns, composed for Ptolemy by Handel. V: Handel's Water Musick, accompanied with French Horns

Performance Comment: Third Musick: Overture, with French Horns, composed for Ptolemy by Handel. V: Handel's Water Musick, accompanied with French Horns .

Dance: III: Black and White Joak by Nivelon and Miss Mann. V: Les ombres des Amants Fideles by Essex, Miss Robinson, Miss Latour, &c

Song: I: Was ever Nymph like Rosamond by Miss Arne. II: Hush, ye pretty, warbling Choir by Miss Arne. IV: Lusingue pui care by Miss Arne

381
14 May 1734 @ Covent Garden

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Music: I: Lesson on the Harpsichord by Miss Baston. V: The celebrated Water-Musick compos'd by Handel and accompany'd with French Horns, in which a Preamble on the Kettle Drums will be beat by Ben. Baker

Performance Comment: V: The celebrated Water-Musick compos'd by Handel and accompany'd with French Horns, in which a Preamble on the Kettle Drums will be beat by Ben. Baker .
Cast
Role: : The celebrated Water Actor: Musick compos'd by Handel and accompany'd with French Horns, in which a Preamble on the Kettle Drums will be beat by Ben. Baker

Dance: II: Tambourine, as17340504. III: Peasant by Maker. IV: Saraband by Miss Baston. V: Swedish Dal Karl by Delagarde and Mrs Ogden

Song: In the role of the Gravedigger will be introduc'd some additional Songs in the Ballad Stile by Leveridge. III: By Leveridge and Mrs Wright

382
23 October 1734 @ King's Theatre

Event Comment: The King grants a subsidy of #1,000 to Handel's opera company. See Deutsch, Handel, p. 370

Performances

Mainpiece Title:

383
03 January 1738 @ King's Theatre

Event Comment: A New Opera. [Text by Zeno. Music by Handel.] London Daily Post and General Advertiser, 4 Jan.: Last Night the new Opera of Faramondo was perform'd...to a splendid Audience, and met with general Applause. It being the first Time of Mr Handel's Appearance this Season, he was honour'd with extraordinary and repeated Signs of Approbation

Performances

Mainpiece Title: Faramondo

384
13 December 1739 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

385
17 March 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Millamant-Mrs Clive, in which Character will be produced the Original Song, the Words by Mr Congreve, and new set to Musick by Mr Handel; Mirabel-Milward; Fainall-Mills; Sir Wilful-Turbutt; Witwoud-Chapman; Petulant-Macklin; Waitwell-Shepard; Marwood-Mrs Butler; Lady Wishfort-Mrs Macklin; Mrs Fainall-Mrs Pritchard; Foible-Miss Bennet; Mincing-Mrs Walter.
Cast
Role: Millamant Actor: Mrs Clive, in which Character will be produced the Original Song, the Words by Mr Congreve, and new set to Musick by Mr Handel

Afterpiece Title: The Devil to Pay

Dance: I: Le Tambourine-Mlle Chateauneuf; In IV: Muilment; V: Ballet-Denoyer, Mlle Chateauneuf

Song: III: Would You Taste the Noon@Tide Air (Comus)-Miss Edwards

386
28 March 1740 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Music: With the two new Concertos-; performed in the same this Season, for several Instruments. Also the last new Ode- of Mr Dryden's; And the Concerto on the Organ, that was by Mr Handel- on the same Occasion this Season

Performance Comment: Also the last new Ode- of Mr Dryden's; And the Concerto on the Organ, that was by Mr Handel- on the same Occasion this Season.
Cast
Role: Mr Handel Actor: on the same Occasion this Season.

387
07 February 1741 @ Lincoln's Inn Fields

Performances

Mainpiece Title: L'allegro, Il Penseroso, Ed Il Moderato

Performance Comment: Music, As17410131 [For a letter concerning Handel's operas, see Deutsch, Handel, p. 511.]

388
26 February 1741 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: A Solo on the Violin-Collett; a Concerto on the Harpsichord-Gladwin; several Pieces on the Trumpet-Snow; Likewise the Dead March in Saul-to be performed with the Sackbuts; To which will be added, set to Musick Dryden's Ode on St. Cecilia's Day by Mr Handel-; the principal Voice Part-Mrs Arne

Performance Comment: Cecilia's Day by Mr Handel-; the principal Voice Part-Mrs Arne.
Cast
Role: Mr Handel Actor:

389
04 April 1741 @ Lincoln's Inn Fields

Event Comment: For a long letter on musical performances, including Handel's, see London Daily Post and General Advertiser, 4 April, reprinted in Deutsch, Handel, pp. 515-17

Performances

390
08 April 1741 @ Drury Lane Theatre

Event Comment: By partiuclar Desire. Benefit Chapman. Tickets at Chapman's House, Corner of Bow Street. [in the London Daily Post and General Advertiser, 7 April, Chapman published a letter regretting that this benefit will be on the night Handel has a performance at lif. Chapman states that he owes much to Handel and wishes him success. Because, he states, some 20,000 will want to attend lif, which cannot hold above twenty hundred, Chapman remarks that, if those who cannot get into lif will go to dl, he will be happy.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Toy Shop

Song: In II: Lowe; III: Was Ever Nymph Like Rosamond-Lowe

Dance: III: Maltere, Mlle Maltere; V: Peasants-Muilment

391
01 April 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Comus

Performance Comment: As17420209, but with some additional Songs of Milton's by Handel-.
Cast
Role: Handel Actor: .

Afterpiece Title: The Mock Doctor

392
15 May 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Comus

Performance Comment: As17420401 but Songs of Milton's by Handel-_.
Cast
Role: Handel Actor: .

Afterpiece Title: The Mock Doctor

Dance: I: Running Footman's Dance-Phillips; III: The Drunken Peasant-Phillips

Entertainment: AA Lesson on the Welch Harp-Mr Jones

393
02 March 1743 @ Covent Garden

Event Comment: RRoyal family attended.-Deutsch, Handel, p. 561. The new Oratorio...has been performed four Times to more crouded Audiences than ever were seen; more People being turned away for Want of Room each Night than hath been at the Italian Opera.-Quoted by Dean, Handel's Dramatic Oratorios, p. 350, from Faulkner's Dublin Journal, 15 March

Performances

Mainpiece Title: Sampson

Music: Solo on Violin-Dubourg

394
16 March 1743 @ Covent Garden

Event Comment: Last time of performing the Oratorio this season. The Subscribers to Mr Handel's six former performances, who intend to continue their subscription on the same conditions for six more, are desired to send their subscription money to Mr Handel's House in Brook Street, where attendance will be given this day [15 March] in order to deliver out their subscription tickets

Performances

Mainpiece Title: Sampson

395
16 March 1744 @ Covent Garden

Performances

Mainpiece Title: Saul

Performance Comment: Parts were: Saul-; Jonathan-; David-; High Priest-; Abner-; Messenger-; Apparition of Samuel-; Amalekite-; Michal-; Merab-; Abiathar-; Witch of Endor- (Larpent MS.). [For probable singers, see Dean, Handel's Dramatic Oratorios, pp. 299-300.]For probable singers, see Dean, Handel's Dramatic Oratorios, pp. 299-300.]

Music: Concerto on Organ-

396
09 February 1745 @ Haymarket Theatre

Performances

Mainpiece Title: L'incostanza Deluza

Performance Comment: First singers-Signora Frasi, Signora Galli [Deutsch, Handel, p. 607].Deutsch, Handel, p. 607].

397
12 November 1747 @ King's Theatre

Event Comment: Rehears'd...the Opera of Lucius Verus: This Drama Consists of Airs, borrow'd entirely from Mr Handel's favourite Operas; and so may (probably) be justly styled the most exquisite Composition of Harmony, ever offer'd to the Publick. Those Lovers of Musick among us, whose Ears have been charm'd with Farinello, Faustina, Senesino, Cuzzoni, and other great Performers will now have an Opportunity of Reviving their former delight, which, if not so transporting as then, may yet prove a very high Entertainment. Mr Handel is acknowledged (universally) so great a Master of the Lyre; that nothing urg'd in Favour of his Captial Performances can reasonably be consider'd as a Puff (General Advertiser, 13 Nov.)

Performances

398
26 February 1748 @ Covent Garden

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon- (brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome). (Larpent MS) [Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]Winton Dean in Handel's Dramatic Oratorios, pp. 471-72, adds Second Israelite Woman and Priest, noting that Madam Frasi sang the part of the first Israelite woman.]

Afterpiece Title: a Ca Concerto

399
09 March 1748 @ Covent Garden

Performances

Mainpiece Title: Joshua

Performance Comment: Parts were: Joshua-; Caleb-; Othniel-; Achsah (Daughter to Caleb)-; Angel-; Chorus-; +High Priests-; +Priests-; +Chiefs-; +Elders-; +Attendants-. Joshua-Lowe[, tenor; Caleb-Reinhold[, bass; Othniel-Signora Galli[, contralto; Achsah-Signora Cassarini[, soprano; Angel-Signora Galli[, mezzo-soprano. [+Deutsch, Handel, p. 647.]+Deutsch, Handel, p. 647.]

400
24 February 1749 @ Covent Garden

Performances

Mainpiece Title: Hercules

Performance Comment: Parts for six characters, two choruses; Hercules-; Deianira-; Hyllus-; Iole-; Lichas-; Priest of Jupiter-; Chorus of Trachinians-; Chorus of Oechalians-. [For speculation as to probable cast, see Deutsch, Handel, p. 658.]For speculation as to probable cast, see Deutsch, Handel, p. 658.]

Afterpiece Title: a C Concerto