SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Love"/1) | (@(roleclean,performerclean) "Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3679 matches on Roles/Actors, 2767 matches on Performance Title, 988 matches on Performance Comments, 323 matches on Event Comments, and 99 matches on Author.
Event Comment: FFoote play'd Ben , Miss Macklin Miss Prue , Mrs Clive Mrs Frail . Foote cou'd not sing ye Song in Ben, so said two or three times, I can't do it & upon a little Hissing, said, Gentlemen I have no talents for singing-ye whole play Hum (Cross). [Opposed to Cross's summary of the effect of the performance appeared in Gray's Inn Journal the Murphy account (19 Jan.): The excellent Comedy of Love for Love has been revived here this week, the humorous and diverting Part of Ben, the sailor, was performed with great pleasantry by Mr Foote, who showed by his manner and his looks, that he had entered into the secret of the character, tho' twas visible at the same time, that his powers were greatly suppressed by his solicitude for his first appearance in a new character. It may be said of Miss Macklin, tho perhaps better qualified for spirited genteel comedy, that she acquitted herself with great applause in a part in which Mrs Clive has displayed so many inimitable strokes of humour."] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Dance: III: A Hornpipe-Granier

Event Comment: No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.]*c1765 11 01 cg No Performance. Theatre clos'd for royal death of the Duke of Cumberland. Love for Love & The Royal Chace listed next day. [Opened again 11 Nov.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Intriguing Chambermaid

Dance: II: The Garland?-as17651003

Event Comment: Mainpiece: Not acted these 5 years. Written by Congreve. [For Prologue see 19 Nov.] Love for Love was revived with alterations by R. B. Sheridan Esq. (Note by J. P. Kemble on Hopkins Diary). Receipts: #150 0s. 6d

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Elopement

Performance Comment: As17761001, but Lover-Burton.
Cast
Role: Lover Actor: Burton.
Event Comment: On Account of Mrs Yates's Indisposition A Trip to Scarborough [announced on playbill of 20 Mar.] is obliged to be deferred. [The playbill retains Mrs Abington as Miss Prue, but "Last Saturday night, Mrs Abington being suddenly taken ill, Mrs Mattocks supplied the Part in Love for Love; and though we will not pretend to put her comic Abilities on a Level with those of Mrs Abington, yet her Performance was exceedingly humourous and entertaining" (Gazetteer, 24 Mar.).] Paid Mrs Abington in lieu of a benefit #200. Receipts: #218 8s. (188.0.0; 28.15.6; 1.12.6)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Milesian

Cast
Role: Charles Marlove Actor: Dodd

Dance: As17770215

Event Comment: Powell: Jones Ill, Maddocks Snap [in mainpiece]. Danby and Mrs Bramwell absent from this Evening's Performance. Love for Love rehearsed at 10; New Ballet at 10:30 (dismissed). Receipts: #222 11s. (164.5; 53.9; 4.17)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performance Comment: Parts by King, Vernon, Dodd, Love, Aickin, J. Palmer, Johnston, Hartry, Fox, Packer, Moody, Bannister, Parsons, Kear, Strange, Mrs Bradshaw, Mrs Arne, Mrs Love, Miss Pope, Mrs Clive; With a Prologue-; Address to the Town by the way of Epilogue-; Glib-King; Sir Toby Fuz-Love; Sir Macaroni Virtue-Dodd; Wilson-J. Palmer; Mervin-Aickin; Patent-Packer; Hopkins the Prompter-Bannister; Saunders the Carpenter-Moody; Johnston the housekeeper-Johnston; Lady Fuz-Mrs Clive; Miss Fuz-Miss Pope; Sweepers-Mrs Bradshaw, Mrs Love; Characters in the Burletta: Orpheus-Vernon; Old Shepherd-Dodd; Shepherd Chorus-Parsons, Hartry; Rhodope-Mrs Arne (Genest, V, 158).
Cast
Role: Sir Toby Fuz Actor: Love
Role: Sweepers Actor: Mrs Bradshaw, Mrs Love
Event Comment: Both pieces By Command of his Majesty. The Comedy Love for Love design'd to be perform'd this day, is deferr'd till further notice. Present His Majesty and Princess of Wales, Lady Augusta, Princess Louisa, Prince William and Prince Frederick. Boxes #94 7s. 6d. [about 384 persons, nearly the capacity of the Boxes, which was about 560]. Paid Macklin one fifth part of #179 being the surplus after #63 allow'd for the charge as per agreement...#35 16s. Gave the Yeomen of the King and Princess's Guard #2 2s., and the King's Footmen and Chairmen #1 1s. (Account Book). Receipts: #242 (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: Love a-la-Mode

Dance: [Unspecified]

Event Comment: Paid James Amson for a set of China for Love in the City, #11 2s. 11d. (Account Book). Receipts: #115 13s. 6d. (Account Book). [On 5 March appeared in the Public Advertiser the following squib]: To the Author of Love in the City. @If e'er again thy Muse engage@To laugh at Folly on the Stage,@Let Cockneys 'scape the stroke@Since 'tis with Men of Sense a Rule@That of all Fools, the Bo-Bell Fool@Can least endure a Joke. A.

Performances

Mainpiece Title: Love In The City

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performance Comment: Parts-King, Moody, Parsons, Ackman, Hurst, Waldron, Castle, Wheeler, W. Palmer, Wright, Keen, Hartry, Mesink, Clough, Booth, J. Burton, Mas. Cape, Mrs Bradshaw, Mrs Lowe. The Vocal Parts-Vernon, Dibdin, Bannister, Champnes, Fawcett, Kear, Miss Radley, Mrs Baddeley; The Dances-Dagueville, Mrs King, Sga Vidini, Miss Rogers; In which will be introduced The Pageant as it was intended for Stratford-Upon-Avon; Ralph-King; Irishman-Moody; Ballad Singer-Vernon; Ostler-Parsons; Country Girls-Mrs Baddeley, Miss Radley; Margery Jervis-Mrs Love; Female Ballad Singer-Dibdin; Prologue-King; Characters in the pageant: Benedict-Garrick; Beatrice-Miss Pope; Touchstone-King; Richard III-Holland; Romeo-Brereton; Hamlet-Cautherly; Falstaff-Love; Lear-Reddish; Antony-Aikin; Portia-Mrs W. Barry; Apollo-Vernon; Tragic Muse-Mrs Barry; Comic Muse-Mrs Abington; Also: Hurst, Wheeler, Castle, Waldron, Wright, Keen, Clough, Hartry, Messink, Booth, J. Burton, Master Cape, Mrs Bradshaw, Mrs Love; Dancing-; Singing- New Dresses, Scenes; Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926). Music by Dibdin (Genest, V, 256, and Winston MS 10). See Three Plays by David Garrick, Elisabeth P. Stein (New York, 1926).
Cast
Role: Margery Jervis Actor: Mrs Love
Role: Falstaff Actor: Love
Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Love's Mistress

Event Comment: The Duke's Company. Pepys, Diary: Then by water, Creed and I, to Salisbury Court and there saw Love's Quarrell acted the first time, but I do not like the design or words

Performances

Mainpiece Title: Love's Quarrel

Event Comment: Pepys, Diary So back to the Opera, and there I saw again Love and Honour, and a very good play it is

Performances

Mainpiece Title: Love And Honour

Event Comment: Pepys, Diary: My wife and I to the Opera, and there saw again Love and Honour, a play so good that it has been acted but three times and I have seen them all, and all in this week; which is too much, and more than I will do again a good while

Performances

Mainpiece Title: Love And Honour

Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

Event Comment: The Duke's Company. Evelyn, Diary: I was so idle as to go see a play, cald Love and honor

Performances

Mainpiece Title: Love And Honour

Event Comment: The King's Company. Pepys, Diary: We by coach to the Theatre and saw Love in a Maze. The play hath little in it but Lacy's part of a country fellow, which he did to admiration

Performances

Mainpiece Title: Love In A Maze

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Event Comment: This play, which was licensed on 22 April 1664, was a revision of Flecknoe's Love's Dominion, 1654. There is no indication, other than the date of licensing, which points to a specific time when it was acted. The Duke's Company

Performances

Mainpiece Title: Love's Kingdom

Event Comment: The Duke's Company. Evelyn, Diary: Saw a facecious Comedy Cald Love in a Tub

Performances

Mainpiece Title: Love In A Tub

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Love's Pilgrimage

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, all alone, and saw Love's Maistresse. Some pretty things and good variety in it, but no or little fancy in it

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Mask

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's house, and there saw Love Trickes, or the School of Compliments; a silly play, only Miss Davis?'s dancing in a shepherd's clothes did please us mightily

Performances

Mainpiece Title: Love Tricks; Or, The School Of Compliments

Event Comment: The King's Company. Pepys, Diary: With Sir Philip Carteret to the King's playhouse, there to see Love's Cruelty, an old play, but which I have not seen before and in the first act Orange Moll come to me, with one of the porters by my house, to tell me that Mrs Pierce and Knepp did dine at my house to-day, and that I was desired to come home. So I went out presently, and by coach home, and they were just gone away; so, after a very little stay with my wife, I took coach again, and to the King's playhouse again, and come in the fourth act; and it proves to me a very silly play, and to everybody else, as far as I could judge. But the jest is, that here telling Moll how I had lost my journey, she told me that Mrs Knepp was in the house, and so shews me to her, and I went to her, and sat out the play.... I could not but observe that Sir Philip Carteret would fain have given me my going into a play; but yet, when he come to the door, he had no money to pay for himself, I having refused to accept of it for myself, but was fain; and I perceive he is known there, and do run upon the score for plays, which is a shame.... In the pit I met with Sir Ch. North

Performances

Mainpiece Title: Love's Cruelty

Event Comment: Pepys does not name the theatre in which he saw this play, but previous performances of the play were given by the King's Company. Pepys, Diary: To a play, Love's Cruelty.... Play part 2s. Oranges, 1s

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw Love's Mistresse revived, the thing pretty good, but full of variety of divertisement

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Masque