SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Love"/1) | (@(roleclean,performerclean) "Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3679 matches on Roles/Actors, 2767 matches on Performance Title, 988 matches on Performance Comments, 323 matches on Event Comments, and 99 matches on Author.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Arthur and Emmeline

Performance Comment: Arthur-Kemble; Oswald-Barrymore; Merlin-Aickin; Conon-Packer; Osmond-Staunton; Aurelius-R.Palmer; Grimbald-Bannister; Matilda-Miss Barnes; Emmeline-Miss Farren; Philidel-Miss Field; Venus-Mrs Crouch. The rest of the Vocal Parts by Williames, Danby, Fawcett, Wilson, Chaplin, Alfred, Newbold; Miss Cranford, Miss Burnett, Mrs Love, Mrs Burnett, Mrs Booth . Miss Cranford, Miss Burnett, Mrs Love, Mrs Burnett, Mrs Booth .

Dance: End of mainpiece The Market, as17851024

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Performance Comment: Harlequin Clack-Bannister Jun.; Magician-Staunton; Doctor-Fawcett; Harlequin Lack-Wright; Clodpate-Grimaldi. The other Characters by Moody, Wrighten, Burton, Chapman, Waldron, Phillimore, Chaplin, Wilson, Jones, Spencer, Alfred, &c.; Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi. Mrs Wilson, Miss Cranford, Mrs Cuyler, Mrs Love, Mrs Booth, Miss Tidswell, Mrs Burnett, Mrs Heard, Miss Burnett, Miss Barnes, Miss Palmer, Miss Simson, Mrs Haskey, Mrs Wrighten. [For assignments of Moody, Mrs Wilson, Miss Cranford, Mrs Wrighten, see17851229 Larpent MS 715 also lists: Lover, Lawyer, Clerk, Scotchman, Sailor, Taylor; Colombine.] hathi.

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Acis And Galatea; Redemption 0

Performance Comment: Vocal Parts, Violin As17870223, but Public Advertiser, 9 Mar., notes Hush ye pretty warbling choir, Love in her eyes sits playing, Must I my Acis still Bemoan?-Mme Mara; Love sound's th' alarm-Dignum; O ruddier than the cherry-Reinhold; As when the dove-Mrs Crouch; Consider fond shepherd-Miss George; Happy happy we-Dignum, Miss George; The flocks shall leave the mountains-Dignum, Reinhold, Mrs Crouch.

Afterpiece Title: A New Symphony

Event Comment: [The plays originally intended to be acted on this night were The Man of the World and Rosina, both advertised on playbill of 18 Nov. The playbill for this night, however, announces Love in a Village, with Mrs Billington as Rosetta, and Barataria, and carries the note "On Account of the sudden Indisposition of Macklin, The Man of the World is obliged to be deferred." But a third change had to be made; in place of Love in a Village and Barataria were substituted The Conscious Lovers and Hob in the Well, occasioned by the sudden indisposition of Mrs Billington" (World, 20 Nov.).] Receipts: #158 3s. (150.14.6; 7.8.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hob in the Well

Dance: As17880915

Event Comment: [The playbill announces The Way of the World, Love and War, and The Deserter, but "King being ill, the play was worse. For instead of Congreve's brilliant dialogue in The Way of the World there was, what few epithets can reach, The Castle of Andalusia" (World, 19 Dec.). The substitute for Love and War is listed in the Account-Book.] Receipts: #140 18s. (136.16; 4.2)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Death of Captain Cook

Event Comment: ["The Play to-night was to have been The Confederacy, by Desire of the Duchess of Leinster, with The Spoiled Child (both advertised on playbill of 7 May), for Mrs Jordan's benefit...but she suspecting the House would be thin, pretended to be ill, would not act" (Kemble Mem.). "Love for Love (announced in playbill of this present night) and The Spoiled Child were deferred on account of the indisposition of Mrs Jordan, and The West Indian and The Island of St. Marguerite substituted...Aickin and Packer...could not be met with, and no other means of presenting The West Indian remained than Messrs Williames and Maddocks being permitted to read the parts of Stockwell and Capt. Dudley. This the audience refused to comply with, and insisted on having their money returned, which was at last done. The pit was cleared, not even one person remaining; but during the second act, four people came in...About thirty stayed in the boxes, and not a sufficient number to fill the front rows in the galleries...The West Indian, with two parts in it read, and a house thus uncomfortably thin, dragged dismally through the three first acts. The half-price produced considerable amendment in the appearance of the house" (London Chronicle, 10 May).] Receipts: #45 0s. 6d. (11.13.0; 32.5.0; 1.2.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Island of St

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music, From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Eleventh Grand Concerto-; Pleasure my former ways resigning-Harrison (Time and Truth); No more shall Edom's sons-Miss Poole (Israel in Babylon); O Baal monarch of the skies-Chorus (Deborah); His hideous love, Love sounds the alarm-Incledon (Acis and Galatea); O Father whose Almighty power-Chorus; O let eternal honours, From mighty Kings-Mrs Billington (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the Pleasures of the Plain!=-Chorus; For us the Zephyr blows-Miss Hagley; Ye verdant plains, Hush ye pretty warbling Quire-Miss Davies; Where shall I seek-Spence; Stay Shepherd stay, Shepherd what art thou pursuing-Miss Broadhurst; Lo! here my Love, Love in her Eyes-Kelly; O didst thou know the Pains, As when the Dove-Mrs Crouch; Happy we-Miss Hagley, Dignum; Happy we [repeated]-Chorus.
Cast
Role: Love in her Eyes Actor: Kelly

Afterpiece Title: Acis and Galatea 2

Performance Comment: PART II. Wretched Lovers-Chorus; I rage I melt I burn, O Ruddier than the Cherry-Reinhold; Whither fairest-Bellamy; The Lion calls not-Miss Hagley; Cease to beauty to be suing-Bellamy; Would you gain the tender creature-Mrs Crouch; His hideous love, Love sounds the alarm-Kelly; Consider fond Shepherd-Miss Hagley; Cease O cease-Miss Davies; The Flocks shall leave the Mountains-Miss Davies, Dignum, Reinhold; Help Galatea-Spence; Mourn all ye Muses-Chorus; Must I my Acis-Mrs Crouch; Cease Galatea cease to weep-Chorus; 'Tis done thus I exert, Heart the seat-Miss Davies; Galatea dry thy tears-Chorus.
Cast
Role: Wretched Lovers Actor: Chorus
Role: Love sounds the alarm Actor: Kelly

Afterpiece Title: PART III

Music: As17910323

Performances

Mainpiece Title: The First Act Of Alexander's Feast; Grand Selection 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: A Selection from Acis and Galatea

Performance Comment: Overture-; O the pleasures of the plain-Chorus; Hush! ye pretty warbling choir-Mrs Billington; Where shall I seek the charming fair-Incledon; Shepherd what art thou pursuing-Mrs Piele; Lo! here my Love, Love in her eyes sits playing-Harrison; Behold the monster Polypheme-Chorus; I rage, O ruddier than the cherry-Griffith; Consider fond shepherd, Cease O cease-Miss Poole; The flocks shall leave-Miss Poole, Incledon, Griffith; 'Tis done, Heart the seat of soft delight-Mrs Billington; Galatea dry thy tears-Chorus.

Afterpiece Title: A Grand Miscellaneous Act

Music: As17910330

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the pleasures of the plains!-Chorus; For us the zephyr blows-Mrs Bland; Ye verdant plains, Hush ye pretty warbling choir-Mrs Crouch; Where shall I seek?-Incledon; Stay shepherd stay, Shepherd what art thou pursuing?-Miss Barclay; Lo! here my love, Love in her eyes-Incledon; Didst thou know the pains, As when the dove-Mrs Crouch; Happy we-Miss Hagley, Dignum, Chorus.
Cast
Role: Love in her eyes Actor: Incledon

Afterpiece Title: Acis and Galatea 2

Performance Comment: Wretched lovers-Chorus; I rage I melt I burn, O! ruddier than the cherry-Reinhold; Whither fairest?-Reinhold, Mrs Crouch; Cease to beauty to be suing-Reinhold; Would you gain the tender creature-Master Welsh; His hideous love, Love sounds the alarm-Incledon; Consider fond shepherd-Master Welsh; Cease O cease-Mrs Bland; The Flocks shall-Reinhold, Dignum, Mrs Bland; Help Galatea!-Dignum; Mourn all ye Muses-Chorus; Must I my Acis-Mrs Bland; Cease Galatea-Chorus; 'Tis done thus I exert, Heart the seat-Mrs Crouch; Galatea dry thy tears-Chorus.

Afterpiece Title: A Miscellaneous Act

Music: End I: concerto on the hautboy-[J.] Parke

Performances

Mainpiece Title: The Chances

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Performance Comment: Speaking Characters by Johnstone, Powel, Blanchard, Incledon, Richardson, Bernard//Mrs Martyr, Miss Hopkins, Mr Rees. [Cast adjusted from playbill of 19 Sept. 1791: Capt. Frederick-Johnstone; Sir Fidget Fearful-Powel; Gregory-Blanchard; Thicket-Incledon; Clueline-Richardson; Flambeau-Bernard//Peggy-Mrs Martyr; Sophia-Miss Hopkins; Whim-Mr Rees.] With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus . With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus .

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Event Comment: Powell: All's Well rehearsed at 10; Wedding Day at 11:30; Love for Love at 12. Receipts: #244 1s. (183.19.6; 56.1.0; 4.0.6),

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Wedding Day

Event Comment: Powell: Love for Love rehearsed at 10 (for Miss Farren and Kemble). Receipts: #284 15s. (227.17; 53.11; 3.7)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.

Performances

Mainpiece Title: Entertainment

Performance Comment: A Dialogue between Tom a Countryman and Dick a Londoner (sung to the Tune, I'll never love thee more).
Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: According to M. Summers (A Bibliography of Restoration Drama, p. 13) Love's Mystery was entered into but erased from Herbert's original manuscript under his date. (See Herbert, Dramatic Records, p. 116.) The King's Company

Performances

Event Comment: The King's Company. Pepys, Diary: My wife and I to Bartholomew Fayre, with puppets which I had seen once before, and the play without puppets often, but though I love the play as much as ever I did, yet I do not like the puppets at all, but think it to be a lessening to it

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Event Comment: Pepys, Diary: Thence after dinner to a play, to see The Generall; which is so dull and so ill-acted, that I think it is the worst I ever saw or heard in all my days. I happened to sit near to Sir Charles Sidly; who I find a very witty man, and he did at every line take notice of the dullness of the poet and badness of the action, that most pertinently; which I was mightily taken with; and among others where by Altemire's command Clarimont, the Generall, is commanded to rescue his Rivall, whom she loved, Lucidor, he, after a great deal of demurre, broke out, "Well, I'le save my Rivall and make her confess, that I deserve, while he do but possesse." "Why, what, pox," says Sir Charles Sydly, "would he have him have more, or what is there more to be had of a woman than the possessing her?" Thence...vexed at my losing my time and above 20s. in money, and neglecting my business to see so bad a play

Performances

Mainpiece Title: The Generall

Event Comment: In April or May 1667, probably, John Dryden's The Wild Gallant may have been revived, perhaps because of the success of Secret Love. The 1667 edition of The Wild Gallant, which was entered in the Stationers' Register, 7 Aug. 1667, contains: A Prologue to The Wild Gallant revived. An Epilogue to The Wild Gallant revived

Performances

Event Comment: The Duke's Company. Pepys, Diary: With my wife to the Duke of York's house, and there saw The Wits, a play I formerly loved, and is now corrected and enlarged: but, though I like the acting, yet I like not much in the play now

Performances

Mainpiece Title: The Wits

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The King's Company. Pepys, Diary: And wife and Deb. to the King's house, there to see The Wild-goose Chase, which I never saw, but have long longed to see it, being a famous play, but as it was yesterday I do find that where I expect most I find least satisfaction, for in this play I met with nothing extraordinary at all, but very dull inventions and designs. Knepp come and sat by us, and her talk pleased me a little, she telling me how Mis Davis is for certain going away from the Duke's house, the King being in love with her; and a house is taken for her, and furnishing; and she hath a ring given her already worth #600: that the King did send several times for Nelly, and she was with him, but what he did she knows not; this was a good while ago, and she says that the King first spoiled Mrs Weaver, which is very mean, methinks, in a prince, and I am sorry for it, and can hope for no good to the State from having a Prince so devoted to his pleasure. She told me also of a play shortly coming upon the stage, of Sir Charles Sidly's, which, she thinks, will be called The Wandering Ladys, a comedy that, she thinks, will be more pleasant; and also another play, called The Duke of Lerma; besides Catelin, which she thinks, for want of the clothes which the King promised them, will not be acted for a good while

Performances

Mainpiece Title: The Wild Goose Chace

Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could