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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Louis de Boissy"/1) | (@(roleclean,performerclean) "Louis de Boissy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1713 results for: Keyword - Louis de Boissy
We found 994 matches on Performance Title, 476 matches on Performance Comments, 215 matches on Author, 182 matches on Event Comments, and 0 matches on Roles/Actors.

1526
07 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Hannah Hewit; Or, The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son-in-Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

1527
30 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Follies of a Day

Afterpiece Title: Blue-Beard

1528
30 June 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: My Grandmother

1529
14 February 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Feudal Times

Song: V: a song-Mrs Bland

1530
02 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Blue-Beard

Dance: End: a new Scotch Ballet, The Return of Jemmy. Jemmy-Mlle Parisot, Jenny Sga Bossi DelCaro, Lady Margaret Miss DeCamp; With a Pas de Trois, Peggy's Love-; In afterpiece: a new Pas Seul-Mlle Parisot

Ballet: End I: The Agreeable Surprise. Lindor-Mlle Parisot; the Harp-Mlle Parisot; the Piano Forte-Mlle Parisot; Rosine-Sga Bossi DelCaro; Susane-Miss DeCamp; Pas de Deux-Miss DeCamp, Mlle Parisot; Allemande a Trois-Miss DeCamp, Sga Bossi DelCaro, Mlle Parisot

1531
08 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Dance: End I: an entire New Ballet (composed by J. D'Egville), Les Vendangeurs-by the Dancers from the king's Theatre (by permission of the Proprietor): Didelot, Laborie, Mme Rose Didelot, Mme Laborie, Mme Hilligsberg; in which the Pas de Trois of La Fille Mal Gardee-; Minuet of Four, Honi Soit qui mal y Pense-

Ballet: End Opera: Telemaque. Telemachus-Didelot; Mentor-D'Egville; Calypso-Mme Rose Didelot; Venus-Mme Laborie; Zelie-Mme D'Egville; Cupid-Master Menage; Clytie-Miss J. Hilligsberg; Eucharis-Mme Hilligsberg; Nymphs, Attendants on Calypso-The Corps de Ballet , from the Opera House

1532
09 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: Fortune's Frolick

1533
01 October 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet-Palmer, Miss Pope

Song: In V: song-Mrs Bland

1534
23 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Sultan

Song: In afterpiece: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; II: song-Master Suett

1535
14 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

1536
03 January 1662 @ Lincoln's Inn

Performances

Mainpiece Title: Greek Words Universal Motion

1537
20 January 1662 @ The Cockpit in Drury Lane

Performances

Mainpiece Title: Andromeda

1538
05 October 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

1539
18 December 1668 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King here. See also Nicoll, Restoration Drama, p. 344. See Noyes, Ben Jonson on the English Stage, p. 307, for a letter to Lady Sunderland on this performance, and, p. 308, for an anecdote from The Life of the Late Famous Comedian, Jo. Haynes, concerning Haynes and Hart in a scene. For another allusion to the action, see Henri Ferneron, Louise de Keroualle, Duchess of Portsmouth (London, 1807), p. 179n. Pepys, Diary: 15 Jan. 1668@9: It is about my Lady Harvy's being offended at Doll Common's [Mrs Corey's] acting of Sempronia, to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14). See also 7 and 11 Dec. 1667

Performances

Mainpiece Title: Catiline's Conspiracy

1540
04 June 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Tempest

1541
30 April 1676 @ Dorset Garden Theatre

Performances

1542
June 1677 @ Dorset Garden Theatre

Performances

Mainpiece Title: The French Conjuror

1543
18 January 1678 @ Whitehall or St. James's

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

1544
May 1681 @ Drury Lane Theatre

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

1545
28 November 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duke Of Guise

1546
March 1700 @ Drury Lane Theatre

Performances

Mainpiece Title: The Reform'd Wife

1547
11 December 1702 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Indian Emperor; Or, The Conquest Of Mexico By The Spaniards

Afterpiece Title: Acis and Galatea

Dance: L'Abbe, Mrs Elford

1548
16 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

1549
19 July 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Cheats of Scapin

1550
06 April 1714 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music Italian and English-; [Note, At the Desire of several Gentlemen, Mrs Fitzgerald's voice accompanied by] Trumpet and German Flute-Mr Grano; [The Consort opening with an entire new Trumpet Sonata-