Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Louis de Boissy"/1) | (@(roleclean,performerclean) "Louis de Boissy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
1713 results for: Keyword - Louis de Boissy
We found 994 matches on Performance Title, 476 matches on Performance Comments, 215 matches on Author, 182 matches on Event Comments, and 0 matches on Roles/Actors.

76
15 November 1749 @ Haymarket Theatre

Performances

Mainpiece Title: L'ecole Des Femmes

Afterpiece Title: Le Coq du Village

77
30 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

78
16 December 1783 @ King's Theatre

Performances

Mainpiece Title: L'albergatrice Vivace

Dance: End of Act I The Pastimes of Terpsycore, as17831206; End of Opera a New Divertisement, in which a Pas de Deux by Vestris [fun.] and Mme Theodore, and a Pas de Trots by Lepicq, Slingsby, Mme Rossi

79
14 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Citizen

80
14 June 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom-Edwin; Crazy-Barrett; Earl of Mercia-Gardner; Count Louis-Riley; Mayor-Wewitzer; Harold-Davies; Maud-Mrs Wells; Mayoress-Mrs Webb; Lady Godina [sic]-Miss Brangin; Emma-Mrs Bannister .
Cast
Role: Count Louis Actor: Riley

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

81
16 October 1786 @ Covent Garden

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

82
21 October 1786 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Richard Coeur de Lion

Song: In V: a Roman Ovation-; Vocal Parts-Johnstone, Darley, Cubitt, Brown, Mrs Martyr, Miss Stevenson, Miss Stuart, Miss Cranfield, Mrs Kennedy

83
24 October 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

84
14 December 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Grey-beards

Afterpiece Title: Richard Coeur de Lion

85
02 June 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Divertisement, as17910217 End Opera: Le Triomphe de la Folie, as17910503

86
26 November 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Richard Coeur de Lion

87
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Related Works
Related Work: False Appearances Author(s): Louis de Boissy

88
26 March 1735 @ Haymarket Theatre

Performances

Mainpiece Title: L'etourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

89
07 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

90
14 November 1782 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

91
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

92
24 April 1787 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

93
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

94
14 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

95
16 December 1793 @ Haymarket Theatre

Event Comment: Benefit for Sga Storace. Mainpiece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Afterpiece [1st time; MF 2, by Prince Hoare, based partly on LE TABLEAU PARLANT, by Louis Anseaume]: The Music by Storace. "The songs are written with taste, and set to very lively and agreeable tunes by Storace's brother...[They are] calculated to afford her a complete opportunity of displaying that mixture of laughable levity, friskiness and merriment which on the stage give her so much attraction" (Public Advertiser, 18 Dec.). Tickets to be had of Sga Storace, No. 36, Howland Street, and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: MY GRANDMOTHER

96
28 April 1721 @ Haymarket Theatre

Performances

Mainpiece Title: De Le Colle Des Femmes

Afterpiece Title: Arlequin Protee

97
23 June 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

98
07 January 1794 @ Haymarket Theatre

Performances

Mainpiece Title: The Mariners

Afterpiece Title: WAYS AND MEANS

Afterpiece Title: HARLEQUIN PEASANT

99
21 January 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lodoiska

Song: As17941029

100
01 May 1734 @ Covent Garden

Performances

Mainpiece Title: She Wou'd If She Cou'd

Dance: I: Harlequin by Maker. II: The Nassau, as17340117 III: French Shepherd and Shepherdess by Maker and Mlle Salle. V: Pigmalion: Pigmalion-Maker; Statue-Mlle Salle; others by Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde

Song: I: English Cantata by Mrs Wright. IV: The Black and White Joke by Leveridge and Laguerre