Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord of Oxford"/1) | (@(roleclean,performerclean) "Lord of Oxford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2311 results for: Keyword - Lord of Oxford
We found 1692 matches on Performance Comments, 633 matches on Event Comments, 119 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

2251
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

2252
04 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ARIADNE). See the proud Chief by Chorus. 'Tis liberty by Mrs Bland; Arm, arm, ye brave by Meredith (JUDAS MACCABAEUS). We come in bright array by Chorus. Ye sacred priests by Sga Storace. O filial piety and No cruel father by Kelly. O Baal by Chorus. Lord, what is man? by Mrs Crouch (ANTHEMS). Glory to God by Kelly and Chorus (THE MESSIAH). PART II. When the ear heard by Quartet and Chorus (FUNERAL ANTHEMS). Dead March (SAUL). My faith and truth by Miss Leak and Master Welsh. Gentle Airs by Harrison. Fixed in his everlasting seat by Chorus. Concerto on the violin by Giornovichi. Disdainful of danger by Meredith, Dignum, Mrs Bland. Prophetic visions by Master Welsh. As from the power by Sga Storace and Chorus. PART III. When his loud voice by Chorus (JEPHTHA). Hark! 'tis the linnet by Mrs Crouch. The mansion of peace by Harrison. The Prince unable by Sga Storace. The many rend the skies by Chorus. These as they change by Meredith. Balmy hope by Miss Leak. Fair Rosale by Master Welsh. Gloria Patri by Chorus (JUBILATE) .

2253
04 April 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred

Music: Principal Vocal Performers, Leader, Organ omitted, but see17940307ART I. As17940312but added: Holy, holy Lord; omitted: o worse than death and Angels ever bright. PART II. As17940312but Eighth Concerto of Corelli in place of Eleventh Grand Concerto; omitted: O sleep. PART III. As17940312athi

Performance Comment: As17940312but added: Holy, holy Lord; omitted: o worse than death and Angels ever bright. PART II. As17940312but Eighth Concerto of Corelli in place of Eleventh Grand Concerto; omitted: O sleep. PART III. As17940312athi .

2254
22 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Performance Comment: As17940421, but omitted: Armed Head, Bloody Child, Crowned Child, Apparitions of Eight Kings, Lords, Ladies, Attendants, Soldiers. Prologue, Epilogue as17940421.

Afterpiece Title: THE VIRGIN UNMASK'D

Song: As17940421

2255
22 May 1794 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Thomas. Tickets to be had of Miss Thomas, No. 41, Great Portland-street; and of Rice at the Theatre, where places for the Boxes may be taken. To begin at 6:45. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Servants to keep places are requested to be at the Theatre at half past Five o'Clock

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: THREE WEEKS AFTER MARRIAGE

Music: End of mainpiece Master Julien Baux, a Child under Six Years of Age, will perform a Concerto on the Violin by Viotti

Monologue: 1794 05 22 End of afterpiece an Occasional Address by Miss Thomas

2256
13 June 1794 @ Covent Garden

Event Comment: Benefit for Follet, Sloper & Farley. By Particular Desire of His Excellency the Turkish Ambassador [see 7 May). 2nd piece: To conclude with a Representation of the Engagement and Defeat of the French Navy, by the British Fleet under the Command of Lord Howe, on the Glorious First of June (1794); with the bringing in La Juste, Sans Pareille, L'America, L'Achille, Northumberland, et L'Eupeteux; and the Sinking of Le Vengeur; with Rule Britannia. Receipts: #357 10s. (66/2/6; 3/16/6; tickets: 287/11/0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: HARLEQUIN AND FAUSTUS

2257
01 September 1794 @ Haymarket Theatre

Event Comment: The New Farce of JENNY'S WHIM; or, The Roasted Emperor [advertised on playbill of 30 Aug., in place of MY GRANDMOTHER] is unavoidably postponed. [This farce, by John O'Keeffe, was never acted; it was objected to by the Lord Chamberlain on the grounds that it "ridiculed the Emperor of Morocco." See MacMillan, Larpent Catalogue, p. 172.]

Performances

Mainpiece Title: Rule Britannia

Afterpiece Title: WAYS AND MEANS

Afterpiece Title: MY GRANDMOTHER

2258
17 September 1794 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Lord Chamberlain. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 54 , Drury-lane. 3rd piece: By permission of George Colman, Esq

Performances

Mainpiece Title: The Sultan; Or, A Peep Into The Seraglio

Afterpiece Title: A BOLD STROKE FOR A WIFE

Afterpiece Title: THE PURSE

Song: In the course of the Evening Dibdin's Lucky Escape; or, the Ploughboy's Return from Sea, in character, by Mrs Harlowe

2259
29 November 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Nobody

Performance Comment: Characters-Barrymore, Bensley, Bannister Jun., Maddocks, Trueman, Evans, Mrs Goodall, Miss Pope, Miss Collins, Miss Heard, Miss DeCamp, Mrs Booth, Mrs Jordan; [Larpent MS 1046 lists the parts: Sir Henry Rightly, Sharply, Lord Courtland, Thomas, Servants, Nelly Primrose, Lady Languid, Lady Rouleau, Lady Farrow, Lady Squander, Miss Cassino, Mrs Goodly.] Prologue-Barrymore; Epilogue-Mrs Jordan.

2260
27 February 1795 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Chiefly From handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Samson); In Gieste-Rovedino (Cimarosa); When his loud voice-Chorus; O magnify the Lord-Miss Leak; Concerto bassoon-Holmes; Rendi il sereno al ciglio-Harrison; O Father whose almighty power-Chorus; Air with oboe obligato,-Mme Banti (Gulielmi); He gave them hailstones-Chorus; . .
Cast
Role: O magnify the Lord Actor: Miss Leak

Afterpiece Title: Grand Selection 2

Performance Comment: Grand Overture- (Haydn); Angels ever bright and fair-Mme Banti; May no rash intruder-Chorus; Oft on a plat of rising ground-Harrison; Lo he is our God-Miss Leak (Dr Arnold); For unto us-Chorus; Air accompanied on harp by Mrs Dussek-Mme Banti (Gulielmi); Recitativo-Miss Leak, Harrison; Sing ye to the Lord-Mme Banti; The horse and his rider-Chorus.
Cast
Role: Sing ye to the Lord Actor: Mme Banti

2261
04 March 1795 @ Haymarket Theatre

Event Comment: Under the license of the Lord Chamberlain. Leader of the band-Mountain. Grand Piano Forte-Reeve. Among the other Instrumental Performers are W. Ware, Haigh, Leffler Sen., Leffler Jun., Nicks, Alexander, Price, Francis, Cornish, English, Eley, Forster, &c. The Doors to be opened at 6:30. To begin at 7:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [For names of speakers and singers see Morning Post, 5 Mar.; Oracle, 12 Mar.

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

2262
13 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Occasional Overture-; Shall I in Mamre's-Bartleman; For all these mercies-Chorus (Joshua); Ye men of Gaza-Mrs Hindmarsh; Why does the God of Israel sleep?-Kelly (Samson); When his loud voice-Chorus (Jephtha); Lord remember David-Nield (Redemption); Let the bright Seraphim-Miss Parke; Let their celestial Concerts-Chorus (Samson).
Cast
Role: Lord remember David Actor: Nield

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: 6th concerto of Giordani on the violin-C. Ashley

2263
27 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0of Sacred Music From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Cast
Role: in which Holy Holy Lord Actor: .
Role: Lord of Eternity Actor: Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Selected Entirely from the Messiah. Comfort ye, Every valley-Kelly; And the Glory of the Lord-Chorus; But thou didst not-Mrs Hindmarsh; He was despised-Nield; For unto us-Chorus; Behold I tell you, The Trumpet shall sound-Bartleman; I know that my Redeemer-Miss Parke; Hallelujah-Grand Chorus.
Cast
Role: And the Glory of the Lord Actor: Chorus

2264
24 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Grand Dettingen te Deum-, in which; Holy holy Lord-Mme Mara; He was Eyes unto the Blind-Miss Parke [Redemption].Redemption].
Cast
Role: Holy holy Lord Actor: Mme Mara

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Tyrants would (Athalia)-; Lord to thee (Theodora)-; The smiling dawn (Samson [recte Jephtha])-; When his loud voice (Athalia [recte Jephtha])-; Pleasure my former ways (Time and Truth)-; No more to Ammon's God-; Ye sacred Priests-Mme Mara; Farewell ye limpid springs (Jephtha)-; He gave them hailstones (Israel in Egypt)-.
Cast
Role: Lord to thee Actor:

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

2265
26 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Come ever smiling-Miss Leak (Judas Maccabaeus); It must be so-Sale; Pour forth no more-Sale; No more to Ammon's God-Chorus (Jephtha); Now heaven-Miss Parke; Lord what is man-Miss Parke (Semele); Every day will I give-Kelly (Chandos? Anthems); Then round about-Chorus (Samson); O worse than death-Mme Mara; Angels ever bright-Mme Mara (Theodora); The Mighty power-Chorus [Athalia].Athalia].
Cast
Role: Lord what is man Actor: Miss Parke

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Gentle airs-Nield (Athalia); Ye men of Gaza-Miss Leak (Samson); The trumpet's loud-Kelly, Chorus [Dryden's Ode]; Sweet bird-Miss Parke; accompanied on the violin-G. Ashley (L'Allegro); Arm arm ye brave-; We come-Chorus (Judas Maccabaeus); Lord remember David-Mme Mara (Redemption); Gird on thy sword-Chorus (Saul).
Cast
Role: Lord remember David Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Music: As17960219

2266
02 March 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Cast
Role: Holy holy Lord Actor: Mme Mara
Role: Lord to thee Actor:

Afterpiece Title: Grand Selection 2

Cast
Role: Holy holy Lord Actor: Mme Mara
Role: Lord to thee Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: As17960224, but Lord to thee-_; When his loud voice-_; Pleasure my former ways-_; No more to Ammon's God-_.
Cast
Role: Holy holy Lord Actor: Mme Mara
Role: Lord to thee Actor:

Music: End Part II: concerto on the harp-Mme Delaval

2267
16 March 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Honor and Arms-Bartleman [Samson]; Wise men flattering-Miss Leak [Judas Maccabaeus]; Lord of Eternity-Chorus; O Baal-Chorus (Deborah); Hush ye pretty warbling-Miss Parke [Acis and Galatea]; Disdainful of danger-; Pious orgies-Mme Mara (Judas Maccabaeus); From the censer-Chorus (Solomon).
Cast
Role: Lord of Eternity Actor: Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

2268
28 March 1796 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

2269
16 September 1796 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Most Noble for Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent Garden

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

2270
17 September 1796 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for R. Palmer. 1st piece: Not acted these 2 years [not acted since 16 Sept. 1791]. Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Jew

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Follies of a Day

2271
28 September 1796 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Wilson, widow of Richard Wilson, lately of the Theatre-Royal, Covent-Garden and Haymarket [whose 1st appearance on the stage was at Manchester, 26 Feb. 1796]. Tickets to be had of Mrs Wilson, No. 239, Piccadilly, near the Haymarket

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Miser

Entertainment: Monologue Mainpiece: The Original Epilogue [by Richard Brinsley Sheridan]-Mrs Wilson

2272
12 November 1796 @ Drury Lane Theatre

Event Comment: The Publick is most respectfully informed that on account of the sudden Indisposition of a Principal Performer, the new Tragedy of The Conspiracy [advertised on playbill of 11 Nov.] is obliged to be deferred. "A new tragedy, entitled The Conspiracy, written by Mr Jephson, was announced for representation on Saturday evening; but (as the apology stated) on account of the indisposition of a principal performer, The Grecian Daughter was substituted in its room. All the principal performers advertised for the new play having, however, appeared in The Grecian Daughter, it is supposed, and generally understood, that it was the interference of the Lord Chamberlain's interdiction (who, by the mighty virtues of his white wand, valiantly frustrated the meditated Conspiracy), that produced the sudden change of performance" (Morning Herald, 14 Nov.), Receipts: #256 7s. 6d. (167.6.6; 84.11.0; 4.10.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: My Grandmother

Ballet: End: The Scotch Ghost. As17961108, but Glaude-Grimaldi

2273
23 January 1797 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Mainpiece: 2nd Time [see 28 Mar. 1796. Prologue by the author (see text)]. The Music composed by Callcott. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Tickets to be had of Wilkinson, No. 16, Lisle-street, Leicester-square. Books of the Tragedy to be had at the Theatre

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Afterpiece Title: Ways and Means

Song: Mainpiece: Vocal Parts-Denman, Walker, Willoughby, Master Willoughby, Master Woodham, Mrs Laver, A Young Lady [probably Miss Jones (see17970510)]

Entertainment: Monologue.End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith

2274
26 January 1797 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Song: As17970123

Entertainment: Monologue.As17970123

2275
09 February 1797 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates