SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord John Butler"/1) | (@(roleclean,performerclean) "Lord John Butler")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9871 matches on Author, 3692 matches on Performance Comments, 1707 matches on Event Comments, 451 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; The trumpet's loud clangour-Kelly, Chorus [Dryden's Ode]; Every day will I give thee thanks-Mrs Crouch Chandos Anthems]; I feel the Diety within-Bartleman; Arm, arm, ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; The Captive King- [as17930306ncledon, Chorus; Captivity- [as17930220Mrs Crouch; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mrs Crouch; The horse and his rider-Double Chorus [Israel in Egypt]; God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Performance Comment: Richard (for that night only)-Kemble; King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Barrymore; Duke of Norfolk-Usher; Ratcliffe-Evatt; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir James Blount-Lyons; Sir James Tyrrel-Abbott; Lord Mayor-Burton; Elizabeth-Mrs Whitfield; Lady Anne-Mrs Kemble; Duchess of York-Mrs Powell.
Cast
Role: Lord Stanley Actor: Aickin
Role: Lord Mayor Actor: Burton

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Performance Comment: Richard-Kemble; King Henry-Bensley; Prince of Wales-Master DeCamp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Barrymore; Duke of Norfolk-Usher; Sir R. Ratcliff-Dignum; Tressel-Bland; Sir William Catesby-Caulfield; Lord Stanley-Aickin; Sir. R. Brackenbury-Palmer Jun.; Sir James Blout-Lyons; Sir James Tyrrel-Jones; Lord Mayor-Wewitzer; Elizabeth-Mrs Hopkins; Lady Anne-Mrs Goodall; Duchess of York-Mrs Booth.
Cast
Role: Lord Stanley Actor: Aickin
Role: Lord Mayor Actor: Wewitzer

Afterpiece Title: The Prize; or, 2

Related Works
Related Work: The Tamer Tamed Author(s): John Fletcher
Related Work: The Tamer Tam'd Author(s): John Fletcher

Performances

Mainpiece Title: Grief A-la-mode [i

Performance Comment: . THE FUNERAL]. Campley-Lewis; Sable-Quick; Lord Brumpton-Powel; Trusty-Hull; Puzzle-Munden; Trim-Fawcett; Cabinet-Claremont; Tom-Blanchard; Lord Hardy-Pope// Lady Brumpton-Mrs Mattocks; Lady Charlotte-Miss Hopkins; Mademoiselle D'Epinglc-Miss Leserve; Mrs Fardingale-Mrs Leicester; Tattleaid-Miss Stuart; Lady Harriet-Mrs Esten .

Afterpiece Title: THE WARD OF THE CASTLE

Cast
Role: Duke of Alberossa Actor: Johnstone

Song: As17931024

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .
Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: Grief A-la-mode [i

Performance Comment: . The Funeral]. Campley-Lewis; Sable-Quick; Puzzle-Munden; Trim-Fawcett; Lord Brumpton-Powel; Lord Hardy-Pope; Lady Harriet-Miss Chapman; Lady Charlotte-Miss Hopkins; Lady Brumpton-Mrs Mattocks.
Cast
Role: Lord Brumpton Actor: Powel
Role: Lord Hardy Actor: Pope

Afterpiece Title: Hercules and Omphale

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Related Works
Related Work: Alexander's Feast; or, The Power of Musique Author(s): John Dryden
Related Work: Alexander's Feast Author(s): John Dryden

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Angels ever bright-Miss Parke (Theodora); He measureth, He Layeth the beams-Bartleman (Redemption); Total eclipse-Kelly; O first created beam-Chorus (Samson); O had I Jubal's lyre-Miss Poole (Joshua); Every day will I give thanks-Nield (Chandos? Anthems); The Lord shall reign-Chorus; Sing ye to the Lord-Miss Parke; The horse and his rider-Double Chorus (Israel in Egypt).

Performances

Mainpiece Title: The Force Of Ridicule

Performance Comment: Characters-Palmer, Barrymore, Suett, R. Palmer, C. Kemble; Bannister Jun., Evans, Miss Farren, Miss DeCamp, Miss Mellon; [Larpent MS lists the parts: Lord Dorville, Lord Melford, Lord Annandale, Marquis, Sir Frederick, Humphrey, Lady Dorville, Lady Annhe, Tiffany.] Prologue-Palmer; Epilogue-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Dance: As17961019

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; Thou shalt bring them in-Miss Celson (1st appearance); He smote all the first@born of Egypt-Chorus (Israel in Egypt); Here amid these shady woods-Master Elliot (Alexander Balus); The trumpet's loud clangour-Incledon; The double double beat-Chorus (Dryden's Ode); He was eyes unto the blind-Miss Poole (Siroe); He layeth the beams-Reinhold (Ezio); He rebuked the Red Sea-Chorus (Israel in Egypt); Lord remember David-Mme Mara; From the censer-Chorus (Solomon).
Cast
Role: Lord remember David Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and March- (Scipio); Tyrants would-Mme Mara; Tyrants ye in vain-Chorus (Athalia); He layeth the beams-Reinhold (Ezio); Grateful hearts-Miss Dufour (Nabal); Fall'n is the foe-Chorus (Judas Maccabaeus); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Bravura Agitata-Mme Mara; The Lord shall reign-Chorus; For the Horse of Pharaoh, And Miriam-Incledon; Sing ye to the Lord-Mme Mara; The Horse and his Rider-Chorus (Israel in Egypt); Mad Bess-Mme Mara (Purcell).

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Drunken Colonel-Knight; Goodall-Davenport; Oldcastle-Emery; Valentine-Mansel; Slap-Thompson; Security-Rees; Lord Pride-Claremont; Lord Puff-Abbot; Constable-Platt; Mrs Highman-Mrs Gilbert; Charlotte-Miss Mansel; Lettice-Mrs Mattocks.
Cast
Role: Lord Pride Actor: Claremont
Role: Lord Puff Actor: Abbot

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: Lord Sands Actor: Fawcett
Role: Duke of Buckingham Actor: H. Johnston
Role: Lord Chamberlain Actor: Clarke

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.
Cast
Role: Lord Stanley Actor: Packer
Role: Lord Mayor Actor: Hollingsworth

Afterpiece Title: The Embarkation

Performances

Mainpiece Title: The Successful Strangers

Performance Comment: Edition of 1690: Don Carlos-Williams; Silvio-Mountfort; Antonio-Powel; Don Lopez-Nokes; Don Francisco-Lee; Don Pedro-Bright; Guzman-Underhill; Sancho-Bowen; Dorothea-Mrs Knight; Feliciana-Mrs Mountfort; Farmosa-Mrs Corey; Biancha-Mrs Bracegirdle; Niece-Mrs Miles; End Act III: Mrs Butler's Dance; Prologue-Mrs Bracegirdle; Epilogue-Mr Nokes, Mr Lee, Mr Mountfort.
Event Comment: The United Company. The date of the premiere is not known, but the Gentleman's Journal, January 1691@2, suggests that it was first given in December 1691, although the tendency of this journal to be dated one month and appear in the next month makes the interpretation of its information difficult: We have had a new Comedy this last Month, call'd The Wives Execuse; or Cuckolds make themselves: It was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town lik'd so well. I will send you The Wives Excuse, as soon as it comes out in Print, which will be very speedily: And tho' the Town hath not been so kind to this last, as to the former, I do not doubt but you will own that it will bear a Reading; which some that meet with a better Fate too often do not; some that must be granted to be good Judges commend the Purity of its Language (pp. 51-52). Henry Purcell composed the music for this work. One song, Corinna I excuse thy face, the words (according to the Edition of 1692) by Tho. Cheek, the music by Henry Purcell, but without the singer's name, is in The Banquet of Musick, The Sixth and Last Book, 1692 (licensed 17 Feb. 1691@2). Say, cruel Amoret, sung by Mountfort; Hang this whining way, sung by Mrs Butler; and Ingrateful lover, the words by Major General Sackville, are in Joyful Cuckoldom, ca. 1695. See also Purcell, Works, Purcell Society, XXI (1917), xxvi-xxix

Performances

Mainpiece Title: The Wives' Excuse; Or, Cuckolds Make Themselves

Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Event Comment: Benefit Butler and Pendrell. Tickets for Thursday 26 for The Squire of Alsatia taken

Performances

Mainpiece Title: The Committee

Music: As17200505

Dance:

Event Comment: DDaily Advertiser, 30 May: We hear that Mr Cibber, Jun. one of the present Directors of his Majesty's Company of Comedians together with Mr Mills, Sen Mr Johnson, Mr Miller, Mr Harper, Mr Griffin, Mr Mills, jun. Mr Shepard, Mr Hallam, jun. Mrs Horton, Mrs Heron, Mrs Butler, and others of the Company, waited Yesterday on his Grace the Duke of Grafton...to deliver...an humble Petition, and they met with gracious Reception

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden
Event Comment: Benefit Mrs Butler. Written by the late Mr Congreve. [Prince of Orange expected to attend.]

Performances

Mainpiece Title: Love For Love

Dance: I: Pierrots by Poitier and Nivelon. III: Black and White Joak by Nivelon and Miss Mann. IV: Revellers by Miss Latour and others. V: Dutchwoman by Miss Robinson

Song: II: Quanto dolce, duanto care by Miss Arne

Event Comment: Benefit Mlle Auguste. Tickets of Page at stage door and of Mlle Auguste at Mrs Butler's over against the Golden Fan in Hanover St., Long Acre

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Musette, as17420405 II: Louvre-Picq; III: New Comic Dance Pantaloon and Enamorata=-Picq, Mlle Auguste; IV: Rigadone Provencale, as17420226; V: La Marie, Minuet-Picq, Mlle Auguste

Performances

Mainpiece Title: The Nonjuror

Cast
Role: Sir John Actor: Peterson
Role: Lady Woodvil Actor: Mrs Butler.

Afterpiece Title: scenes from Tscenes from The Old Batchelor

Performance Comment: Instead of a Farce, will be acted the Scenes of Fondlewife and Laetitia taken from the comedy of The Old Batchelor. As17421230, but Giffard_; Mozeen_; Julian_; Dunstall_; Mrs E._ Giffard; Mrs_ Dunstall; Mrs_ Chetwood; Mrs_ Butler.

Song: Between the Acts: particularly the Songs in the Masque of Comus-a Gentleman (who never perform'd in public before), Mrs Hooper, Mrs Dunstall

Dance: WWelch Buffoon-two Masters Granier [not in Daily Advertiser]

Event Comment: CCross: Mrs Butler died

Performances

Mainpiece Title: None

Event Comment: At the New Wells, Shepherd's Market, May Fair. Benefit for Butler. [No concert formula.

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Chrononhotonthologos

Song: NNancy, or +the Parting Lovers-

Event Comment: Mainpiece [by Oliver Goldsmith]: Never Perform'd Before. [Quick, mentioned by Genest, does not appear on the playbill. The Edition of 1768 casts Mrs White as Landlady, and Cushing as Butler. It does not include Morris or Morgan, but adds Post@Boy-Quick; Bailiff-R. Smith; Dubardieu-Holtom. (See 1 Feb.) The Theatrical Monitor, No XI (6 Feb.), reviews the mainpiece in a lukewarm, judicial manner.] Receipts: #227 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: The Chaplet