SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord John Butler"/1) | (@(roleclean,performerclean) "Lord John Butler")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9871 matches on Author, 3692 matches on Performance Comments, 1707 matches on Event Comments, 451 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Heir At Law

Performance Comment: Daniel Dowlas (alias Lord Duberly)-Waddy; Dick Dowlas-H. Johnston; Doctor Pangloss-Fawcett; Henry Moreland-C. Kemble; Stedfast-Davenport; Zekiel Homespun-Emery (1st appearance on this stage); Kenrick-Johnstone; John-Abbot; Waiters-Ledger, Chippendale; Deborah Dowlas (alias Lady Duberly)-Mrs Davenport; Caroline Dormer-Miss Chapman; Cicely Homespun-Mrs Gibbs; The original Epilogue-the Characters. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Dick Dowlas Actor: H. Johnston
Role: Kenrick Actor: Johnstone
Role: John Actor: Abbot

Afterpiece Title: The Jew and the Doctor

Event Comment: Luttrell, A Brief Relation, II, 313, 17 Dec. 1691: Last Tewsday [i.e., Wednesday] a great disorder at the playhouse, where the lord Grey of Ruthin and viscount Longueville were knockt downe, and 2 other lords puncht with the butt ends of muskets; they complained of the affront to his majestie, who referred them to the house of lords, where they made their application yesterday; and the lords thereon desired his majestie would be pleased to command the suspending acting of playes till further order. Newdigate newsletters, 17 Dec. 1691: Last night the Kings play House was shut up upon complaints given in to the King by the Lord Grey Viscount Longville and other Lords that they had received severall Affronts from and were badly used by ye door keepers, and 'tis said the future Acting is suspended till further order (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also HMC, 13th Report, Appendix Five, pp. 464-65

Performances

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Afterpiece Title: Grand Concerto Spirituale 2

Afterpiece Title: Grand Concerto Spirituale 3

Performance Comment: Dixit Dominus, the Music by Pergolesi-; The Lord said unto the Lord-Chorus; The Lord shall send-Kelly; Be Thou Ruler-Chorus; In the Day of Thy Power-Mrs Crouch; The Day of Thy Birth-Miss Hagley; The Lord swear and will not repent-Chorus; The Lord upon Thy Right Hand-Miss Hagley, Miss Lockhart, Reinhold, Dignum, Semi-Chorus; Glory be to the Father-Kelly, Reinhold; As it was in the Beginning-Chorus; To conclude with God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: Julius Caesar

Performance Comment: The young Noblemen of the Westminster School. Julius Caesar-Lord Danby; Mark Anthony-Roberts; Brutus-Master Hay; Cassius-Lord Middlesex; Portia-Lord Dorset's son; Octavius-another of Lord Dorset's sons.
Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Related Works
Related Work: The Roman Generalls; or, The Distressed Ladies Author(s): John Dover
Event Comment: The United Company. This performance is known from testimony in the trial of Charles Lord Mohun for the attack on William Mountfort on 9 Dec. 1692. The evidence given by Brereton at the trial stated: I had not seen my Lord Mohun for two or three days before this Fact was committed;...but the Friday before, the Play of Alexander the Great was Acted, and my Lord Mohun and I were talking of the Play, and he said it was a good Play, and he commended Mr Mountford's Acting extreamly (The Tryal of Charles Lord Mohun [London, 1693], p. 26)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Edition of 1702 lists: Lord Brumpton-Thomas; Lord Hardy-Cibber; Campley-Wilks; Trusty-Mills; Cabinet-Toms; Sable-Johnson; Puzzle-Bowen; Trim-Pinkethman; Tom-Fairbank; Lady Brumpton-Mrs Verbruggen; Lady Sharlot-Mrs Oldfield; Lady Harriot-Mrs Rogers; Mademoiselle-Mrs Lucas; Tattleaid-Mrs Kent; Mrs Fardingale-Norris; Kate Matchlock-Bullock; Prologue-Wilks; Epilogue-Lord Hardy.
Cast
Role: Lord Brumpton Actor: Thomas
Role: Lord Hardy Actor: Cibber
Role: Sable Actor: Johnson
Role: Epilogue Actor: Lord Hardy.

Performances

Mainpiece Title: King Richard The Second

Performance Comment: Edition of 1720 lists: King Richard II-Ryan; Duke of York-Boheme; Duke of Aumerle-Smith; Lord Salisbury-Egleton; Bishop of Carlisle-C. Bullock; Bolingbroke-Leigh; Earl of Northumberland-Ogden; Lord Ross-Diggs; Lord Willoughby-Coker; Queen-Mrs Bullock; Lady Piercy-Mrs Spiller; Prologue-Ryan; Epilogue by Sewell-Mrs Bullock.
Cast
Role: Lord Salisbury Actor: Egleton
Role: Lord Ross Actor: Diggs
Role: Lord Willoughby Actor: Coker

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Giffard; Polixenes-Marshall; Antigonus-Walker; Florizel-W. Giffard; Camillo-Paget; Autolicus-Yates; Paulina-Mrs Steel; Perdita-Miss Hippisley; Mamillus-Miss Naylor; Cleomines-Blakes; Dion-Peterson; Officer-Naylor; 1st Lord-Crofts; 2d Lord-Nelson; 3d Lord-Marr; Shepherd-Julian; Clown-Dunstall; Emilia-Mrs Yates; Mopsa-Mrs Dunstall; Dorcas-Mrs Jones; Hermione-Mrs Giffard.
Cast
Role: 1st Lord Actor: Crofts
Role: 2d Lord Actor: Nelson
Role: 3d Lord Actor: Marr

Song: dopted to the play, particulary a% Song-the Gentlewoman who performed Polly

Dance: dapted to the Play%

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Delane; Norfolk-Sparkes; Cromwell-Ridout; Suffolk-Arthur; Surrey-Gibson; Abergavenny-Oates; Guilford-Cushing; Lord Chancellor-Marten; Campeius-Dunstall; Lord Sands-Collins; Sir T. Lovell-Holtham; Lord Chamberlain-Anderson; Dr Butts-Stoppelaer; Patience-Miss Allen; Archbp. Cranmer-Bridgwater; Gardiner-Cibber; Anne Bullen-Miss Bellamy; Queen Katherine-Mrs Woffington 1st time; With the repersentation of the Coronation of Anne Bulldn. Vocal parts-Leveridge, Lowe, Courtney, Roberts, Mrs Dunstall, Miss Young, Miss Falkner, Miss Norris. Also the Military Ceremony of the Champion in Westminster Hallv. And all other Decorations proper to the play.
Cast
Role: Lord Chancellor Actor: Marten
Role: Lord Sands Actor: Collins
Role: Lord Chamberlain Actor: Anderson
Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Sir John Restless Actor: Yates

Dance: As17610616

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Performance Comment: Principal Characters by Lewis, Quick, Aickin, Johnstone, Pope, Farren, Wewitzer, Bernard, Fearon, Mrs Mattocks, Mrs Wells, Miss Brunton, Mrs Bernard, Mrs Morton, Mrs Pope. [Cast from text (T. Hookham, 1788): Captain Daffodil-Lewis; Ben Levy-Quick; Villiers-Aickin; Macpharo-Johnstone; Lord Ormond-Pope; Lord Raymond-Farren; Lord Bonton-Wewitzer; Pink-Bernard; Trusty-Fearon; Lady Bonton-Mrs Mattocks; Clara-Mrs Wells; Lady Clairville-Miss Brunton; Mrs Tender-Mrs Bernard; Mademoiselle-Mrs Morton; Lady Raymond-Mrs Pope; Prologue-Farren; Epilogue-Mrs Wells ["who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)]."who, at the end of the epilogue, after a proper preparation, favoured the house with an imitation of Mrs Siddons in a passage of Isabella" (London Chronicle, 9 Apr.)].
Cast
Role: Macpharo Actor: Johnstone
Role: Lord Ormond Actor: Pope
Role: Lord Raymond Actor: Farren
Role: Lord Bonton Actor: Wewitzer

Afterpiece Title: Hob in the Well

Related Works
Related Work: Hob's Wedding Author(s): John Leigh
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Duke of Buckingham-Wroughton; Cranmer-Aickin; Duke of Norfolk-Whitfield; Duke of Suffolk-Williames; Lord Surry-Barrymore; Lord Chamberlain-R. Palmer; Cromwell-Kemble; Lord Sands-Baddeley; Winchester-Suett; Cardinal Campeius-Packer; Sir Henry Guilford-Lamash; Sir ThomasLovel-Fawcett; Doctor Butts-Waldron; Surveyor-Benson; Cardinal Wolsey-Bensley; Anne Bullen-Mrs Farmer; Lady-Mrs Love; Queen Katharine-Mrs Siddons.
Cast
Role: Lord Surry Actor: Barrymore
Role: Lord Chamberlain Actor: R. Palmer
Role: Lord Sands Actor: Baddeley

Afterpiece Title: The Humourist

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture-(Esther); Tears such as tender fathers shed-Bartleman (Deborah); When his loud voice-Chorus (Jephtha); How blest the maid-Mrs Second (Hercules); Hail mighty Joshua-Chorus (Joshua); Softly rise O southern breeze-Harrison; Ye southern breeze-Chorus (Solomon, by Boyce); Holy holy Lord-Mrs Billington (Rodelinda); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Hautboy Concerto-; O sing unto the Lord-Mrs Second; Declare his honour-Chorus; He was eyes unto the blind-Mrs Billington; For the Lord is great-Chorus; The waves of the sea-Page; O worship the Lord-Mrs Billington, Harrison; Let the whole earth stand in awe-Chorus; Every day will I give thanks-Harrison (Chandos Anthems); I feel the Deity within, Arm arm ye brave-Bartleman; We come in bright array-Chorus (Judas Maccabaeus); Let the bright Seraphim-Mrs Billington; accompanied on the trumpet-Sarjant (Samson); Kings shall be thy nursing fathers-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Performance Comment: God save the King-Chorus (Coronation Anthems); Overture-(Esther); The Dettingen te Deum-; in which Holy Holy Lord-Mme Mara [Rodelinda].Rodelinda].

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, Dead March-(Saul); When the ear heard him-Quartetto see17930313 His body is buried-Semi-Chorus; But his Name liveth-Chorus (Funeral Anthems); O God@like Youth-Miss Sharp (Saul); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Fall'n is the Foe-Chorus (Judas Maccabaeus); What tho' I trace each herb and flow'r-Mrs Crouch (Solomon); Lord of Eternity-Chorus; Behold the Nations-; O Baal-Chorus (Deborah); Pious orgies-Mme Mara (Judas Maccabaeus); He gave them hailstones-Double Chorus (Israel in Egypt); Concerto on the violin-Mme Gautherot.
Cast
Role: Lord of Eternity Actor: Chorus

Afterpiece Title: Grand Selection 3

Performance Comment: Second Oboe Concerto-; Sound an Alarm-Kelly; We hear-Chorus (Judas Maccabaeus); Ye sacred Priests, Farewell ye limpid springs-Mme Mara (Jephtha); Hear Jacob's God-Chorus (Samson); Arm arm ye brave-Bartleman; We come-Chorus (Judas Maccabaeus); O Magnify the Lord-Mrs Crouch (Chandos? Anthems); The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Mme Mara; The horse and his rider-Double Chorus (Israel in Egypt); God save Great George our King, To Arms, Britons strike home-Chorus (Purcell).

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940312but added: Mrs Bland. Leader as17940312ART I. God save the King (CORONATION ANTHEMS). He layeth the beams. O had I Jubal's Lyre (JOSHUA). Let me wander (L'ALLEGRO). Gird on thy sword (SAUL). Deeper and deeper; Waft her Angels (JEPHTHA). Let the bright Seraphim, accompanied on the trumpet by Hyde (SAMSON). For unto us (THE MESSIAH). PART II. Ye sons of Israel (JOSHUA). Why do the Nations (THE MESSIAH). What tho' I trace (SOLOMON). Welcome! Welcome! (SAUL). Mad Bess (Purcell). Concerto on the violin by Giornovichi. Pleasure my former ways (TIME AND TRUTH). O magnify the Lord. Tears such as (DEBORAH). Hallelujah for the Lord (THE MESSIAH). PART III. Lord, remember David. Heart the seat of soft delight (ACIS AND GALATEA). He gave them hailstones (ISRAEL IN EGYPT). Why does the God of Israel sleep [SAMSON]. See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT) .

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: As17941018, but Anne Bullen-Mrs Powell; added; Campeius-Packer; Capucius-Phillimore; D. of Suffolk-Caulfield; Lord Chancellor-Maddocks; Lord Chamberlain-Trueman; Lord Sands-Hollingsworth; Sir Henry Guilford-Bland; Sir ThomasLovell-Dignum; Dr Butts-Waldron; Surveyor-Benson; Brandon-Banks; Serjeant-Lyons; Cryer-Evans; Door@keeper-Jones; Gentlewoman-Mrs Booth; Agatha-Miss Collins.
Cast
Role: Lord Chancellor Actor: Maddocks
Role: Lord Chamberlain Actor: Trueman
Role: Lord Sands Actor: Hollingsworth

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Dignum
Role: Butler Actor: Sedgwick
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Samson); Ye men of Gaza-Mrs Hindmarsh; Awake the trumpets-Chorus (Samson); Tears such as tender fathers shed-Bartleman (Deborah); Thy right hand O Lord-Chorus (Israel in Egypt); In sweetest harmony-Miss Parke; O fatal day-Chorus (Saul); Lord remember David-Nield [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: O worse than death, Angels ever bright-Miss Parke (Theodora); When his loud voice-Chorus (Jephtha); Total eclipse-Kelly; O first created beam-Chorus (Samson); Lord to thee-Mrs Hindmarsh (Theodora); The Lord shall reign-Chorus; Sing ye to the Lord-Miss Parke; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End Part II: violin concerto by Giardini-G. Ashley

Performances

Mainpiece Title: A Grand Sacred Selection 0; Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Performance Comment: Part I. Overture- (Occasional Oratorio); Arm arm ye brave-Bartleman; We come-Chorus [Judas Maccabaeus]; Lord what is man?-Miss Poole [Semele]; Total eclipse-Braham; O first created beam-Chorus [Samson]; The mighty power-Chorus [Athalia]; O worse than death, Angels ever bright and fair-Mme Mara [Theodora]; Fixed in his everlasting seat-Chorus [Samson].Samson].
Cast
Role: Lord what is man? Actor: Miss Poole

Afterpiece Title: A Grand Sacred Selection 2

Performance Comment: Part II. Ye Sons of Israel-Chorus; Shall I in Mamre's-Bartleman; For all these mercies-Chorus [Joshua]; My Faith and Truth-Miss Poole, Master Elliot; Return O God of Hosts-Sga Galli [Samson]; First concerto Op. 3 Geminiani-G. Ashley; Deeper and deeper still, Waft her angels-Braham [Jephtha]; Thy right hand O Lord-Chorus [Israel in Egypt]; Holy Holy Lord-Mme Mara [Redemption]; He gave them hailstones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: A Grand Sacred Selection 3

Performance Comment: Part III. Overture and Dead March- (Saul); Great Jehovah's awful-Master Elliot [Israel in Egypt]; In sweetest Harmony-Mme Mara; O fatal Day-Chorus [Saul]; Gentle Airs-Braham; [accompanied on the violoncello-C. Ashley [Athalia]; Fallen is the Foe-Chorus [Judas Maccabaeus]; O magnify the Lord-Miss Poole [Chandos Anthems]; The Lord shall reign-Chorus; For the Horse of Pharoah, Sing ye to the Lord-Mme Mara; The Horse and his Rider-Double Chorus [Israel in Egypt].Israel in Egypt].

Music: End I: concerto on pedal harp-Miss Dupree (1st appearance in public)

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; Let the bright seraphim-Mrs Second; Let their celestial concerts-Chorus; Why does the God of Israel sleep?-Incledon; Hear Jacob's God-Chorus (Samson); Grateful hearts-Mrs Dussek (Nabal); The Lord shall reign-Chorus; For the horse of Pharaoh-Incledon; Sing ye to the Lord-Mrs Second; The Lord shall reign-Double Chorus (Israel in Egypt).

Music: End II: concerto on the violoncello-Charles Ashley

Event Comment: The Duke's Company. Downes (Roscius Anglicanus, p. 31) lists it as one of several plays whose runs expired on the third day. Pepys, Diary: To the Duke of York's playhouse, but the house so full, it being a new play, The Coffee House, that we could not get in...The Journals of John Lauder Lord Fountainhall (ed. Donald Crawford, 1900), pp. 174-75: heir is the Dukes playhouse, wheir we saw Tom Sydserfes Spanish Comedie Tarugo's Wiles, or the Coffee House, acted....He could not forget himselfe: was very satyricall sneering at the Greshamers for their late invention of the transfusion of blood, as also at our covenant, making the witch of Geneva to wy it and La Sainte Ligue de France togither

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

Related Works
Related Work: The Generous Husband; or, The Coffee House Politician Author(s): Charles Johnson
Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: Preparations for the production of a play (Calisto) at court in midwinter had been underway by this time. On this day Margaret Blagge wrote to John Evelyn: the play goes on mightily, which I hoped would never have proceeded farther....Would you believe it, there are some that envy me the honour (as they esteeme it) of acting in this play (The Life of Mrs Godolphin, ed. Samuel Lord Bishop of Oxford [1847], p. 96. See also pp. 93-95.). Several orders for costumes, scenes, and properties dated through the winter offer valuable information concerning details of the preparations. See Nicoll, Restoration Drama, pp. 357-58, p. 43n; Boswell, Restoration Court Stage, pp. 178-227

Performances