Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Event Comment: Benefit Macklin. Mainpiece written by the late Lord Lansdown. With the Original Songs, new set by Mr Arne, and to be sung by Mr Lowe and Mrs Clive. Never acted there before. Afterpiece wirtten by the late Mr Pope, Mr Gay, and Dr Arbuthnot. Servants will be allowed to keep places on the stage; and those ladies who have taken places are humbly desired to send for tickets to prevent mistakes. Tickets to be had of Macklin at his house in Bow St., and of Hobson at the stage door

Event Comment: Mainpiece: By Particular Desire. We are assured that Mr Barry is so well recover'd from his late illness, that he will appear on Thursday next, in the character of Lord Townly in the Provok'd Husband; and that Mrs Cibber will perform the part of Lady Townly

Event Comment: Benefit for the Author. This Day Publish'd Athelstan, a Tragedy, as it is acted at Drury Lane, by the author of Barbarossa, Printed for Lockyer Davis, and Charles Reymers, against Grays Inn Gate, Holborn, and at Lord Bacon's Head in Fleet St. (Public Advertiser). This month was published Critical Remarks on the Tragedy of Athelstan, 6d. Cooper (Gentleman's Magazine). Receipts: #140 (Cross)

Event Comment: By Command of their Majesties. King & Queen (Cross Diary). The play and Farce went off extremely well--The King and Queen seemed vastly pleased--after the play the King sent the Lord Huntington to return Mr Powell thanks in his name for the entertainment he gave them, and his good wishes for his success (Hopkins Diary--MacMillan). Receipts: #240 15s. 6d. (MacMillan)

Event Comment: By Particular Desire. Neville MS Diary: Went into ye first row of ye Pit. Before ye play began and between ye acts read ye part of Lord and Lady Townly, Sir Francis, J. Moodie, and Sir Richard...The little girl who dances is more applauded than anyone who appears on that stage

Event Comment: Benefit for Miss Froment, principal dancer at the late Harmonical Meeting, Soho. By Permission of the Lord Chamberlain

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Jewell. The Out-standing Tickets of Mr Jewell [from his benefit on 3 Sept.], and those issued for King Richard III will be admitted

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Digges. The Doors to be opened at 5:30. To begin at 6:30. Morning Post, 7 Oct.: Digges, far advanced in the autumn of his life, wanted that fire which is so indispensable to Macheath. His dress was beyond measure ridiculous, and his songs...discordant and tedious. [His 1st appearance as Macheath was at Smock Alley Theatre, Dublin, 10 Oct. 1752.

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Massey. Tickets delivered by Painter, Kenny, Mrs Lefevre will be admitted

Event Comment: [Extra night] By Permission of the Lord Chamberlain

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by Beaumont and Fletcher. [Authors and speakers of Prologues and Epilogue unknown; they are printed in Public Advertiser, 30 Nov. Ryder was not Thomas Ryder, who at this time was acting at the Smock Alley Theatre, Dublin.] The Doors to be opened at 5:00. To begin at 6:00

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Event Comment: By Permission of the Lord Chamberlain. Benefit for Dighton. The Doors to be opened at 5:15. To begin at 6:15

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Event Comment: [Extra night] By Permission of the Lord Chamberlain

Event Comment: Benefit for Palmer. Mr Palmer most respectfully informs the Publick, the Lord Chamberlain having given Permission, Mr Colman having liberally granted the use of the Theatre, and his Brethren kindly consented to perform, that [there] will be presented...[as above. This benefit had originally been arranged for 20 Sept., but because of the death of the Duke of Cumberland, the theatre on that night was dark.] Tickets to be had of Palmer, No. 3, London Road, St. George's Fields; and of Rice, at the Theatre, where Places for the Boxes may be taken

Event Comment: By Authority of the Lord Chamberlain. Mainpiece: 2nd Time [see 28 Mar. 1796. Prologue by the author (see text)]. The Music composed by Callcott. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Tickets to be had of Wilkinson, No. 16, Lisle-street, Leicester-square. Books of the Tragedy to be had at the Theatre

Event Comment: [Extra night] By Authority of the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter

Event Comment: [Extra night] By Authority of the Marquess of Salisbury [the Lord Chamberlain]. Benefit for Waldron, prompter

Event Comment: [In mainpiece the playbill retains Wroughton as Richmond, and Webb as Lord Mayor. On the Kemble playbill both names are deleted. The name of Wroughton's substitute has been cut by the binder; who acted the part has not as yet come to light. A MS annotation substitutes Bates for Webb.] Receipts: #165 18s. (162/13/6; 3/4/6)

Event Comment: In afterpiece, added, following Lord Mayor's Show: A New Historical Procession of the Several Companies, with their respective Pageants, and the Chief Magistrates belonging to the City of London, from its Foundation. The Scenes, Machinery and Decorations, both of the Pantomime and Procession, invented and designed by Richards, and executed by Him, Smirk, Hodgins, Catton, and others. Book of the Songs, with an Explanation of the Procession [reprinted in Public Advertiser, 21 Jan.], to be had at the Theatre. Public Advertiser, 21 Jan.: The glee is the composition of the late [Benjamin] Rogers (who lived in 1600); the other airs are by Handel, [the Earl of] Kelly, Abel, Stamitz, and Shield . . . More than 200 supernumeraries are employed to walk in the Procession. Receipts: #236 4s. 6d. (231/4/0; 5/0/6)

Event Comment: Mainpiece: With the Procession from the Abbey at the Coronation of Anne Bullen. Afterpiece: To end with a Representation of the Lord Mayor's Show on the Water. After which will be an Historical Procession of the Several Companies, with their respective Pageants, and the Chief Magistrates belonging to the City of London, from its Foundation. Books of the Songs, with an Explanation of the Procession, to be had at the Theatre. Receipts: #198 8s. 6d. (195/9/0; 2/19/6)

Event Comment: Afterpiece: The Pantomime will end with a Representation of the Lord Mayor's Show on the Water. After which will be an Historical Procession of the Several Companies, with their respective Pageants, and the Chief Magistrates belonging to the City of London, from its Foundation. Books of the Songs, with an Explanation of the Procession, to be had at the Theatre

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop