SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Lord Edward Herbert"/1) | (@(roleclean,performerclean) "Lord Edward Herbert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2132 matches on Performance Comments, 984 matches on Author, 837 matches on Event Comments, 185 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: High Life below Stairs

Dance: As17980920, but Mock Minuet-Miss Mellon in place of Miss Pope

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: The Shipwreck

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: The Adopted Child

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: High Life below Stairs

Dance: As17980920

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Revenge Author(s): Edward Young

Afterpiece Title: The Embarkation

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Secret

Related Works
Related Work: The Secret Author(s): Edward Morris

Afterpiece Title: Of Age To morrow

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calistos Additional performers

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Thomas. Tickets to be had of Miss Thomas, No. 41, Great Portland-street; and of Rice at the Theatre, where places for the Boxes may be taken. To begin at 6:45. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Servants to keep places are requested to be at the Theatre at half past Five o'Clock

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Wilkinson; Osmond-Field; Rodolpho-Jones; Sitfredi-Wewitzer//Laura-Miss Herbert [thus Oracle; Morning Herald: Mrs Lawson]; Sigismunda-Miss Thomas(1st appearance) .

Afterpiece Title: THREE WEEKS AFTER MARRIAGE

Music: End of mainpiece Master Julien Baux, a Child under Six Years of Age, will perform a Concerto on the Violin by Viotti

Monologue: 1794 05 22 End of afterpiece an Occasional Address by Miss Thomas

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miller. [Afterpiece: Prologue by the elder George Colman]. The Doors to be opened at 5:00. To begin at 6:15

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Ozmyn-Miller; Manuel-Williams; Gonzalez-Clifford; Garcia-Robinson; Perez-Harley; Alonzo-Sadler; Heli-Herbert; Selim-Adcock; Zara-Mrs Sidney; Leonora-Mrs Forster; Almeria-Mrs Gooch.
Cast
Role: Heli Actor: Herbert

Afterpiece Title: Bon Ton

Performance Comment: Sir John Trotley (with the original Prologue)-Wilkinson; Lord Minikin-Martin; Col. Tivy-Clifford; Jessamy-Williams; Davy-Baker; Lady Minikin-Mrs Gooch; Gump-Mrs Forster; Miss Tittup-Miss Crow.
Cast
Role: Lord Minikin Actor: Martin

Song: End: The Soldier Tired-Miss Crow

Entertainment: Monologue Previous: an Occasional Address-Miller

Event Comment: By Authority of the Lord Chamberlain. The Doors to be opened at 5:30. To begin exactly at 6:30

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.
Cast
Role: Marcia Actor: Miss Herbert.

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Performance Comment: Sheva-Meredith; Charles Ratcliffe-Egerton; Jabal-Wilson; Sir Stephen Bertram-Harley; Saunders-Richards; Frederick Bertram-Wilkinson; Mrs Ratcliff-Mrs Williams; Dorcas-Miss Thompson; Eliza Ratcliff-Miss Herbert.
Cast
Role: Eliza Ratcliff Actor: Miss Herbert.
Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Song: 2nd piece: With Songs-

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: Lord Sands Actor: Price