SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Edward Herbert"/1) | (@(roleclean,performerclean) "Lord Edward Herbert")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2132 matches on Performance Comments, 982 matches on Author, 837 matches on Event Comments, 185 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Cast
Role: Holy holy Lord Actor: Mme Mara
Role: Lord to thee Actor:

Afterpiece Title: Grand Selection 2

Cast
Role: Holy holy Lord Actor: Mme Mara
Role: Lord to thee Actor:

Afterpiece Title: Grand Selection 3

Performance Comment: As17960224, but Lord to thee-_; When his loud voice-_; Pleasure my former ways-_; No more to Ammon's God-_.
Cast
Role: Holy holy Lord Actor: Mme Mara
Role: Lord to thee Actor:

Music: End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Honor and Arms-Bartleman [Samson]; Wise men flattering-Miss Leak [Judas Maccabaeus]; Lord of Eternity-Chorus; O Baal-Chorus (Deborah); Hush ye pretty warbling-Miss Parke [Acis and Galatea]; Disdainful of danger-; Pious orgies-Mme Mara (Judas Maccabaeus); From the censer-Chorus (Solomon).
Cast
Role: Lord of Eternity Actor: Chorus

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Event Comment: [Extra night] By Authority of the Most Noble for Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent Garden

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for R. Palmer. 1st piece: Not acted these 2 years [not acted since 16 Sept. 1791]. Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Jew

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: The Follies of a Day

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Wilson, widow of Richard Wilson, lately of the Theatre-Royal, Covent-Garden and Haymarket [whose 1st appearance on the stage was at Manchester, 26 Feb. 1796]. Tickets to be had of Mrs Wilson, No. 239, Piccadilly, near the Haymarket

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Miser

Entertainment: Monologue Mainpiece: The Original Epilogue [by Richard Brinsley Sheridan]-Mrs Wilson

Event Comment: The Publick is most respectfully informed that on account of the sudden Indisposition of a Principal Performer, the new Tragedy of The Conspiracy [advertised on playbill of 11 Nov.] is obliged to be deferred. "A new tragedy, entitled The Conspiracy, written by Mr Jephson, was announced for representation on Saturday evening; but (as the apology stated) on account of the indisposition of a principal performer, The Grecian Daughter was substituted in its room. All the principal performers advertised for the new play having, however, appeared in The Grecian Daughter, it is supposed, and generally understood, that it was the interference of the Lord Chamberlain's interdiction (who, by the mighty virtues of his white wand, valiantly frustrated the meditated Conspiracy), that produced the sudden change of performance" (Morning Herald, 14 Nov.), Receipts: #256 7s. 6d. (167.6.6; 84.11.0; 4.10.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: My Grandmother

Ballet: End: The Scotch Ghost. As17961108, but Glaude-Grimaldi

Event Comment: By Authority of the Lord Chamberlain. Mainpiece: 2nd Time [see 28 Mar. 1796. Prologue by the author (see text)]. The Music composed by Callcott. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Tickets to be had of Wilkinson, No. 16, Lisle-street, Leicester-square. Books of the Tragedy to be had at the Theatre

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Afterpiece Title: Ways and Means

Song: Mainpiece: Vocal Parts-Denman, Walker, Willoughby, Master Willoughby, Master Woodham, Mrs Laver, A Young Lady [probably Miss Jones (see17970510)]

Entertainment: Monologue.End: The Picture of a Playhouse ; or, Bucks have at ye all-Meredith

Event Comment: By Authority of the Lord Chamberlain

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Song: As17970123

Entertainment: Monologue.As17970123

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Performance Comment: Overture (Esther)-; The Dettingen Te Deum-; with Holy Holy Lord-.
Cast
Role: with Holy Holy Lord Actor: .

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Overture (Berenice)-; What Passion cannot Music raise?-Miss Poole; From Harmony-Chorus [Dryden's Ode]; Return O God of Hosts-Sga Galli [Samson]; What's sweeter than-[Joseph]; Pour forth no more-Bartleman; No more to Ammon's God-Chorus [Jephtha]; Every day will I give thanks-Braham [Chandos Anthems]; Lord remember David-Mme Mara [Sosarme]; From the censer-Chorus [Solomon].Solomon].
Cast
Role: Lord remember David Actor: Mme Mara

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Part II. Fourth concerto of Avison-; Father of heaven-Sga Galli; Sion now her head shall raise-Miss Poole, Master Elliot [Judas Maccabaeus]; Tune your harps-Chorus [Esther]; Tho' pleasure swells-Braham [Mahmoud (Storace)]; Lord of eternity-Chorus; Behold the nations-; O Baal-Chorus [Deborah]; What though I trace-Mme Mara [Solomon]; Gird on thy sword-Chorus [Saul].Saul].
Cast
Role: Lord of eternity Actor: Chorus

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: As17970315

Event Comment: By Authority of the Lord Chamberlain. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. Benefit for the Unfortunate Sufferers in the Glorious Action between Sir John Jervis, and the Spanish Fleet, off Cape St. Vincent [on 14 Feb. 1797]

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: [Extra night] By Authority of the Lord Chamberlain, and Permission of G. Colman, Esq. Benefit for Waldron, prompter. The Public are respectfully cautioned against purchasing Tickets offered for Sale, Waldron not having issued any for this Evening

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Peeping Tom

Cast
Role: Zapphira Actor: Mrs Edward

Song: End II: The Nightingale-Mrs Atkins; End: The Flowing can-Mrs Harlowe; End 2nd piece: Sweet Echo, as17970904

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit the Widow of a Baronet [Sir Richard Perrott] and a large Infant Family. [Address by John Taylor (True Briton, 21 Sept.).] Tickets to be had of the Widow, No. 28, Spring-street, Portman-square [and see 28 Jan. 1799]

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

Performances

Mainpiece Title: L'allegro [ed] Il Pensieroso 0; Messiah

Afterpiece Title: L'Allegro Il Pensieroso 3

Performance Comment: [i.e. oratorio in 2 parts]. Fourth Oboe Concerto-; Oh had I Jubal's Lyre-Miss Poole (Joshua); The Thanksgiving Anthem-I will give thanks unto thee (London Chronicle, 20 Dec. 1797)][, performed by Command of His Majesty, at St. Paul's, on the 19th of December [1797], in Honour of the Victory obtained by Lord Duncan [at Camperdown, 11 Oct. 1797] over the Dutch Fleet; Bravura Agitata-Mme Mara; Genius of England-; Come if you dare-; To arms-; Britons strike home-; Chorus-(Purcell).

Performances

Mainpiece Title: Acis And Galatea 0

Afterpiece Title: Acis and Galatea 3 [i

Performance Comment: e. serenata in 2 parts]. Overture- (Ariadne); Pour forth no more-Sale (Jephtha); Lord what is man-Miss Poole [Semele]; How willing my paternal love-Reinhold; Then round about the starry throne-Chorus; Why does the God of Israel sleep-Incledon [Samson]; The soldier tir'd-Mme Mara [Dr Arne]; The Coronation Anthem-.
Cast
Role: Lord what is man Actor: Miss Poole

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Esther); The Dettingen Te Deum, Holy holy Lord-Mme Mara.
Cast
Role: Holy holy Lord Actor: Mme Mara.

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Come all noble souls who skill'd in music's art- (composed by Dr Rogers, 1673); The smiling dawn-Miss Dufour (Jephtha); Honour and arms-Reinhold (Samson); O Magnify the Lord-Miss Poole (Chandos? Anthems); O Baal-Chorus (Deborah); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); My faith and truth-Miss Poole, Master Elliot (Samson); Ye sacred priests, Farewell ye limpid-Mme Mara (Jephtha); He gave them hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Event Comment: By Authority of the Lord Chamberlain. Benefit for a Distressed Family

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Catharine and Petruchio

Afterpiece Title: Quidnunc and Pamphlet

Event Comment: Benefit for Simpson, Powel, Rees & Mrs Henley. 3rd piece [1st time; P 1]: Selected from The Rape of Proserpine, Lord Mayor's Day, Harlequin's Museum, Harlequin Skeleton, Harlequin Sorcerer, Aladin, &c. In the course of the Compilation will be introduced: The Birth and Emancipation of Harlequin from the Egg-shell-the Dying Scene-the Skeleton-His Renovation-the celebrated Gladiator Scene, &c. In particular, among many surprising Escapes, the Jump through the Tea-chest; Flight from one Balcony to the other; a Leap over twelve Soldiers with fixed Bayonets; the Flight back and Jump through a Tamborine-and (for that night only) Simpson will run perpendicular up the Wall of a House, 30 Feet High. To conclude with a View of the Grotto of Magic. There are some imitations which almost identify the originals, but [Rees's as Dromio] was a vile caricature, which would never have been recognized but for the specification in the play bills" (Monthly Mirror, June 1798, p. 371). Receipts: #269 19s. 6d. (48.19.0; 20.17.6; tickets: 200.3.0, of which Simpson took #72 5s. 6d., Powel #27 10s. 6d., Rees #36 11s., Mrs Henley #61 16s., leaving #2 to be accounted for)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Waterman

Afterpiece Title: The Witches Revels; or, The Birth of Harlequin

Song: In III 1st piece: song in character-Mrs Henley; Old Towler-Incledon

Entertainment: Vaudeville.As17980528; In 2nd piece: new Imitations-Rees

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Event Comment: By Permission of the Lord Chamberlain. Benefit for the large Infant Orphan Family of a Man of Fashion [Sir Richard Perrott]. The mother of these helpless, unprotected infants, in contemplating the benevolence of a humane Public, throws herself with implicit confidence on the commiserating patronage of those who are ever ready to afford it for the relief of suffering innocence. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square [and see 18 Sept. 1797]

Performances

Mainpiece Title: The Provok'd Husband