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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Lord Charles Cavendish"/1) | (@(roleclean,performerclean) "Lord Charles Cavendish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6576 results for: Keyword - Lord Charles Cavendish
We found 3509 matches on Author, 2701 matches on Performance Comments, 858 matches on Event Comments, 194 matches on Performance Title, and 0 matches on Roles/Actors.

4051
26 March 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Letourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

4052
10 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

4053
12 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

4054
14 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

4055
17 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

4056
19 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

4057
22 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

4058
28 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

4059
11 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

4060
13 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

4061
15 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

4062
19 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

4063
25 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Mad House

Dance: IV: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

4064
18 May 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Dance: III: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Song: IV: Miss Jones

4065
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

4066
09 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: An Historical Play king Charles I

Afterpiece Title: The Virgin Unmaskd

Dance: II: Le Tambourine-Mlle Chateauneuf; III: Muilment; IV: Pierots-Lalauze, Livier; D: Muilment

Song: I: The Noon Tide Air (Comus)-Miss Edwards

4067
21 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Miller of Mansfield

Dance: I: Pierots-Lalauze, Liviez; II: Mlle Chateauneuf; III: Muilment; A new Saraband-Miss Wright; IV: Le Tambourine-Mlle Chateauneuf; V: Le Gout Anglois-Master Matthews, Miss Wright; End Afterpiece: Larry Grogan-Master Matthews, Miss Wright

Music: I: Trumpet Piece-Adcock; IV: Concerto on French Horns-Charles; V: Preamble on Kettle Drums-Woodbridge; with Handel's Water Musick-

4068
20 February 1744 @ Haymarket Theatre

Performances

Mainpiece Title: Othello

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

4069
08 November 1748 @ King's Theatre

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

4070
01 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.
Cast
Role: The Lord worketh wonders Actor: Bartleman

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

4071
05 March 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; Let the bright seraphim-Mrs Second; Let their celestial concerts-Chorus; Why does the God of Israel sleep?-Incledon; Hear Jacob's God-Chorus (Samson); Grateful hearts-Mrs Dussek (Nabal); The Lord shall reign-Chorus; For the horse of Pharaoh-Incledon; Sing ye to the Lord-Mrs Second; The Lord shall reign-Double Chorus (Israel in Egypt).
Cast
Role: The Lord shall reign Actor: Chorus
Role: Sing ye to the Lord Actor: Mrs Second
Role: The Lord shall reign Actor: Double Chorus

Music: End II: concerto on the violoncello-Charles Ashley

4072
18 January 1678 @ Whitehall or St. James's

Event Comment: The Earl of Arran to the Duchess of Ormond, 19 Jan. 1677@8: I met her Lord [Lord Cavendish] last night at the French play (HMC, Ormonde MSS., New Series, 1906, IV, 90). Henri Forneron, Louise de Keroualle, Duchess of Portsmouth (London, 1887): [The Duchess of Portsmouth] was at the last extremity when a slight change for the better took place, and she got up, had herself dressed, and dragged herself to her Sedan chair, to be carried to the French play, where she heard the king was to be with Madame Mazarin. The players had come to London for a short time, and Charles attended all their representations (pp. 197-98). Forneron apparently drew this information from a letter dated 20 Jan. 1677@8

Performances

4073
31 January 1702 @ Stationer's Hall

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

4074
21 May 1702 @ Chelsea College

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

4075
02 December 1692 @ Drury Lane Theatre

Event Comment: The United Company. This performance is known from testimony in the trial of Charles Lord Mohun for the attack on William Mountfort on 9 Dec. 1692. The evidence given by Brereton at the trial stated: I had not seen my Lord Mohun for two or three days before this Fact was committed;...but the Friday before, the Play of Alexander the Great was Acted, and my Lord Mohun and I were talking of the Play, and he said it was a good Play, and he commended Mr Mountford's Acting extreamly (The Tryal of Charles Lord Mohun [London, 1693], p. 26)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great