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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Chamberlain Arlington"/1) | (@(roleclean,performerclean) "Lord Chamberlain Arlington")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2291 results for: Keyword - Lord Chamberlain Arlington
We found 1683 matches on Performance Comments, 580 matches on Event Comments, 108 matches on Performance Title, 101 matches on Author, and 0 matches on Roles/Actors.

226
16 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit for Wilson. 3rd piece: Not acted these 4 years [not acted since 1 July 1776]

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Love in a Village

Cast
Role: Landlord of the Horns at Highgate Actor: Wilson

Afterpiece Title: The Devil to Pay

Monologue: 1782 09 16 End of 2nd piece Joe Haynes's Epilogue, riding on an Ass, by Wilson

227
18 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Massey. Tickets delivered by Painter, Kenny, Mrs Lefevre will be admitted

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Teague

Cast
Role: Landlord of the Horns at Highgate Actor: Wilson

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

228
19 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Wood

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Teague

Cast
Role: Landlord of the Horns at Highgate Actor: Wilson

Dance: As17820826

Song: As17820918

229
20 September 1782 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Harlequin Teague

Cast
Role: Landlord of the Horns at Highgate Actor: Wilson

Dance: As17820826

230
21 September 1782 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. Mainpiece: Altered from Fielding. Not acted these 60 years [acted at GF 27 Apr. 1736. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 6:00. To begin precisely at 7:00

Performances

Mainpiece Title: The Temple Beau; Or, The Intriguing Sisters

Afterpiece Title: The Citizen

Dance: End of mainpiece a Hornpipe by Middleton

231
31 October 1782 @ Covent Garden

Event Comment: Paid Wild [prompter] for 3 licenses [from Lord Chamberlain, to act new plays] #6 6s. Receipts: #147 7s. (142/9; 4/18)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Barnaby Brittle

Dance: As17821009

232
25 November 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by Beaumont and Fletcher. [Authors and speakers of Prologues and Epilogue unknown; they are printed in Public Advertiser, 30 Nov. Ryder was not Thomas Ryder, who at this time was acting at the Smock Alley Theatre, Dublin.] The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Taylors

Dance: End of mainpiece a Hornpipe (over 12 eggs blindfold) by Middleton

Song: End of Act III of mainpiece a favourite song by Mrs Coxe; End of Act IV a favourite song by Miss Hemet

Monologue: 1782 11 25 After the Hornpipe John Bull, Half Seas Over (a new Scene) by Ryder

233
30 December 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Gardner. Afterpiece: From The Devil upon Two Sticks, written by the late Samuel Foote, Esq. [Mrs Mills is identified in Morning Chronicle, 1 Jan. 1783. For remarks on this night's performance, including references to Dunstan by Charles Lamb, see Theatre Notebook, VIII, 5.] Gardner having unavoidably been obliged to postpone his night from the 26th to the 30th, he thinks it his duty to inform his friends that tickets delivered for the 26th will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

234
21 January 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Ancient and Honourable Fraternity of Free and Accepted Masons, who on this occasion will attend in proper cloathing, and the different Regalias of their Order. Afterpiece [1st time; F 2, author unknown. MS: Larpent 685; not published. Author of Prologue unknown]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had at the Globe in Pall-mall; the Black Horse, Coventry-street; the Castle, in Castle-Court, Cornhill; the Rose Coffee-house in the Old Bailey; the Half Moon Tavern, Cheapside; and at the Theatre, where places for the boxes may be taken. Great care will be taken to have the House well aired

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

235
09 February 1784 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

236
23 February 1784 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal; or, The Tars of Old England

237
03 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Oratorio: Composed by the late Dr Arne. At Playhouse Prices [see 10 Mar.]. The Doors to be opened at 5:30. To begin at 6:30. Tickets for the Boxes to be had at Messrs Longman and Broderip's, in Cheapside and the Haymarket; and at the Stage Door of the Theatre, in Suffolk-street, where Places may be taken

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

238
08 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

239
10 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Samson

Music: As17840303athi

240
30 April 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Delpini. The Band from the Opera-house. Play: In 3 acts [i.e. reduced from the original 5]. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

241
16 November 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece and afterpiece: Never performed here. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for the 9th will be admitted. The excellency of the Play and Farce are so universally acknowledged that any comment would be impertinent; but the director of the evening's entertainment entreats [sic] the publick to be assured that it shall be conducted with every possible degree of propriety and decorum; that the performers are respectable, and their abilities such as he trusts will merit their approbation

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

242
13 December 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Dighton. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

243
24 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

244
31 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Author and speaker of Prologue unknown.] The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

245
07 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. Subscription tickets [for 5 nights] to be had of Weltje, confectioner, St. James's-street, and of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

246
10 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

247
12 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [In 1st piece the cast is not listed; for Decastro's performance in it see his Memoirs, 1824, p. 38.] 3rd piece [1st time; INT 1, author unknown. MS: Larpent 690; not published]: A Commutation Act

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

248
21 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: 1st ballet with a Dance by Duquesney and the two Miss Simonets; to conclude with a Comic Allemande by Baptist, Mme Dagville, Delpini. vaudeville. End of 1st ballet Imitations as17850207, with several Deceptions, with Cards, by Baptist, Interpreter to Pinetti

249
23 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Judas Maccabaeus

Music: Between the Acts an organ concerto (composed by Dr Arne) by [Michael] Arne

250
24 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Woollery. [Author and speaker of Prologue unknown.] The characters to be new dressed, in the habits of the times. Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster. The Doors be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Apprentice