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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lord Arran"/1) | (@(roleclean,performerclean) "Lord Arran")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2208 results for: Keyword - Lord Arran
We found 1657 matches on Performance Comments, 570 matches on Event Comments, 108 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

2076
13 December 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Dighton. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

2077
24 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

2078
31 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Author and speaker of Prologue unknown.] The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

2079
07 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. Subscription tickets [for 5 nights] to be had of Weltje, confectioner, St. James's-street, and of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

2080
10 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

2081
12 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [In 1st piece the cast is not listed; for Decastro's performance in it see his Memoirs, 1824, p. 38.] 3rd piece [1st time; INT 1, author unknown. MS: Larpent 690; not published]: A Commutation Act

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

2082
21 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: 1st ballet with a Dance by Duquesney and the two Miss Simonets; to conclude with a Comic Allemande by Baptist, Mme Dagville, Delpini. vaudeville. End of 1st ballet Imitations as17850207, with several Deceptions, with Cards, by Baptist, Interpreter to Pinetti

2083
23 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. The Doors to be opened at 5:30. To begin at 6:30. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: Judas Maccabaeus

Music: Between the Acts an organ concerto (composed by Dr Arne) by [Michael] Arne

2084
24 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Woollery. [Author and speaker of Prologue unknown.] The characters to be new dressed, in the habits of the times. Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster. The Doors be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Apprentice

2085
28 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: With Dance and Allemande, as17850221 imitations. After the Dancing, as17850207, with a concert on the flute by Monzani

2086
07 March 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850228

2087
14 March 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850228

2088
15 March 1785 @ Haymarket Theatre

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for Mrs Pinto, formerly Miss Brett [recte Brent]. Afterpiece: With an additional scene, written by the author of the farce [Isaac Jackman], never performed in London. The Doors to be opened at 5:00. To begin precisely at 6:30. Tickets to be had of Mrs Pinto at Mrs Golden's, milliner, Blackmoor-street, Clare-market

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

2089
08 April 1785 @ Haymarket Theatre

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Apprentice

2090
11 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: As17850221 imitations. As17850214

2091
15 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini. 1st piece: With a Kitchen Scene. [The new pantomime is identified in Public Advertiser, 16 Apr. The same newspaper on 2 Apr. states that it was the same as that produced at DL for Delpini's benefit in 1782 [10 May].]

Performances

Mainpiece Title: A New Pantomime [don Juan]

Afterpiece Title: The Deserter

2092
18 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: A New Pantomime

Afterpiece Title: The Deserter

2093
26 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

2094
29 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Under the Direction of Delpini

Performances

Mainpiece Title: A New Pantomime

Afterpiece Title: The Deserter

Dance: End of pantomime The Devonshire Minuet by the two Miss Simonets. Imitations. After the Dancing, as17850207

2095
01 June 1785 @ Haymarket Theatre

Event Comment: By Command of Their Majesties. [1st and 2nd pieces in place of Lord Russel, the Manager in Distress and The Son-in-Law, all three announced on playbill of 31 May.]

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Dance: End of 1st piece Divertissement by Byrne, Master Giorgi, Miss Byrne, the two Miss Simonets

2096
16 September 1785 @ Haymarket Theatre

Event Comment: [Extra night] By Permission of the Lord Chamberlain

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sons of Anacreon

Cast
Role: Landlord Actor: Usher

Afterpiece Title: Here and There and Every Where

2097
01 December 1785 @ Drury Lane Theatre

Event Comment: [Lawrence is identified in European Magazine, Dec. 1785, p. 467, which notes that he "formerly performed in Dr Stratford's Lord Russell [at DL, 20 Aug. 1784]."] Receipts: #137 11s. (89/13/0; 43/17/6; 4/0/6)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Romp

2098
13 February 1786 @ Covent Garden

Event Comment: By Command of Their Majesties. Paid Licenses [from the Lord Chamberlain] for Omai and The Fool #4 4s. Receipts: #274 5s. (273/3; 1/2)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Miss in her Teens

Dance: End of Act II of mainpiece The Piping Pedlar, as17851112

2099
06 March 1786 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Performances

Mainpiece Title: Tamerlane The Great

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

2100
29 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption

Performance Comment: Vocal Parts and Violin as17860310elections as17860322but Where is this stupendous stranger? [i. e. Verdi prati] by Master Pring; He masbrought as a lamb [i. e. Nel riposo] by Bellamy; Holy Lord God Almighty [i. e. Dove sei] by Miss George; added: When the earth was without form by Arrowsmith; Master Pring as soloist in In sweetest harmony .

Music: End of Part I concerto on the violoncello by Mason