SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Linley"/1) | (@(roleclean,performerclean) "Linley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 233 matches on Author, 119 matches on Roles/Actors, 83 matches on Event Comments, 41 matches on Performance Comments, and 24 matches on Performance Title.
Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Performances

Mainpiece Title: Dissipation

Afterpiece Title: Comus

Song: III: Smiling love to thee belong-Miss Field, Miss Wright (British Union-Catalogue, p. 621)

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #147 13s. 6d. (107/15/0; 39/18/6; 0/0/0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Robinson Crusoe

Related Works
Related Work: Robinson Crusoe; or, Harlequin Friday Author(s): Thomas Linley Sr.

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Benefit for Tickell and Linley [who are named in the Account-Book, but not on the playbill]. Receipts: #198 12s. 6d. (154/1/0; 44/0/0; 0/11/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.
Event Comment: Benefit for Mrs Yates [who is named in the Account-Book, but not on the playbill]. Mainpiece: Not acted these 4 years. Monody: Not performed these 3 years [performed 28 Mar. 1781]. With Vocal and Instrumental Music [by Thomas Linley Sen.]. Receipts: #187 10s. 6d. (136/2/0; 51/7/0; 0/1/6; tickets: none listed) (charge: #76 14s. 9d.)

Performances

Mainpiece Title: Braganza

Afterpiece Title: A Monody on the Death of Garrick

Afterpiece Title: Comus

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley [Sen.]. Receipts: #67 17s. 6d. (41/19/0; 25/17/6; 0/1/0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lyar

Dance: In Act III of mainpiece a Hornpipe by Blurton; End of Act III, as17820917

Event Comment: Oratorio announced for Representation this Evening [L'Allegro il Penseroso, also Dryden's Ode for St. Cecilia's Day] cannot be performed on account of the Indisposition of a Principal Performer [Public Advertiser, 10 Mar.: Miss Linley]

Performances

Mainpiece Title:

Event Comment: oratorio, presumably because of Miss Linley's illness (see 7 and 14 Mar.)]

Performances

Mainpiece Title:

Event Comment: By Command of Their Majesties. Miss Linley still continuing so ill [see 7 Mar.] as not to be able to perform this Evening, Mrs Bannister has been so kind as to undertake to supply her Place. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Coronation Anthems

Music: End of Part II of oratorio concerto on the organ by Stanley

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Vocal Parts as17830314but Miss Linley in place of Mrs Bannister .

Music: End of Part I concerto on the hautboy by Parke

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Padlock

Dance: In Act III of mainpiece Hornpipe by Mills; End of mainpiece, as17840320athi

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Paid Properties #1 7s. 6d.; Lampmen #3 18s.; Billstickers #5 8s.; Supernumeraries #5 12s. 6d.; Tailor #7 18s. 7d. Receipts: #179 15s. 6d. (132/5/0; 47/3/6; 0/7/0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece The Sportsmen's Return, as17840916; In Act III Hornpipe by Mills. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: By Command of Their Majesties. Account-Book, 30 Mar.: Received Oratorio Account 8 nights #235 16s.; one night more to be settled by Linley with Stanley

Performances

Mainpiece Title: The Messiah

Event Comment: The Carmelite [announced on playbill of 11 Oct.] is obliged to be deferred on Account of the Indisposition of Mrs Siddons. Mainpiece: With accompaniments to the airs composed by Linley [Sen.]. Receipts: #75 16s. (53/12; 21/4; 0/0; tickets not come in: 1/0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Too Civil by Half

Dance: End of Act II of mainpiece The Provencalle, as17850922; In Act III Hornpipe by Mills

Event Comment: Mainpiece: The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. Receipts: #183 8s. 6d. (161/9/0; 20/7/0; 1/12/6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Linley Jr.

Afterpiece Title: All the Worlds a Stage

Dance: In Act II of mainpiece a Dance of Spirits by Miss Stageldoir, &c.; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performance Comment: [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.] hathi.
Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): Thomas Linley Sr.

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen. Receipts: #157 10s. 6d. (119.2.0; 38.0.6; 0.8.0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Dance: End II: The Lucky Return-Mills, Miss Stageldoir; III: Hornpipe-Mills

Event Comment: Mainpiece: With Accompaniments to the Airs, composed by Linley? Sen. Receipts: #117 10s. (83.17.0; 32.16.6; 0.16.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Junior

Dance: III: a Hornpipe-Mills

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen Receipts: #162 7s. (115.17.0; 45.10.2; 0.19.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Robinson Crusoe

Related Works
Related Work: Robinson Crusoe; or, Harlequin Friday Author(s): Thomas Linley Sr.

Dance: In III: Hornpipe-Keen. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: A Prelude On The Happy Recovery Of His Majesty

Afterpiece Title: The Triumph of Truth 0

Performance Comment: Selected by Dr Arnold from Works of the following Great Masters: Handel, Purcell, Dr Arne, Corelli, Jomelli, Sacchini, Haydn, Principal Vocal Parts-Reinhold, Dignum, Kelly, Mrs Crouch, Miss Lockhart, Miss Hagley (pupil of Linley? Sen.), Mrs Ambrose; 1st Violin-Shaw. For a detailed account of what was sung, see17880320 .

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea Triumph of Truth 0

Afterpiece Title: The Monody on the Death of Garrick

Performance Comment: Recited (1st time in London)-Mrs Siddons; The Music by Linley Sen?.-; To conclude with God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle (with new songs by Dr Arnold)-Kelly; Sir Christopher Curry (1st time)-Aickin; Medium-Baddeley; Campley (1st time)-Dignum; Mate-Sedgwick; Sailors-Alfred, Cox; Planters-Burton, Phillimore, Benson; Trudge (1st time)-Bannister Jun.; Narcissa-Miss Hagley (pupil of Linley? Sen; 1st appearance on any stage [i.e. in a speaking part]); Wouskey (1st time)-Miss Romanzini; Patty-Mrs Edwards; Yarico (1st time)-Mrs Crouch.

Afterpiece Title: The Divorce

Song: End: Poor Jack!; or, the Sweet Little Cherub (written and composed by Dibdin)-Dignum; After: Glee on the Happy Recovery of His Majesty (the words by Col. Arabin)-Dignum, Sedgwick, Mrs Edwards, Miss Romanzini

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Padlock

Performance Comment: Leander-Dignum; Don Diego-Williames; Scholars-Phillimore, Wilson; Mungo-Suett; Ursula-Mrs Hopkins; Leonora-Miss Hagley (pupil of Linley? Sen.; 2nd appearance on any stage). 2nd appearance on any stage).
Event Comment: Mainpiece: With Accompaniments to the Airs composed by Linley? Sen.. Receipts: #165 9s. (113.13; 51.7; 0.9)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Dance: III: Hornpipe-Keen