SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Linley"/1) | (@(roleclean,performerclean) "Linley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 223 matches on Author, 119 matches on Roles/Actors, 83 matches on Event Comments, 41 matches on Performance Comments, and 24 matches on Performance Title.

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17790305

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: As17790303

Performances

Mainpiece Title: The Messiah; Judas Maccabaeus

Music: As17790303

Performances

Mainpiece Title: Judas Maccabaeus; Alexander's Feast

Music: End I: concerto on the organ, as17800211; End II: concerto on the hautboy-Parke

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: As17800211

Performances

Mainpiece Title: Samson; Alexander's Feast

Music: As17800216

Performances

Mainpiece Title: L'allegro, Penseroso Ed Il Moderato; Alexander's Feast

Music: End of Part I: concerto on the violin, as17800211; End of Part II: concerto on the hautboy, as17800216

Performances

Mainpiece Title: Joseph; Alexander's Feast

Music: As17800216

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music In Bonduca; Alexander's Feast

Music: End of Part I: concerto on the violin, as17800211; End of Part II: concerto on the organ, as17800211

Performances

Mainpiece Title: Judas Maccabaeus; Alexander's Feast

Music: As17800216

Performances

Mainpiece Title: L'allegro, Penseroso; Alexander's Feast

Afterpiece Title: Dryden's Ode On St

Music: As17800211

Performances

Mainpiece Title: The Messiah

Music: End of Part I: concerto on the organ, as17800211

Performances

Mainpiece Title: The Messiah

Music: As17800211

Performances

Mainpiece Title: Judas Maccabaeus; Alexander's Feast

Music: End Part I: concerto on the organ, as17810302End Part II: concerto on the hautboy-Parke

Performances

Mainpiece Title: Deborah; Alexander's Feast

Music: As17810302

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music from Bonduca; Dryden's Ode for St

Music: As17810307

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music from Bonduca; Dryden's Ode for St

Music: As17810302

Performances

Mainpiece Title: L'allegro, Il Penseroso, Il Moderato; Alexander's Feast

Music: As17810307

Performances

Mainpiece Title: L'allegro, Il Penseroso, Il Moderato; Alexander's Feast

Music: As17810302

Performances

Mainpiece Title: The Messiah

Music: End Part I: concerto on the organ, as17810302

Performances

Mainpiece Title: The Messiah

Music: End Part I: concerto on the hautboy, as17810307End Part II: concerto on the violin, as17810302

Song: As17810328

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Performance Comment: The principal parts-Mattocks, Lewes, Fox, R. Smith, The Young Lady who perform'd in Man and Wife [Miss Mary Linley], Mrs Mattocks. [See17650502. See Also 25 Jan. 1770.]Miss Mary Linley], Mrs Mattocks. [See17650502. See Also 25 Jan. 1770.]
Event Comment: Garrick put the finish hand to the sale of half the patent &c. to Dr Ford, Linley, Ewart, and Sheridan for #35,000 to be delivered over in June next. Garrick it was said rais'd #12,000 last year by subscription to pay New Ornamentation, which cost #3000, so that the remaining #4500 and #35,000 was no bad interest for the #5,000 he gave in 1747. New property valuation giving him a...(Winston MS 11, from Burney News Cuttings). Paid Mr Palmer, spermacetti candle Bill #186 13s.; Mr Machin, Chorus, 19 times #4 15s. Rec'd Mr Percy's rent 1 year to Mich Last, #10; Stopages #14 5s. Receipts: #167 2s. (Treasurer's Book). From the Morning Chronicle, 19 Jan.: "David Garrick, Esq., has signed and sealed for the sale of his share in the patent and Property of Drury Lane Theatre. The purchasers are Dr Ford, Mr Ewart, Mr Linley, and Mr Richard Sheridan. The purchase money is #35,000. The public may now therefore depend upon it that this will be the last season of Mr Garrick's performing. The new proprietors as an act of their own, have stipulated that Mr Garrick shall continue to keep that box which has of late years been set apart for the accomodation of his family. Mr Garrick intimated last night to the audience his having sold his share in Drury Lane Theatre, by answering in the part of Abel Drugger , on being asked if he had any interest at the theatre, 'I had some, I don't know what I may have.'

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea, With Dryden's ode

Music: Concerto on Organ-Stanley

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens