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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lincolns inn fields"/1) | (@(roleclean,performerclean) "Lincolns inn fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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631 results for: Keyword - Lincolns inn fields
We found 480 matches on Event Comments, 140 matches on Performance Comments, 28 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

476
15 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Morning Herald, 5 May: Tickets to be had of Suett, No. 18, Clement's Inn. Receipts: #516 16s. 6d. (240.12.0; 63.9.6; 2.8.6; tickets: 210.6.6) (charge: none listed)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Blue-Beard

477
22 May 1798 @ Covent Garden

Event Comment: Benefit for Whitfield. Times, 10 May: Tickets to be had of Whitfield, No. 10, Clifford's Inn. Receipts: #343 6s. 6d. (60.6.0; 3.16.0; tickets: 279.4.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Hooly and Fairly

Afterpiece Title: Lock and Key

Dance: In 2nd piece: Highland Reel, as17980428

Song: End III 1st piece: Black Ey'd Susan-Incledon

478
23 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore and Sedgwick. Times, 22 May: Tickets to be had of Barrymore, Judd Place West, Sommer's Town; of Sedgwick, No. 18, Clement's Inn. Receipts: #518 17s. (88.2.0; 67.11.0; 1.19.6; tickets: 361.4.6) (charge: #213 12s. 3d.)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Anacreontic Society Revived [i

Afterpiece Title: The Flitch of Bacon

479
14 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Munden [who had 1st sung A Dish of all Sorts at the Manchester theatre in 1785]. 1st piece : Never acted here. Morning Herald, 9 Aug.: Tickets to be had of Munden, No. 16, Clement's Inn

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Harmonic Jubilee

Afterpiece Title: The Honest Thieves

480
16 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Suett. Morning Herald, 13 Aug.: Tickets to be had of Suett, No. 18, Clement's Inn

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Blue Devils

Afterpiece Title: My Grandmother

Song: In course of Evening: The United Englishmen-Munden

481
16 April 1799 @ Covent Garden

Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

482
04 May 1799 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Mainpiece: With additions from Dryden. The Musick by Purcell and Arne, and the new Airs and Chorusses by the late Linley Jun. Morning Chronicle, 2 May: Tickets to be had of Sedgwick, No. 18, Clement's-inn. Receipts: #390 8s. 6d. (97.13.6; 56.4.6; odd and after-money: 2.13;0; tickets: 233.17.6) (charge: #217 2s.)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Afterpiece Title: Bon Ton

Song: Mainpiece: Vocal Parts-Dignum, Danby, Brown, Mrs Bland, Miss Menage, Master Heather, Miss Jackson; End II: Jerry Sneak in his Glory-Roberts; End IV: The Town Crier-Suett; End: As burns the charger (from Robin Hood)-Sedgwick; End I afterpiece: At the peaceful Midnight Hour (from The Castle of Andalusia)-Sedgwick

Opera: V: Masque of Neptune and Amphitrite. Neptune-Caulfield; Amphitrite-Miss Wentworth

483
25 May 1799 @ Covent Garden

Event Comment: Benefit for Whitfield. Afterpiece [1st time; F 2, by John Till Allingham]. Morning Chronicle, 14 May: Tickets to be had of Whitfield, No. 10, Clifford's-inn. Ibid, 26 July 1799: This Day is published Fortune's Frolic (price not listed). Receipts: #394 13s. 6d. (79.15.0; 5.0.0; tickets: 309.18.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Fortune's Frolic

Dance: The Highland Lovers [see17990423]-; with Un Pas de Trois-Bologna, Miss E. Cabanel, Miss H. Cabanel; Un Pas Seul Serieux-Miss H. Cabanel; Un Pas Seul de Demie Caractere-Miss E. Cabanel, Platt

Song: End II: The Death of Admiral Benbow-Incledon; End IV: Black Ey'd Susan-Incledon; The Tight Little Island-Townsend

484
22 April 1800 @ Covent Garden

Event Comment: Benefit for Munden. 1st piece: Not acted these 12 years [acted 20 Apr. 1789]. 2nd piece: By Permission of the Proprietors of the Theatre-Royal, Drury-Lane. Never Performed at this Theatre. With the Original Overture, Songs, Trios, Duets and Chorusses. To conclude with a Perspective Representation of a Grand Camp. Morning Chronicle, 1 Apr.: Tickets to be had of Munden, No. 16, Clement's Inn. Receipts: #565 0s. 6d. (202.9.0; 10.10.0; tickets: 352.1.6)

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: The Camp

Afterpiece Title: The Hermione

Song: End: A Chapter of Fashions (never performed; written by T. Dibdin Jun.)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett

485
29 May 1800 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Afterpiece: Not acted these 10 years [acted 19 May 1791]; Compressed in Two Acts. Morning Chronicle, 9 May: Tickets to be had of Sedgwick, No. 18, Clement's Inn. Receipts: #336 16s. 6d. (55.5.6; 52.17.6; 2.17.0; tickets: 225.16.6) (charge: #234 8s. 1d.)

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Strangers at Home

Dance: In: a favorite Pas Seul-Sga Bossi DelCaro

486
30 May 1800 @ Covent Garden

Event Comment: Benefit for Whitfield. Morning Chronicle, 17 May: Tickets to be had of Whitfield, No. 10, Clifford's Inn. Receipts: #353 19s. (52.11; 3.2; tickets: 298.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Song: End I: The Sailor's Journal-Incledon; In course Evening: Young William was a seaman true-Incledon; All get drunk together-Townsend; United Englishmen-Munden; The Anchor Smiths-Townsend

487
01 April 1695 @ Drury Lane Theatre

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

488
21 January 1696 @ no theater listed

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Performances

489
01 May 1701 @ May Fair

Performances

Mainpiece Title: Rope Dancing

Entertainment: four of the most Famous Companies; as ever were in England (being the very same that were opposite to the Cross-Daggers in Smithfield last Bartholomew-Fair) who perform such variety of Curiosities both in Dancing, Walking on the Slack Rope, Tumbling, as far surpass any ever yet seen-

Music: You will likewise be entertain'd with that variety of Musick as was never in this Fair before-

490
13 May 1710 @ Queen's Theatre

Performances

Mainpiece Title: Richard Iii

491
31 October 1729 @ Goodman's Fields

Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Dance:

492
30 December 1729 @ Goodman's Fields

Event Comment: DDaily Journal, 31 Dec.: Whereas a Cracker was thrown with an evil Intention into the New Theatre in Goodman's-Fields on Tuesday last...This is to certify, that Peace Officers are constantly attending to prevent all kinds of Disorders, and that whoever shall discover the Offender or Offenders above-mentioned, shall receive five Guineas reward from me the Master of the said House. December 31, 1729. Thomas Odell

Performances

Mainpiece Title: The Constant Couple

Dance: As17291220

Song: Mrs Mountfort, Miss Thornowets

493
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

494
27 June 1730 @ Goodman's Fields

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

495
02 June 1731 @ Goodman's Fields

Event Comment: Benefit Havard and Boucher, Prompter. Daily Advertiser, 2 June: We hear Mr Odel, Master.., Goodman's-Fields, intends to decline to concern himself any longer with the Management of that Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Biter Bit; or, The Humours of Harlequin and Scaramouch

Afterpiece Title: The Throwsters Opera

496
04 June 1731 @ Goodman's Fields

Event Comment: The Article in the Daily Advertiser of Wednesday last, which mentions Mr Odell's intending to decline concerning himself any longer with the management of Goodman's-fields Playhouse, is a false and scandalous Libel

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit

497
04 August 1731 @ Tottenham Court

Event Comment: By a Company of Comedians from Goodman's Fields, and both the Theatres Royal, at the New Theatre in Tottenham Court

Performances

Mainpiece Title: Amurath, The Great Emperor Of The Turks; Or, The London Prentice's Glory

Song: Excell

498
13 November 1732 @ Goodman's Fields

Event Comment: DDaily Advertiser, 13 Nov., has a poem: To Mr Giffard, on the New Theatre in Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Dance: TTambourine-Miss Wherrit; Scots Dance-Mrs Bullock; Sailor's Dance-Jones

499
28 March 1733 @ Lincoln's Inn Fields

Event Comment: Benefit Poitier, Petit-Maitre. At the Desire of several Persons of Quality. Tickets at Poitier's at Mr Lamote's in Oxenden Street, near Leicester Fields. Receipts: money #80 15s.; tickets #71 6s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Dance: I: new Scottish Dance-Glover, Mrs Laguerre, Dupre, Mrs Pelling, Legarde, Mrs Ogden; II: Two Pierrots-Poitier, Nivelon; III: new Comic Dance-Nivelon, Pelling, Newhouse, Legarde, Lesac, Mrs Laguerre, Mrs Pelling, Miss Latour, Mrs Ogden, Miss Baston; V: The Judgment of Paris-Poitier, Glover, Pelling, Newhouse, Lesac, Legarde, Mrs Laguerre, Miss Latour, Miss Rogers

Music: IV: (at the Desire of several Persons of Quality) Preamble on the Kettle Drums-Poitier

500
28 May 1733 @ Haymarket Theatre

Event Comment: Benefit Vallois and Mrs Vallois (late Widow to Monsieur Roger, the Pierrot in Drury Lane, Deceas'd). Acted by the Comedians form the Theatre in Goodman's Fields. At the particular Desire of several Persons of Quality. 6:30 p.m. Boxes 5s. Pit 3s. Gallery 1s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet