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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Le Lewes"/1) | (@(roleclean,performerclean) "Le Lewes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1647 results for: Keyword - Le-Lewes

We found 813 matches on Performance Title, 801 matches on Performance Comments, 113 matches on Event Comments, 63 matches on Author, and 0 matches on Roles/Actors.

1601
22 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The School Boy

Entertainment: Bucks Have at ye All-Dodd

1602
27 May 1776 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Fragmentary ]dramatic Entertainments

1603
30 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

1604
16 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Belphegor; or, The Wishes

1605
30 May 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: Les Amans unis par l'Hymen, as17780404

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

1606
05 April 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract; or, The Female Captain

1607
30 April 1779 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

1608
02 December 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Times

Afterpiece Title: The Padlock

1609
05 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Miss in her Teens

1610
22 November 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: The Padlock

1611
12 November 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

1612
02 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance [see17811117] by Henry, Bournonville, Raymond, with a Pas Seul by Mlle Simonet, and to conclude with the Dances introduced in the Masquerade [held at this theatre, 24 Jan.: The Prince of Wales's Minuet, The Emperor's Cossac, The Queen's Allemande, Quadrilles] (composed by Noverre) by Gardel and Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Slingsby, Mlle Baccelli; End of Act II Le Triomphe de 1'Amour Conjugal, as17820110

1613
11 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

1614
25 May 1782 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act I Divertisement Dana, as17811117, but omitted: Gardel, Mlle Baccelli; End of Opera Mirsa, as17820516

1615
12 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Birth Day; or, The Prince of Arragon

Dance: Afterpiece to conclude with a Grand Chorus and Dance (performers not listed)

Song: As17830613

1616
09 October 1783 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Rival Knights

Afterpiece Title: The Devil upon Two Sticks

1617
07 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a Divertissement (composed by D'Aubcrval; the music by Barthelemon) by Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet; with a Cossack by Vestris [Jun.] and Mme Theodore; End of Opera Le Reveil du Bonheur, as17840203

1618
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

1619
14 December 1784 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Citizen

1620
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

1621
24 January 1786 @ King's Theatre

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

1622
29 August 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Dance: As17860706

1623
09 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Vendemmia

Dance: As17890404

1624
15 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Married Man

Afterpiece Title: The Romp

Dance: As17890708

1625
05 December 1789 @ Covent Garden

Performances

Mainpiece Title: The Force Of Fashion

Afterpiece Title: The Citizen