SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Portsmouth"/1) | (@(roleclean,performerclean) "Lady Portsmouth")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4902 matches on Performance Comments, 2484 matches on Event Comments, 545 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rout

Performance Comment: Actors only in bill, but Feeble-Yates; Felix-Obrien; Sir William Wheedle-Palmer; Mrs Furbelow-Mrs Bennet; Rhodamintha-Miss Barton; Lady Never Settle-Miss Pritchard; Blunderbuss-Bransby; Balloon-Blakes; Friendly-Packer (Genest, IV, 542-43).

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17601119, but Lady Anne-Mrs Davies; King Richard-Garrick.
Cast
Role: Lady Anne Actor: Mrs Davies

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Performance Comment: Actors only: Irishman-Moody; Frenchman-Blakes; Scotchman-Foote; Capt Le Brush-King; Gulwell-Packer; Harwood-Austin; Frankly-Baddeley; Williams-Ackman; Lord Brilliant-Castle; Trickit-Fox; Maria-Miss Reed; Prologue-. Lady Wrinkle and Mrs Snarewell-not permitted to be played ($Genest, IV, 612).

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.
Cast
Role: , Actor: a young lady.

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Spring

Dance: IV: (By Desire) Hearts of Oak, as17620925

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches; or, Harlequin Cherokee

Song: IV: Miss Young

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Principal parts by: Beard, Mattocks, Shuter, Gibson, Dibdin, Baker, Mrs Pitt, Miss Poitier, Miss Hallam, Miss Brent. Giles-Beard; Lord Aimworth-Mattocks; Sir Harry Sycamore-Shuter; Fairfield-Gibson; Ralph-Dibdin; Mervin-Baker; Lady Sycamore-Mrs Pitt; Fanny-Miss Poitier; Theodosia-Miss Hallam; Patty-Miss Brent (Edition of 1765); Dances incidental to the opera-Fichar, Duquesney, Sga Manesiere, Miss Wilford, Miss Valois.
Cast
Role: Lady Sycamore Actor: Mrs Pitt

Performances

Mainpiece Title: Comus

Performance Comment: As17641107, but Lady-Mrs Bellamy; Bacchant-Mrs Baker for Miss Miller; Euphrosyne-Miss Poitier.
Cast
Role: Lady Actor: Mrs Bellamy

Afterpiece Title: The Upholsterer

Dance: After the Masque: a Hornpipe-Miss Twist

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Performance Comment: Sir Callaghan-Shuter; Groom-Woodward; Mordecai-Cushing; Sir Theodore-Dunstall; The Lady-Miss Macklin; Sir Archy-Macklin.
Cast
Role: The Lady Actor: Miss Macklin

Dance: I: A Minuet-Fishar, Miss Macklin; IV: The Female Archer, as17661215; End: The Village Romps, as17671008

Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Palmer; Col. Bully (with song)-Vernon; Lord Rake-Ackman; Razor-Baddeley; Mademoiselle-Mrs Cross; Lady Fanciful-Mrs Abington; Belinda-Mrs Jeffries, 1st appearance this stage.
Cast
Role: Lady Fanciful Actor: Mrs Abington

Afterpiece Title: The Devil to Pay

Performance Comment: Loverule-Vernon; Jobson-Love; Lady Loverule-Mrs Lee; Nell-Miss Pope.
Cast
Role: Lady Loverule Actor: Mrs Lee
Event Comment: Mainpiece: Never acted there. Mr Colman's Night. Paid for Licensing the True Born Irishman #2 2s. (Account Book). [See The Irish Fine Lady 28 Nov.]. Receipts: #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-Powell; King-Clarke; Cleremont-Davis; Thrassaline-R. Smith; Dion-Gibson; Pharamond-Perry; Countryman-Morris; Captain-Dunstall; Woodman-Quick; Arethusa-Mrs Mattocks; Megra-Mrs Stephens; Bellario-Mrs Yates; Galatea-Miss Mills; Lady-Mrs Green.
Cast
Role: Lady Actor: Mrs Green.

Afterpiece Title: The Oxonian in Town

Dance: II: A Serious Dance, as17670916; III: The Sicilian Peasants-Sga Manesiere, Mrs Bulkley. [See17641001.

Performances

Mainpiece Title: Macbeth

Performance Comment: As17680204, but MacDuff-Reddish; Malcolm-Cautherly; Banquo-Packer; Lady Macbeth-Mrs Pritchard; The Vocal parts-_Kear.
Cast
Role: Lady Macbeth Actor: Mrs Pritchard
Role: Lady Macduff Actor: Mrs Reddish

Afterpiece Title: The Guardian

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone (1st time)-King; Aesop-Bransby; Charon-Moody; Bowman-Ackman; Fine Gentleman-Dodd; Drunken Man-Love; Mercury-Vernon; Frenchman-Baddeley; Old Man-Parsons; Fine Lady-Mrs Clive; Epilogue (written by H. Walpole)-Mrs Clive.
Cast
Role: Fine Lady Actor: Mrs Clive

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Jefferson; Fainall-Reddish; Witwou'd-King; Sir Wilful Witwou'd-Love; Petulant-Baddeley; Waitwell-Parsons; Millamant-Mrs Abington; Lady Wishfort-Mrs Hopkins, first time; Mrs Marwood-Mrs Egerton; Flible-Miss Pope, for that night only; Mrs Fainall-Mrs Reddish; In Act III by Particular Desire will be introduced a French Songaccompanied by two Guittars,-Vernon, Mrs Abington.

Afterpiece Title: High Life below Stairs

Dance: V: Comic Dance, as17701025

Event Comment: [Last time of performing till the Holidays. Miss Brown identifield by Winston MS 10 and playbill for 29 Oct. 1772 as the young lady, although Miss Potts and Mrs Woodman would seem likely candidates too.] Paid Dunstall the Balance of Theatrical Fund profit #68 1s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-DuBellamy; Buck-Davis; Luke-Lewes; Snarl-Wignell; Fleece-R. Smith; Landlord-Morris; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Kniveton; Landlady-Mrs Gardner; Sally-by the young Lady who performed in the Maid of the Mill and the Fairy Prince.

Dance: II: Comic Dance, as17711031

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Garrick; King Henry-Reddish; Richmond-Aickin; Prince Edward-Miss Rogers; Duke of York-Miss Hopkins; Buckingham-Jefferson; Tressel-Cautherly; Stanley-Bransby; Norfolk-Hurst; Catesby-Packer; Ratcliffe-Wright; Lieutenant-Fawcett; Lady Anne-Miss Younge; Duchess of York-Mrs Johnson; Queen-Mrs Hopkins.
Cast
Role: Lady Anne Actor: Miss Younge

Afterpiece Title: Miss in Her Teens

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Note repeated in subsequent bills. Larpent MS 337 casts the Prelude as follows: Manager-Dyer; Prompter-$Younger; Author-$Kniveton; Carpenter-$Davis; Mr Reinhold-$Mr Lewes; Chairmen-$Saunders, $Fox; Young Lady, her first appearance; servant.] Receipts: #199 5s

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Performance Comment: The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage.

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Aimworth-Mattocks; Sir Harry-Shuter; Giles-Reinhold; Mervin-DuBellamy; Fairfield-Hull; Ralph-Dyer; Fanny-Miss Catley, first time; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Patty-Mrs Mattocks.
Cast
Role: Lady Sycamore Actor: Mrs Pitt

Afterpiece Title: The Deuce Is in Him

Dance: End Opera: New Dance, as17730206

Event Comment: Benefit for Dunstall. Mainpiece: Not acted these 7 years. [See 29 Nov. 1764.] Afterpiece: Not acted these 3 years. [See 2 Dec. 1769.] Charges: #64 5s. Profit to Dunstall #1 1s. 6d., plus #170 17s. from tickets (Box 433; Pit 410; Gallery 36). Paid Whitefield a quarter year's salary #25, and Sarjant ditto, #10. Paid Mrs Carne half year's salary #15 all due Lady Day last (Account Book). Receipts: #65 6s. 6d

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Campley-Woodward; Lord Hardy-Wroughton, first time; Lord Brumpton-Gardner; Trusty-Hull; Puzzle-Dunstall; Tom-Hamilton; Sable-Quick; Cabinet-Davis; Kate Matchlock-Wignell; Trim (with The Cries of London)-Shuter; Harriet-Mrs Bulkley; Charlotte-Miss Macklin; Tattleaid-Mrs Pitt; Fardingale-Mrs Green; Mademoiselle-Mrs Evans; Lady Brumpton-Mrs Mattocks, first time.

Afterpiece Title: The Contrivances

Dance: End: The Irish Lilt, as17721028

Event Comment: Benefit for Mrs Bradshaw, Mrs Johnston and Mrs Millidge. Paid half year's paving &c. to Lady Day last, #14 (Treasurer's Book). Receipts: #151 6s. Charges: #67 11s. 6d. Profits to Mrs Bradshaw, Johnston and Millidge: #83 14s. 6d

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Lottery

Performance Comment: Jenny-Mrs Millidge; Lord Lace-King; Stocks-Parsons; Lovemore-Bannister; Irishman-Hartry; Lady Lace-Mrs Abington (Winston MS 10, and Macmillan); Mrs Stocks-Mrs Bradshaw; Whisk-Ackman.
Cast
Role: Lady Lace Actor: Mrs Abington

Dance: I: Dance-Daigville's Scholars

Monologue: 1773 5 13 The Recruiting Serjeant. Serjeant-Bannister (with song, O What a Charming Thing's a Battle); Countryman-Dibdin; Mother-Mrs Love; Wife-Mrs Wrighten

Event Comment: Venice Preserv'd deff'd on account of Barry's illness. Paid half year's Cleansing &c. to Lady Day last (St Martin's) #11; a Tow Bill 10s. [This tow bill came to this amount monthly for nine months, amounting to #4 10s. for the season. No further note will be taken of it this season.] Paid for Properties #1 7s. 10d. Receipts: #174 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Davis; Sir Harry Sycamore-Hartry; Ralph-Dibdin; Giles-Bannister; Fairfield-Jefferson; Mervin-J. Bannister; Theodosia-Miss Jarratt; Patty-Mrs Smith; Lady Sycamore-Mrs Bradshaw; Fanny-Miss Pope.
Cast
Role: Lady Sycamore Actor: Mrs Bradshaw

Afterpiece Title: The Elopement

Dance: I: The Sailors Revels-Atkins

Event Comment: Doors open at 5 o'clock. Play begins at 6 o'clock. [Young Lady identified by Kemble note on playbill and by Winston MS 10. Her identity appears from playbill of 13 Oct. where her name occurs in character of Rosetta along with the statement that it is her fourth appearance on any stage. She appears on the weekly payroll from the first week at 16s. 6d. per day (Account Book). The Westminster Magazine believed her to be no actress (October issue): "Her musical powers were not extraordinary; her acting powers still worse."] Receipts: #206 14s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Shuter; Hawthorn-Reinhold; Young Meadows-Mattocks; Sir W. Meadows-Baker; Eustace-Dyer; Hodge-Dunstall; Deborah-Mrs Pitt; Margery-Mrs Baker; Lucinda-Mrs Mattocks; Rosetta-a Young Lady (Pupil of Dr Arne) first appearance any stage [Miss Jameson]; [With a Dance [incidental to the opera-.
Cast
Role: Rosetta Actor: a Young Lady

Afterpiece Title: The Intriguing Chambermaid

Dance: The Fingalian Dance-Mas. Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.
Cast
Role: Lady Macbeth Actor: Mrs Hartley.

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece: not acted these two years. [See 23 May 1773.] [Young Lady identified by Hopkins MS Note.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Lewis, first time; Myrtle-Wroughton; Sealand-Clarke; Sir John Bevil-Fearon; Cimberton-Shuter; Humphry-Thompson; Daniel-Hollingsworth; Tom-Woodward; Phillis-Mrs Mattocks; [first time; Lucinda-Mrs Whitefield; Mrs Sealand-Mrs Pitt; Isabella-Mrs Hull; Indiana-a Young Lady [never on any stage [Mrs Armstead]; [In II, a Song-DuBellamy.
Cast
Role: Indiana Actor: a Young Lady

Afterpiece Title: The Sylphs

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Romance of An Hour

Performance Comment: Parts by: Shuter, Bensley, Clarke, Lee Lewes, Quick, Dunstall, Miss Pearce, Mrs Green, Mrs Bulkley. With a New Prologue and Epilogue. Sir Hector Strangeways-Shuter; Brownlow-Bensley; Col. Ormsby-Clarke; Bussora-Lee Lewes; Orson-Quick; Pillage-Dunstall; James-Bates; Jenny-Miss Pearce; Lady Di Strangeways-Mrs Green; Zelida-Mrs Bulkley; With a New Prologue by Kelly-Lee; Epilogue by Kelly-Mrs Bulkley (Edition of 1774).

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]