SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Mary Stuart"/1) | (@(roleclean,performerclean) "Lady Mary Stuart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5289 matches on Performance Comments, 2577 matches on Event Comments, 601 matches on Performance Title, 110 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Dance: II: Tambourine-Jardin; III: Dutch Dance-Cooke, Miss Hillyard; V: Grand Scots Dance-Cooke, Miss Hillyard

Song: IV: Go Rose-Miss Falkner

Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Performances

Mainpiece Title: Alfred

Performances

Mainpiece Title: Othello, By Gentlemen

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: A Lick at the Town

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Chaplet

Dance: Devisse, Mad Auretti

Performances

Mainpiece Title: The Conscious Lovers

Dance: I: Grand Ballet call'd Pigmalion-Cooke, Miss Hillyard; II: The Gondoliers, as17510117, but _Jardin; III: Grand Scots Ballet, as17500926; IV: Dancing-Mad Heutte being the first time of her appearing of the English Stage; End: Louvre and Minuet-Cooke, Miss Hillyard

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Tom Thumb

Dance: TThe Characters of Dancing, as17510426 Grand Scots Ballet, as17500926

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Dance: Phillips

Song: Platt, Master Phillips

Event Comment: Mainpiece: By Particular Desire. We are assured that Mr Barry is so well recover'd from his late illness, that he will appear on Thursday next, in the character of Lord Townly in the Provok'd Husband; and that Mrs Cibber will perform the part of Lady Townly

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: Mourning Bride

Afterpiece Title: The Shepherd's Lottery

Dance: Mad Auretti

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Contrivances

Dance: GGrand Dutch Dance, as17511021

Performances

Mainpiece Title: Mrs Midnight's Grand Concert

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Anatomist

Dance: A Provincial Dance-Sg Piettro, Mad Auretti

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Duke and no Duke

Song: II: A New Cantata (compos'd by Mr Arne)-Beard; III: Singing-Master Vernon; IV: The Incantation Song in Dryden's Indian Queen (composed by Purcell)-Beard